Filmmaking

A FILMMAKER’S GLAMOROUS LIFE: JAKE MAHAFFY

In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Jake Mahaffy. Filmmaker: How did you support yourself during the production of your last movie/movies? Mahaffy: I’m an Associate Professor of Art & Film at Wheaton College in Massachusetts so I have a full-time teaching position. Filmmaker: What is good/not good about this kind of job? Mahaffy: It’s […]

By Scott Macaulay on Aug 3, 2009 Filmmaking
A FILMMAKER’S GLAMOROUS LIFE: DOUG BUCK

In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Doug Buck, whose response arrived after we went to press on Robinson’s piece. Filmmaker: How did you support yourself during the production of your last movie/movies? Buck: The same way I have supported myself for the last 20 years — electrical engineering. I specialize in airfield lighting design […]

By Scott Macaulay on Aug 2, 2009 Filmmaking
A FILMMAKER’S GLAMOROUS LIFE: LIZA JOHNSON

In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Liza Johnson. I work as an art professor, teaching film and video at an undergraduate college. I’ve made a bunch of short films and video art exhibitions during the time I’ve taught there. In important structural ways, the job has been very supportive — you always get summer […]

By Scott Macaulay on Aug 1, 2009 Filmmaking
A FILMMAKER’S GLAMOROUS LIFE: TZE CHUN

In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Tze Chun. Filmmaker: How did you support yourself during the production of your last movie/movies? What was good/not good about this kind of job(s)? Chun: I didn’t go to grad school, but was committed to making films. So I opted to do a bunch of short-term work rather […]

By Scott Macaulay on Jul 31, 2009 Filmmaking
SURVEY ON ARTISTS AND THE RECESSION

The following email was passed along to us by the NYC Dept. of Cultural Affairs: Dear colleagues: A national survey entitled “Artists and the Economic Recession” is being undertaken to assess conditions for working artists in the current economic climate. The survey has been commissioned by Leveraging Investments in Creativity (LINC), a non-profit advocacy and service organization. The goal is to generate a meaningful national census of the conditions that individual artists currently face, and to conduct a baseline assessment of this vital population, for use by funders, advocates and other stakeholders. To help ensure robust participation among New York […]

By Scott Macaulay on Jul 31, 2009 Filmmaking
A FILMMAKER’S GLAMOROUS LIFE: SAM GREEN

In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Sam Green. Filmmaker: How did you support yourself during the production of your last movie/movies? And what was good/not good about these jobs? Green: I’ve done a bunch of different things to support myself while making films. I started off doing freelance editing. I did some terrible outdoors/nature […]

By Scott Macaulay on Jul 30, 2009 Filmmaking
ON THE MAIN PAGE: CHRIS FULLER, THE DARDENNES, AND ARMANDO IANNUCCI

Up on the main page are three web-only interviews of particular interest. The first, posted moments ago, is David Lowery’s interview with Chris Fuller, director of Loren Cass. This no-budget indie (nominated for a Filmmaker-sponsored Gotham Award) is in theaters now from Kino and scored a surprise rave from Nathan Lee in the New York Times. I saw the film a couple of years ago at Cinevegas and was intrigued by its blend of art film aesthetics and documentary style realism. Lowery’s interview really gets at these issues and I recommend it; it’s a great read. Also up is Nick […]

By Scott Macaulay on Jul 29, 2009 Filmmaking
Director Chris Fuller on Loren Cass

There’s something to be said about not being eager to please. Chris Fuller’s Loren Cass is an aggressively confrontational debut, all the more so because it is so resolutely restrained in its approach. So seemingly oblique is Fuller’s approach that one feasibly could make it through the entire film and not realize that its subject matter is the aftermath of the 1996 St. Petersburg riots; but on the other hand, that subject matter is so deeply ingrained in the film’s form that it doesn’t matter. Loren Cass doesn’t so much deal with its themes as it ingests them, and then […]

By Jason Guerrasio on Jul 29, 2009 Directing
A FILMMAKER’S GLAMOROUS LIFE: NATALIA ALMADA

In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Natalia Almada. Filmmaker: How did you support yourself during the production of your last movie/movies? Almada: I was very lucky with El General because I was able to support myself with funding for the film for the most part of the production. It was only in the very […]

By Scott Macaulay on Jul 29, 2009 Filmmaking
BLOGGING FROM THE SUNDANCE CREATIVE PRODUCING LAB: THOMAS WOODROW, PT. 2

Here is producer Thomas Woodrow’s final post wrapping up his experience at this year’s Sundance Creative Producing Lab. When last we met, I was on my way to the Sundance Creative Producing Lab to answer a few pressing questions about my upcoming project, The Skeleton Twins, as well as creative producing in general. The Lab was an amazing experience, not only on the level of the exchange of information (which was a veritable fire hose) but also, and at least as importantly on the depth of the conversation in which we engaged together. It is one thing to swap war […]

By Scott Macaulay on Jul 28, 2009 Filmmaking

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