Filmmaking

HELLO, WORLD: EMERGING NARRATIVE FILMMAKER MARC MAURINO, PART 2

Hello there. My name is Marc Maurino, as the byline indicates, and close watchers of this blog might remember that a few days ago there was a post entitled “Why I’m Looking For a Producer at Independent Film Week.” That post just dove into what I’m looking for in a producer and was scant on background information about myself, because it actually started life as a letter I wrote to Filmmaker magazine editor Scott Macaulay a few weeks ago, in response to his query in one of his editor’s letters about an upcoming article for the magazine (yes, I sometimes […]

By Marc Maurino on Sep 19, 2010 Filmmaking
INTERACTING WITH “THE SOCIAL NETWORK”

Here’s the interactive version of the trailer for David Fincher’s upcoming The Social Network.

By Scott Macaulay on Sep 18, 2010 Filmmaking
SOLVING THE PROBLEMS OF DIGITAL PHOTOGRAPHY

By Scott Macaulay on Sep 17, 2010 Filmmaking
PRODUCING ONE HUNDRED MORNINGS, PART TWO

Below is the second blog post from Katie Holly, producer of One Hundred Mornings, winner of the Workbook Project’s Discovery and Distribution Award. It begins a one-week run today at L.A.’s Downtown Independent. As I mentioned in my last post One Hundred Mornings was made as part of the Catalyst scheme, which was established to give writers, directors and producers a chance to make their first feature. Essentially it was a competition, and three winning films were given a chance to make a movie, fully financed and with additional production support provided in the form of mentorship. The mentorship element […]

By Scott Macaulay on Sep 17, 2010 Filmmaking
Nicholas Rombes Goes Into the Splice

If you remember my interview with Nicholas Rombes about his “10/40/70” series at The Rumpus a while back, you’ll know that I am a big fan of his original approach to film writing. Over at The Rumpus he looks at film through a deliberately tightened lens — examining a movie by only considering the scenes occurring at the 10, 40 and 70 marks. So, I was thrilled when Nicholas (pictured) subsequently proposed a new column for Filmmaker. It’s called “Into the Splice,” and it debuts today. (And, no, it’s not about editing.) In this series, Nicholas writes about the pleasures […]

By Scott Macaulay on Sep 17, 2010 Columns
WHY I’M LOOKING FOR A PRODUCER AT INDEPENDENT FILM WEEK

I produced my last short, which, with a cast/crew of 20, paying almost everyone, camera package out of L.A., film from NYC, housing and feeding everyone for five days, etc… — nearly killed me. So I’m clear on the fact that while I’ll likely take (and earn) a producer credit on my first feature, I desperately want someone who is going to take over the management of the project and someone who is going to nurture me. The biggest problem I found with self-producing is that I couldn’t take the time for myself as an artist to regroup and center […]

By Marc Maurino on Sep 17, 2010 Filmmaking
CONOR HORGAN ON POST-APOCALYPSE AND ONE HUNDRED MORNINGS

Here’s the first of two blog posts from writer/director Conor Horgan, whose One Hundred Mornings received the Workbook Project Discovery and Distribution Award and runs beginning this week at Los Angeles’s Downtown Theater. — S.M. There’s an old saying, that you should write what you know. I think you should also write about what scares you, and the world we’ve created in One Hundred Mornings scares the hell out of me. As we prepare for our week of screenings at the Downtown Theater, I’m reflecting on some of the real-life inspirations for the film, and what motivated me to make […]

By Scott Macaulay on Sep 16, 2010 Filmmaking
IFC TAKES “HARVEY WEINSTEIN PROJECT”

In a release today, IFC Films has announced they have acquired the worldwide rights (excluding Canada) to Barry Avrich‘s documentary, Unauthorized: The Harvey Weinstein Project. The release touts the film as a “powerful, uncensored, no-holds-barred account that traces Weinstein’s path from concert promoter on the cold streets of Buffalo to his first trip to the Cannes Film Festival, where he arrived with one pair of pants and closed his first movie deal, to winning an Oscar, and breaking the bank with his first $100 million film. It examines his complex relationships with his brother, his staff, and the Hollywood community […]

By Jason Guerrasio on Sep 16, 2010 Filmmaking
MARK ROMANEK DISCUSSES NEVER LET ME GO

I love Mark Romanek’s new Never Let Me Go (opening this weekend) and will have some thoughts — not a review, I decided — about and inspired by the film on the site this week. Jamie Stuart spoke to the director here on Tuesday in a big theater with red seats. Below is his take on the man on that day. You can download the video here.

By Scott Macaulay on Sep 16, 2010 Filmmaker Videos
TORONTO: NATIONAL INQUIRER: ERROL MORRIS AND “TABLOID”

I admit a certain obsession with cell phone Scrabble, the band Beach House, and of course, Errol Morris. While the first two are relatively recent acquisitions, that last one has been around for a while (since Cannes 2003 to be exact, and an interview on his film The Fog of War). Morris’ goofy sense of humor remains as addictive as his philosophical and cinematic wanderings. With his latest documentary, Tabloid, my obsession with Morris and his obsessions—in this case, an obsessive beauty queen and the reporters obsessed with her—has reached new heights. While you’re waiting with bated breath for Tabloid to […]

By Livia Bloom Ingram on Sep 16, 2010 Filmmaking

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