Screenwriters
Interviews - Screenwriters
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“In a Strange Way, the Film Feels Absolutely New to Me”: Director Tom DiCillo on the Release of the Director’s Cut of His 2006 Feature, Delirious
Set in and around New York’s meatpacking district in the mid-aughts, Tom DiCillo‘s 2006 drama/comedy Delirious is a film about mercenary paparazzi, venal agents and managers, and the commercial manufacture of fame. That said, the picture, available now on Blu-ray and digital platforms in an official directors cut 15 years after its release, is surprisingly sweet. Set well before Instagram and TikTok created new categories of celebrity, Delirious depicts a world where genuine human emotion can co-exist amidst planted Page Six items and staged photo calls. In a rich performance snapping from broad comedy to lacerating self-pity Steve Buscemi plays Les […]
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Pre- and Post-Pandemic Rohmer: Ryūsuke Hamaguchi on Berlinale 2021 Premiere Wheel of Fortune and Fantasy
Even after two of his features were derailed by the pandemic, Japanese director Ryūsuke Hamaguchi had a busy 2020. After breaking out with his 2016 film Happy Hour, Hamaguchi returned in 2018 with what he described as his first “commercial film,” Asako I and II, as opposed to a smaller, independent production. Adapted from a Haruki Murakami short story, Drive My Car is Hamaguchi’s current “commercial” project, while the smaller-scale Berlinale 2021 premiere Wheel of Fortune and Fantasy is his smaller, independent film. (When not in production on these films, Hamaguchi, along with director Kōji Fukada and two of his Happy Hour producers, helped spearhead a […]
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“We Spent a Lot of Time Choosing Lenses”: Keith Thomas on The Vigil and His Forthcoming Firestarter Adaptation
Unfolding over the course of one evening in the Hasidic community of Boro Park, Brooklyn, Keith Thomas’s debut feature, The Vigil, gets more unsettling the darker the night gets. Dave Davis plays Yakov, a young man experiencing difficulty living a newly secular life. As securing a job has proved difficult, he agrees to a friend’s impromptu request to serve as a shomer, watching over the cold body of a local man, Rubin Litvak, before the deceased is laid to rest. Anticipating an easy few hours of surfing the web on his smartphone, Yakov settles in for his watchman duties. Unfortunately […]
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“I Had to Use Nine Credit Cards”: Shatara Michelle Ford on Test Pattern
Shatara Michelle Ford’s debut feature Test Pattern addresses sensitive material with clinically painstaking detail. The narrative begins in 2017 at an Austin bar as Renesha (Brittany S. Hall) meets Evan (Will Brill), a thirtysomething white guy whose liquid courage prompts him to ask for Renesha’s phone number. Somewhat surprisingly, the two hit it off and grow to become a loving couple.One evening, Renesha begrudgingly (she has work in the morning) meets up with a friend for drinks at a local bar, where they meet two flirtatious men who proceed to drug them. Nearing unconsciousness, Renesha is taken to an unfamiliar location […]
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Last Call: Writer/Director Emerald Fennell on Promising Young Woman
“This movie is a tribute to the many genres I love—thrillers, rom-coms, horror,” says writer/director Emerald Fennell about her searing and fiercely confident debut feature, Promising Young Woman. “It’s a dark satire of those genres.” It’s also, says Fennell, a Western of sorts—a continually surprising movie about a woman on a journey of justice. Self-styled vigilante Cassie (Carey Mulligan) is a medical school dropout determined to teach entitled male predators a life lesson, a calling that honors the life of her best friend Nina, victim to a horrific case of sexual assault years earlier. An actor whose credits include The […]
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The Doors of Our Mind: Director Florian Zeller on Memory, Mystery and The Father
The following interview was originally published in Filmmaker‘s Winter, 2021 print edition. Among the techniques used to remember is one dating back to the Ancient Greeks: the Memory Palace. Facts, people, life events are “placed” within the rooms of a building, preferably a real one the remembering person is very familiar with. To summon the memories, the person mentally strolls from room to room, allowing the individual locations within the building to trigger the images placed inside. The Memory Palace’s ability to associate memories with place is given a devastating twist in French director Florian Zeller’s debut picture, The Father, […]
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Uprooted: Writer/Director Lee Isaac Chung on Minari
The following interview appears in Filmmaker‘s current Winter ’21 print edition and, a day after Minari won the Golden Globe for Best Foreign Language Film, appears online for all readers for the first time. “There’s a difference between something having happened or something being true,” says writer/director Lee Isaac Chung about the interplay between memory and creation that graces his fourth dramatic feature, Minari. Based on the filmmaker’s childhood—his family moved to the South, where his father hoped to develop a farm—Minari captures a time of familial change and uncertainty with seemingly effortless poetry and wonder. It’s the early 1980s […]
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Post Empire
Empire, Nevada, “felt like a town suspended in the 1950s, as if the postwar economy had never ended,” writes Jessica Bruder in her nonfiction book, Nomadland: Surviving America in the Twenty-First Century. The small mining town consisted of four main roads, lined with homes populated by the workers of United States Gypsum, the manufacturer of Sheetrock. Subsidized rents were as low as $250 a month, the company covered TV and internet and, as one resident told Bruder, there were “no gangs, no sirens, no violence.” But economic forces caught up with Empire. In 2011, U.S. Gypsum, a company with a […]
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“Is There Too Much Reading on Screen?” Carey Williams on R#J, Virtual Sundance and Pre-Vis
It may still feature two households both alike in dignity, but in Carey Williams’s modern adaptation of William Shakespeare’s Romeo and Juliet, R#J, the modes of communication look decidedly different. Set in California in the here and now, Williams’s film hones in on the title characters’ brief but intense romance via their messaging tool of choice: the smartphone. Back-and-forth texts and DMs, impromptu FaceTiming sessions, tagging each other in Instagram photos and sharing personally curated Spotify playlists add to the cumulative rise and potential fall of literature’s most infamously star-crossed lovers. Produced by Bazelevs Productions (founded by popular Russian filmmaker […]
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“We Sat Down and Considered Pushing Production to Spring of 2020”: Erin Vassilopoulos on Superior
Duplicity in all its forms lurks just below the surface in Erin Vassilopoulos’s debut feature, Superior, which had its world premiere at the 2021 Sundance Film Festival last weekend. Expanded from a short she made in film school, Vassilopoulos’s feature concerns two fraternal twin sisters (Alessandra and Ani Mesa) unexpectedly reuniting after six years apart. The film opens in October of 1987, with Marian (Alessandra), a touring musician on the run from a secretive past, returning to her hometown to spend a few days with her sister, Vivian (Ani). The two sisters haven’t spoken in six years, spending the interim leading […]
