On November 8, 2018, 85 lives were lost and thousands of citizens were displaced during the most destructive wildfire in California’s history in the town of Paradise. Filmmaker Ron Howard chronicles the epidemic of displacement that occurred after the destructive fire, points to the cataclysmic effects of climate change that led to its inception, and eventually follows the remaining residents of Paradise as they seek to rebuild their town. Editors Miki Milmore and Gladys Mae Murphy speak to their experiences working on the verité documentary Rebuilding Paradise.  Filmmaker: How and why did you wind up being the editor of your […]

Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? In the living room of Aleteia’s house, the curtains are soft and their pattern has a very homey feeling. Yet the way the light goes through them creates an unsettling feeling. It mirrors Aleteia’s predicament as an immigrant—she’s home, yet she’s not allowed to call it home. We also wanted to […]

Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? The Evening Hour tells the story of Cole Freeman, who maintains an uneasy equilibrium in his declining Appalachian mining town, looking after the old and infirm in the community while selling their excess painkillers to local addicts to help make ends meet. When an old friend, Terry Rose, returns with plans […]

Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? There are tons of background details that my production designer, Page and I worked very hard to create for Run Sweetheart Run—most were created to be “feminist easter eggs” and are relatively hidden but some of them are more obvious.  One of my favorite details is the advertising. While prepping the […]

Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? Untitled Pizza Movie is a six-part series that revolves around objects. On many levels, this is a work about people and their things, an archive of images that I built, rather than one which pre-existed. I’m interested in how objects hold history and stories and remember people. I cobbled together over […]

Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? Influence is ultimately about the protection of the reputations and, by extension, the wealth and power of the global elite. That power and influence vests in our cities: the immense blocks of steel, glass and concrete that have been built on mounds of money for centuries. Our characters and the powerful […]

Bill Benz’ directorial debut The Nowhere Inn explores the absurdity of fame and persona, centering around the real dichotomy between musician Annie Clark and her stage presence as St. Vincent. Carrie Brownstein plays a director making a documentary about Clark’s life, but eventually finds St. Vincent overtaking the narrative and decimating the conventions of reality. Starting out by scraping by in Philly and eventually tackling an ambitious metacritical film, DP Minka Farthing-Kohl speaks to Filmmaker about her experience on the set of The Nowhere Inn.  Filmmaker: How and why did you wind up being the cinematographer of your film? What […]

The Villages—a planned retirement community approximately 130,00 strong in Florida—has, its happiest residents say, “everything”: an orthopedic clinic, karate classes, a bank, etc. There’s overlap here with limited American ideas about what, exactly, the Good Life might look like as cruelly/accurately imagined in Alexander Payne’s Downsizing, whose community for the shrunk-down to live out the rest of their lives is a strip mall adjacent to character-less suburban sprawl. Lance Oppenheim’s Some Kind of Heaven, which explores The Villages through three subjects, isn’t here to either celebrate or roast a community established, as its founder explains in archival footage, to suggest a kind […]

Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? Our film is about a group of mirthful old truffle hunters who live in the forests of Northern Italy.  The time spent in their world felt like moving through a fairytale storybook where every object had a past and every cobblestone street and wooded path holds a secret waiting to be […]

Olla, an Eastern European woman, finds herself in a sketchy situation after she answers a dating ad and moves to the French suburbs to live with Pierre and his aging mother. Editor Yorgos Mavrosaridis talks about collaborating with director Ariane Labed and his natural penchant for the process. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Mavropsaridis: It was Ariane’s choice. I happily accepted after reading the script. Filmmaker: In terms of advancing your film from its earliest assembly to […]