On the last day of Independent Film Week, I asked myself: Self, am I a filmmaker or a brand? Quickly realizing what a thorny Mobius strip of a question that was, I conveniently hied myself over to the panel entitled … Am I a Filmmaker or a Brand?, being moderated by writer/director/Hammer to Nail blogger Michael Tully (Cocaine Angel, Silver Jew), in what was billed as a “Cage Match” between Michelle Satter, director of the Sundance Institute, and Jon Reiss, filmmaker/author of the marketing and branding tome “Think Outside the Box Office.” Thanks to a conveniently timed Facebook post, I […]
“Stranger than Fiction,” the annual documentary series at the IFC Center, opens tonight with Jeff Malmberg’s Marwencol, winner of the Best Documentary award at SXSW, Comic-Con and SIFF. From tonight’s program notes: On April 8, 2000, Mark Hogancamp was attacked outside of a bar in Kingston, NY, by five men who beat him literally to death. Revived by paramedics, Mark had suffered brain damage and physical injuries so severe even his own mother didn’t recognize him. After nine days in a coma and 40 days in the hospital, Mark was discharged with little memory of his previous life. Unable to […]
Stunningly sad news today that Oscar-nominated editor Sally Menke, known for cutting all of Quentin Tarantino’s films, died sometime Monday while hiking in Los Angeles’s extreme heat. She had set out with a friend in Bronson Canyon; after an hour, her friend turned back, and when Menke didn’t return police were called. Her body was found at the bottom of a ravine with her dog at her side. The Los Angeles Times has the details. In the public mind, editors are sometimes judged by the flashiness of their cutting, a style Tarantino’s films have never embraced. But his films are […]
Here’s another report from a part of Independent Film Week that I’ve written a little about, but which is actually a huge—or at least, half—of IFW—the conference. I previously described the Project Forum situation, but get this—when we were out of our meetings, we had the opportunity to walk outside and around the block to an auditorium where every hour, on the hour, assembled experts, case studies, and assorted panels were weighing on various subjects. If you’re an aspiring filmmaker and don’t have a project in Project Forum, it would still be extraordinarily worthwhile to get a week pass just […]
Last night British director Chris Cunningham premiered a new short work, New York is Killing Me, at the Museum of Modern Art. An “audio-visual remix” of the song by Gil-Scott Heron from his new album, the piece was projected on three screens and was both darkly beautiful as well as unexpectedly simple. Far from the stutter-step hyperglitch and shocking imagery of his short Rubber Johnny and some of his Aphex Twin videos, New York is Killing Me was dreamy in both seductive and menacing ways. A close-up of Scott-Heron singing the song occupied the left side of the middle screen […]
So if you’re reading this, it means Filmmaker Magazine hasn’t cut off my access to blog at this site yet, and I’m here with another report. Independent Film Week has officially ended as I write this, but it’s a testament to IFP and the power of being part of the Emerging Narrative/Project Forum that it feels as if so much new has started—new connections, new possibilities, new friends, new outlook on the indie film world, and a new sense of my own work. When I last checked in, I described the setup of the Project Forum meetings, which lasted through […]
Thanks to the Workbook Project for allowing us to cross-post this interview with Ben Moskowitz of the Open Video Conference. Filmmaker readers can receive a special discount to attend this year’s conference by clicking here and entering the discount code FILM20. The Open Video Conference returns to NYC with a stop at FIT for two days of conference Oct 1st and 2nd and a special hack day on Oct 3rd. We caught up with Ben Moskowitz who’s pulling the event together to get a better sense of what to expect. WorkBook Project: What is OVC and what’s new this year? […]
Here’s part one of five from yesterday’s press conference of the New York Film Festival’s opening day film, The Social Network, at Lincoln Center yesterday. Parts two through five can be seen at the film’s YouTube site.
A highlight of last year for me was the Open Video Conference, a two-day seminar uniting thinkers, technologists, software developers and activists around the concept of “open video” — that is, open, non-proprietary standards allowing video to be generated and distributed on the web with the same ease as text. For a taste of what last year was like, read my coverage here. I’ll be attending this year’s conference at the Fashion Institute of Technology this coming Friday and Saturday, October 1 and 2. The organizers have kindly offered a discount to Filmmaker readers, so if you’d like to attend, […]
Starting with Jesse Eisenberg, stills from today’s red carpet and press conference by Jamie Stuart, whose filmic ode to this year’s New York Film Festival will be up on the site soon.