Filmmaking
Filmmaking
-
“Technology Has Come A Long Way”: Todd Douglas Miller And E. Chai Vasarhelyi On Going Big With Apollo 11 And Free Solo At IFP Week 2019
Documentaries have been making bank at the box office the last couple years, which is heartening for anyone worried the blockbusters are the only game in town. Still, you don’t necessarily have to see small, intimate fare like Won’t You Be My Neighbor?, RBG and Three Identical Strangers on a giant screen. You can’t say the same about Free Solo and Apollo 11. One finds cutting-edge cameras hanging alongside mountain climber Alex Honnold; the other unearths 65mm footage of the eponymous spaceflight. Both played IMAX theaters, and they were an even better fit on the world’s biggest screens than the […]
-
“You Get To Be In Places You Have No Business Being”: Political Filmmakers Talk About Telling Big Stories With A Small Focus At IFP Week 2019
For documentarians, especially ones who focus on politics, it’s not enough to have a strong and vital subject. You need a way to get audiences engaged. The participants at the “Politically Engaged” panel at IFP Week 2019 know that all too well. Take Jehane Noujaim. Along with her creative partner Karim Amer, she makes docs about hot topics: the Egyptian Crisis in 2013’s The Square, the Cambridge Analytica Scandal in this year’s The Great Hack. But they’re not expository info dumps. They’re verité, following people, not merely ideas. Noujaim realized that earlier on. She got her start working with the […]
-
Mica Levi Composes for the Music-less Commandos of Monos
Transcribing a verbal interview can calcify its fluidity. Congealed to text, the spontaneity of a subject’s ongoing efforts to articulate their process is reduced, encouraging readers to mistake the record as definitive. Some interviewees ponder the permanence of their words anxiously and fear fumbling, saying what they don’t mean, or what they might not in a month or a year. But composer Mica Levi’s (Marjorie Prime, Jackie, Under The Skin) oral replies retain their suppleness on the page. Her understanding of her score for Alejandro Landes’ Monos, about a group of teenage commandos flummoxing their military responsibilities atop a mountain […]
-
Flies Collective Announces Third Annual Film Grant Recipients
Flies Collective, the Brooklyn-based production company and micro-budget funding body led by principals Daniel Patrick Carbone, Matthew Petock and Zach Shedd, announced today the four films that will receive a total of nearly $20,000 in fiscal support via the group’s annual film grant. The films are Sarah Friedland’s Familiar Touch, Max Walker-Silverman’s Chuj Boys of Summer, Brittany Shyne’s Seeds, and Sophia Feuer’s Space Lady. Said the Flies Collective team in a joint statement, “The whole idea behind the grant was that we wanted to offer no-strings-attached support to projects that don’t typically fall within the parameters of traditional grants. This […]
-
“Deragh Had Never Skydived Before…” Five Questions for Writer/Director Kazik Radwanski about His TIFF-Premiering Anne at 13,000 Ft.
Overwhelming anxiety, bad workplaces and ill-advised self-medication are all very on-trend for 2019—Kazik Radwanski’s Anne at 13,000 Ft is right for the moment. A Torontonian child care worker at a government-run facility, Anne (Deragh Campbell) is the protagonist of a handheld drama whose initial energy is very in a post-Dardennes vein, with nervy-but-not-illegibly-jumpy camerawork following her. One way to add production value to your lowish-budget production is suggested by the opening, where Anne skydives out a plane as part of a bachelorette party (!). The footage is clearly unfaked and my nightmare; smartly intercutting between the build-up and her job, a […]
-
25 New Faces of Independent Film 2019
Click here to read this year’s 25 New Faces of Independent Film list.
-
“‘I Have My Real-life Self and My Online-Self, Just Like Everybody Else'”: Liza Mandelup on Teenage Social Media Stars and Her Hulu-Premiering Doc, Jawline
“I’m telling you guys,” says 16-year-old Austyn Tester, sitting in a leather computer chair and speaking into his Macbook’s webcam. The otherwise bleak, wood-panelled room he sits in is completely taken over by soft lighting equipment; the camera pans from his perfectly coiffed hair down to his dirty socks and stained carpet. “If you’ve got a dream, you’ve got to chase it. Don’t let anyone’s opinions affect you.” In director Liza Mandelup’s feature doc debut, Jawline, Austyn speaks to himself as much as he does to the gaggle of teen girls that are watching him live-stream his motivational speech. He […]
-
Back To One Ep. 69: Ruben Santiago-Hudson
Actor/writer/director Ruben Santiago-Hudson is the kind of artist whose awe-inspiring dedication to the work can almost be overwhelming. He won a Tony Award for his performance in August Wilson’s Seven Guitars. His autobiographical play Lackawanna Blues was a sensation at the Public Theater and went on to be an award-winning HBO film. He started directing plays (particularly Wilson’s) and is now one of the most sought-after directors working in theater. His production of Jitney on Broadway won the Tony award for Best Revival of a Play. As an actor, he can currently be seen on Showtime’s Billions and recently on […]
-
Capturing Social Change through Clothing: Once Upon a Time…in Hollywood Costume Designer Arianne Phillips on Dressing Quentin Tarantino’s Latest
Hawaiian shirts. Leather jackets. Go-go boots. These are just a few of the costume staples that leave a defining visual mark on Once Upon A Time … In Hollywood, Quentin Tarantino’s latest film in which real history is viewed through a fictionalized lens. We are in 1969, a year of change — both in Hollywood and the U.S. Think the start of the Nixon presidency, the eroding of the studio system before the artistically adventurous New Hollywood came to the rescue and yes, the Manson Family murders that claimed five lives, including that of a very pregnant Sharon Tate, actress […]
-
“It’s a Movie About LA and Driving in LA — When You Could Actually Drive in LA”: Production Designer Barbara Ling Recreates the Open Streets of 1969 LA for Once Upon a Time… in Hollywood
Once Upon A Time… In Hollywood’s production designer Barbara Ling built the lurid worlds of the most perverted Batman movies: Joel Schumacher’s Batman Forever and Batman & Robin, where Uma Thurman (as Poison Ivy) strips out of a pink gorilla suit while golden Tarzans in table cloths swing from vines and lay belly down to form a human path for her to walk on. I’d be lying if I told you D.P Stephen Goldblatt’s close ups of Batman and Robin’s rubber derrieres and armor nipples haven’t been secured into an easily accessible shelf at the top of my memories, which […]
