Columns
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Editor’s Letter
If you’re a regular Filmmaker reader, you know that we’re obsessed about how the world of film is changing. But sometimes whatever is new and upcoming on the horizon has actually already arrived. Have you noticed? All those things that we chatter about here in our line items and articles and in these Editor’s Letters, well, they are almost old news. That is, if you’re not up on the new landscape, you’re not in the game. Compile a list of funders and distributors these days, and you’ll include alongside all the usual suspects Netflix and Amazon, who are now not […]
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Teaching Immersion and Stereoscopy
The profusion of virtual reality projects showcased at the 2015 Sundance Film Festival is a testament to the fact that the tools and techniques for cinematic storytelling are expanding. Film schools are adapting, often quickly creating new courses that attempt to help students navigate this new frontier. My colleague Eric Hanson, for example, now teaches a course in University of Southern California’s School of Cinematic Arts called “Experiments in Immersive Design.” The course was originally designed to help students understand the history, theory and practice of three-dimensional filmmaking. But under Hanson it has shifted more to incorporate his background and […]
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Blackmagic Announces New Cameras at NAB
It’s NAB, and Blackmagic have once again announced some exciting new cameras. Blackmagic has developed a bit of a reputation for announcing cameras with amazing specifications at incredibly good prices. They may not be as refined as the cameras from Sony, Canon et al., and they may not always ship on their announced dates, but if you’re a shooter on a budget you have to look at Blackmagic’s camera offerings. Blackmagic’s first camera was the Cinema Camera. Despite its unusual shape and user interface, this camera was a hit because of its high dynamic range, reasonable price, and its support […]
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Somebody Wake Me Up Please
My phone is ringing. The sound pulls me from a deep sleep. It’s 5:30 a.m., the room is dark, and for a moment I’m confused. As I push the phone into my ear I hear a female voice singing. Slowly it registers; this is the wakeup call that I requested. But I’m not staying in a hotel, and the woman calling me is a complete stranger. The singing stops and the voice on the other end of the line tells me to have a wonderful day. I express my gratitude and ask her name. “Sarah from Dublin,” she replies, and […]
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Parting Shot: Maika Monroe
Filmmaker David Robert Mitchell developed rich, resonant teenage characters in his independent sleeper, The Myth of the American Sleepover. With his sophomore feature, It Follows, he again essays the emotional lives of attractive, sexually adventurous suburban youth, this time within a high-concept genre framework. It Follows is eerie, Carpenter-esque horror, the tale of a slow-moving demon who shuffles steadily, invisibly and scarily toward a single victim. Here that’s mostly Jay, played with real “Final Girl” charisma by Maika Monroe, who has quickly emerged as a strong lead and supporting player in several notable films. She co-starred opposite Zac Efron in […]
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Without Words
Although it’s too early to designate this a golden age of film editing, examples of unexpected, creative and sometimes flat-out radical cutting continue to suggest that the digital turn in cinema has always been, at its fundamental and structural level, about new possibilities for joining together images and sound. This column will explore the rhythms of editing in films that are exemplary — each in their own way — in the manipulation of time and space that is the foundation of editing. First up is the remarkable, wordless 13-minute-plus opening of Jonathan Glazer’s Under the Skin, which recalls René Clair’s […]
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Girl Gangs and Tweetstorms: Super 8
Larry Gross’s Twitter Amidst of sea of social media me-too-ism and diffidently composed schtick, screenwriter and critic Larry Gross’s Twitter feed stands out. Often composed in tweetstorm-style, the author of films ranging from 48 Hours to We Don’t Live Here Anymore spills out arresting meditations and poetic aphorisms on everything from Alain Badiou’s take on St. Paul to the poetry of Wallace Stevens to Paul Thomas Anderson’s intuitive understanding of the crisis in American cinematic narrative. twitter.com/@larryagross Y2K What separates Y2K from other independently developed role-playing games? According to the designers at Ackk Studios, their novelty comes from being a […]
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Computational Storytelling
In October 2014, the University of California, Santa Cruz announced a new Department of Computational Media. Described as the first of its kind and housed in the university’s Baskin School of Engineering, the department is designed to create a truly interdisciplinary home for new directions in computation as an expressive form by uniting the humanities’ concerns and methods with those of computer science. The department builds on the existing game design and computer science programs, as well as on the work of faculty members, research groups and graduate students who, over the last decade, have explored the computational processes of […]
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Venice, Paris, Brazil…: Load & Play
Don’t Look Now Asked by Time to name the sexiest sex scene of all time, three female writers and producers of Showtime’s Masters of Sex came to immediate agreement: Donald Sutherland and Julie Christie’s memorable coupling in Nicolas Roeg’s otherwise entirely scary Don’t Look Now. Simultaneously encompassing lust, despair and forgiveness, the scene shows the married couple passionately overcoming grief and mutual recriminations in their new Venice flat following the drowning death of their young daughter back in England. The scene sparked rumors neither actor was acting — an allegation Roeg has denied — but what makes the scene so […]
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2014: The Year of 4K
At the end of 2013 I wrote: 2013 wasn’t so much the year of 4K, as the year of “do we need 4K?” For most of the year I was a skeptic, but now I’m starting to think that 2014 will bethe year of 4K. And here we are at the end of 2014 and I look back and think, “I really hit that one out of the park!” Not that it took a lot of genius to read the tea leaves or see the writing on the wall: 2014 was definitely the year of 4K. Whether it was the F5/F55 […]
