Viggo Mortensen always seemed like the kind of actor who would insist on eating a dozen hot dogs in a scene if his character did the same. Green Book cinematographer Sean Porter confirmed those suspicions. “We shot a hot dog eating contest and Viggo was cramming them in at full speed every take,” laughs Porter. Green Book provided Mortensen (and his digestive system) with ample opportunities to display that kind of commitment to authenticity. In the based-in-fact story, Mortensen plays Tony Vallelonga, a Bronx bouncer with a penchant for gluttony who accepts a job driving a refined piano virtuoso (played […]
Writer-director Barry Jenkins solidifies his position as one of the current cinema’s most empathetic and visually (and aurally) expressive filmmakers with his third feature, If Beale Street Could Talk. Adapted from a 1974 novel by James Baldwin, the film tells the story of Tish and Fonny, a young couple whose dreams are cut short by Fonny’s wrongful imprisonment; moving back and forth between the early days of their love story and the brutal reality of their present, Jenkins crafts a masterpiece that is simultaneously achingly, hopefully romantic and unblinking in its portrait of social injustice. While Moonlight drew upon cinematic […]
We’re catching Alessandro Nivola at a very interesting moment in his career. A day before our talk, he was awarded Best Supporting Actor at the British Independent Film Awards for his incredible performance in Disobedience, and a few days before that it was announced that he will star in David Chase’s Sopranos prequel The Many Saints of Newark. He talks about the benefits of having time to prepare for the role of Rabbi Dovid Kuperman and facing the challenge of delivering that important climatic speech. And how, for him, inhabiting a character often starts with the voice. Plus he confesses […]
As the owner and visual effects supervisor at Filmworks, FX, Inc., Ken Locsmandi has worked on films by major directors like David Fincher, David O. Russell and the Wachowskis. In the last couple of years, he has expanded his company’s scope, producing his own films in an attempt to put his expertise and resources to use on independent work that can stand alongside studio productions costing literally hundreds of times what he has to spend. When I saw Locsmandi’s directorial debut, Beyond White Space, as it traveled around the film festival circuit this year, I was stunned by its level […]
Jason Manzoukos has made a living “bringing the funny” in tv shows like The League, Parks and Recreation, Brooklyn Nine-Nine, The Good Place, and movies such as The House, and The Dictator. Now he stars in Hannah Fidell’s The Long Dumb Road with Tony Revolori (The Grand Budapest Hotel). In this half hour, I send him down a rabbit hole on the evolution of comedy, he tells a great story about getting the hard truth from a casting director early in his career, and talks about when to “pitch an alt.” Plus I forbid all comedic podcast banter and he […]
James Ransone doesn’t like to talk about himself. He also doesn’t like to talk about acting. This might have been a disastrous interview except that his expressed frustration at having to speak about these things actually spawned an interesting and raw conversation about acting. I first noticed Ransone in the role of Ziggy in Season 2 of The Wire. He went on to star in the HBO miniseries Generation Kill, and in movies like Sinister, Tangerine and Spike Lee’s Oldboy remake. This year he played an astronaut in Hulu’s The First and he’s now shooting IT Chapter 2. His direct, […]
You recognize Eric Lange. He’s been a working actor for 20+ years, with extensive theater work and a long list of television and film credits (Narcos, Lost, Weeds, The Bridge, to name a few recent ones). For Escape at Dannemora (directed by Ben Stiller), he gained 40 pounds to play Lyle, husband of Patricia Arquette’s character, in the Showtime limited series based on the real-life prison break. He tells a wonderful, “outside-in” tale of finding a way into Lyle through some magic teeth, and waxes about the “getting paid to wait” life of acting for the camera. Back To One […]
Simone Missick is best known for playing Misty Knight in the Netflix/Marvel series Luke Cage (as well in The Defenders and Iron Fist). She tells a great story of getting that part, and her game plan for auditioning in general, and also talks about knowing when to offer script changes, even for Marvel material! Then we talk about her important new film Jinn, about a teenager torn between her burgeoning sexuality and her mother’s newfound Muslim faith. Jinn is now available on VOD and Digital. Back To One can be found wherever you get your podcasts, including iTunes, Google Play, […]
Melissa Leo has acquired a lot of acting wisdom. On this episode, she graciously shares some. She was nominated for an Academy Award for her incredible performance in Frozen River, and won one for playing Alice Ward in The Fighter. Recent notable performances can be found in Francine, The Most Hated Woman In America, and her latest, Unlovable, where she plays opposite Charlene deGuzman, who co-wrote the script based on her real-life experiences in a program for sex and love addiction. Leo talks lovingly about that production, and about how she sometimes gleans more substantial info from a dolly grip […]
With over 100 films in his legendary career filled with versatile, bold, and iconic performances, Willem Dafoe is one of the most respected actors of our time. His artistic curiosity in exploring the human condition leads him to projects all over the world, giant Hollywood movies as well as small independent films. In this episode he talks about inhabiting Vincent van Gogh through the act of painting for his latest film, At Eternity’s Gate, and how being part of a strong director’s vision is actually freeing. Plus I try to get him to talk a bit about the nuts and […]