Directors
Interviews - Directors
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“Ordinary People Doing Extraordinary Things”: George C. Wolfe on Rustin
It might seem strange for an actor to have a breakout year at age 54. To those who witnessed Colman Domingo’s star rise on the New York theater scene in the early aughts and would cringe at now labeling the actor a “discovery”—I don’t disagree! I first encountered Domingo’s stage work in summer 2008, in the Broadway premiere of Passing Strange that would be filmed a few days later by Spike Lee. (Looking over Domingo’s earlier theater credits, I realize now that I would’ve first seen him in the 2003 Shakespeare in the Park production of Henry V, but the […]
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Cannes 2023: Sean Price Williams and Nick Pinkerton on The Sweet East
Originally published during the 2023 Cannes Film Festival, our interview with Sean Price Williams and Nick Pinkerton about their recommended feature, The Sweet East, is being reposted today as the film is in theatrical release from Utopia. America’s fraught political present meets the less savory corners of cinema’s past in The Sweet East, the first feature directed by celebrated cinematographer Sean Price Williams. Penned with typically acerbic wit by film critic Nick Pinkerton, The Sweet East stars Talia Ryder in a should-be-star-making performance as Lilian, a high school senior who impulsively runs off while on a class trip to Washington, […]
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“Why Make It Simple?” Pedro Costa on The Daughters of Fire
In 1951, a volcano erupted on Fogo, one of the Cape Verde islands. That incident is the starting point for The Daughters of Fire, an experimental short by the Portuguese director Pedro Costa. Costa splits the screen into panels portraying three women—Adelaide, Clotilde, and Irodina—singing over an arrangement of Biagio Marini’s “Passacaglia (Opus 22).” The film ends with footage from A Erupcao do vulcao da ilha do Fogo, a 1951 documentary by ethnologist Orlando Ribeiro. The films are part of Canción de Pedro Costa, a museum exhibition currently touring Europe. In museums the films are projected separately in three different […]
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“I Have Never Seen Any Restaurant Movies”: Frederick Wiseman on Menus-Plaisirs Les Troisgros
Haute cuisine as a form of artistic creation—one both time-intensive in its preparation and ephemeral in its shelf-life—and how to keep such a tradition alive is at the center of Frederick Wiseman’s Menus-Plaisirs Les Troisgros. Whittled down from 150 hours of footage, the four-hour documentary takes on a leisurely pace matching both the unhurried unfolding of the dining experience at the titular restaurant and the elaborate process of crafting a meal. Beyond showing us the preparation of the food and every conceivable method of cookery, Wiseman brings us the source of it, too, following the Troisgois chefs as they visit […]
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Encounters with the Coachella Valley Landscape: Terra Long on Feet in Water, Head on Fire
Terra Long’s exquisite debut feature film, Feet in Water, Head on Fire, is at once cine-essay, landscape film and sensory investigation into the production of space. The space in question is the Coachella Valley of Southern California, on traditional Cahuilla territory, a place produced and transformed over multiple eras by overlapping mythologies, migrations and capital accumulation strategies. Arid, hot and prone to tectonic trauma, the landscape is challenging to many kinds of harvest, save the tenacious date palm, a species widely cultivated across North Africa, the Middle East and South Asia with roots in Arabia stretching back millennia. That the […]
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“Where Exactly Does Consent Live?” Rea Tajiri on Wisdom Gone Wild
Rea Tajiri’s Wisdom Gone Wild takes a hard look at a difficult subject. Tajiri’s 93-year-old mom Rose is a witness to the US’s dark concentration camp history, having been incarcerated along with the rest of her Nikkei farming family during the Second World War. Primarily through Rose’s engaging tales, alongside home video and family photos, Tajiri goes (and takes us) on a decade-plus, nonlinear cinematic journey— neatly paralleling Rose’s own thought process, as the veteran filmmaker’s mom began her dementia decline at the age of 76—or should I say, dementia “reinvention.” For far from being a tragic story about “losing” […]
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“The Crueler My Friends Are, the Funnier I Think They Are”: Emerald Fennell on Saltburn
“I wanted to make something about a desire so intense that it destroys everything around it,” says Oscar-winning writer-director Emerald Fennell of Saltburn, her opulent sophomore psychodrama about class, obsession and longing set in an English countryside estate. “That locust cannibal obsession that I think we’ve all felt about someone that makes you completely lose your fucking mind.” In Saltburn, it’s Barry Keoghan’s humble and unknowable Oxford novice Oliver Quick who feels that fixation. His object of desire and fascination is Jacob Elordi’s dreamboat Felix Catton, an upper-class cool guy who welcomes Oliver into his inner circle, and later, to […]
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“I Rejected the Concept of Linearity”: Leslie Tai on How to Have an American Baby
Sprawling in scope, observational in form and jaw-dropping in access, Leslie Tai’s How to Have an American Baby shows exactly what its title describes. The title is also the name of a sales talk one of the doc’s characters gives to Chinese moms with the financial means to travel and gift their future offspring US citizenship. The Chinese-American director takes her viewers on the wildest of rides through a birth tourism industry hiding in plain, sunny SoCal sight: underground maternity hotels run by shady operators and filled to the brim with expectant mothers, local hospitals employing doctors in on the […]
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“The Pendulum Can Only Swing So Far Before the Industry Realizes That There is More to Film, and Life, Than Celebrities and Murderers”: Frances Henderson on Her Essay Doc, This Much We Know
“I think the reason we’ve never pinpointed the real beginning to this genre is because we’ve never agreed on what the genre even is. Do we read nonfiction in order to receive information, or do we read it to experience art? It’s not very clear sometimes… I am here in search of art.” — Jon D’Agata When I interviewed documentary filmmaker Frances Henderson for Filmmaker‘s 25 New Faces list in 2014, she discussed the above quote from author Jon D’Agata, noting that it held pride of place on the moodboard that hung above her desk. ” I am very much […]
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“The History of Racist Ideas”: Roger Ross Williams on Stamped From the Beginning
Though I’ve not read Dr. Ibram X. Kendi’s New York Times bestseller Stamped From the Beginning: the Definitive History of Racist Ideas in America, I’m guessing the National Book Award-winner might not be the most obvious material for the big screen. Which is why I was a bit surprised when I finally watched the TIFF-debuting Netflix doc Stamped From the Beginning, Roger Ross Williams’ cinematic and often playful take on the professor-author’s quite heavy subject matter. Indeed, any film that opens with its (Black) director ambushing his (Black) talking heads with the query/salvo, “What is wrong with Black people?” is […]
