Features
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RELEASED
18 years after traveling to Arkansas to make a documentary about the gruesome murders of three young boys by alleged Satan-worshiping teenagers, Joe Berlinger and Bruce Sinofsky bring their crusading story of the West Memphis Three to a miraculous conclusion with Paradise Lost 3: Purgatory. By Jason Guerrasio -
City Limits
Following up his impressive debut, Reprise, Joachim Trier uses a Pierre Drieu La Rochelle novel and the Norwegian capital to create the beautifully somber Oslo, August 31st. By Scott Macaulay -
Foreign Correspondents
Directors Joshua Marston (The Forgiveness of Blood) and Braden King (Here) discuss the making of their very different pictures through the prism of their shared experience — making an independent film in Eastern Europe. -
Sundance 2012
Robot and Frank (director, Jake Schreier) I got into film because I was spectacularly mediocre at everything else. I loved art and performance, but wasn’t much of an actor, was a pretty bad keyboard player and couldn’t draw at all. When I got to try out filmmaking at an NYU summer high school program, it was the first time where the things I made vaguely resembled the ideas I had in my head. That doesn’t really explain why Robot & Frank had to be a film, except that in my hands it would have made for a really cheesy song […]
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Released
On Aug. 19, 2011, Damien Echols, Jason Baldwin and Jessie Misskelley Jr. entered an Arkansas courtroom for the final time. This was the last place these men, known better as the West Memphis Three, thought they’d be on this summer day — Baldwin and Misskelley were currently serving life sentences and Echols was on death row. But 18 years and 78 days after being sentenced for murdering three 8-year-old boys in West Memphis, Ark., there was finally a glimmer of hope that the state would recognize that these now mid-30-year-old men were not the killers and let them go free. […]
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Let Me Out: Ti West on The Innkeepers
The problem with so many horror films today is that you feel like you’ve seen them before. I’m not talking about their plots or characters because ghosts, vampires and serial killers have been and will be dramatized again and again. No, I’m talking about the feeling of watching these films, the internal clock that prepares you for this jolt by minute three, that one by minute 10 and a final shocker just before, or after, the closing credits. Among the many excellent qualities of writer-director Ti West’s filmmaking is its refusal to be straitjacketed by the more programmatic notions of […]
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Michelle Williams Q&A
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Trust Issues
A dark character study of a girl escaping a cult, Sean Durkin’s feature Martha Marcy May Marlene is an impressive debut that also highlights the talents of this year’s Sundance breakout actress,
Elizabeth Olsen. By Jason Guerrasio | Photograph by Henny Garfunkel -
Collision Course: Director Lars von Trier on His End-of-the-World Drama, Melancholia
Though Lars von Trier’s mouth gets him into trouble, the Dane’s incredible story-telling talents are well under control. Melancholia, his latest, is a masterfully beguiling tale of sisters, depression and the end of the world. By Zachary Wigon
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The Vocation of the Storyteller
Is independent filmmaking a calling, like a religion? The Rev. Megan Hollaway looks at the religious impulse in Todd Rohal’s priest comedy, The Catechism Cataclysm. Photograph by Henny Garfunkel
