Sundance Responses
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“I’ve Been in Shootouts”: Cartel Land | Director Matt Heineman
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Cartel Land follows two modern-day vigilante groups fighting a shared enemy – the ruthless Mexican drug cartels. When I first heard about the Autodefensas movement in Michoacán, Mexico, and the American paramilitary group Arizona Border Recon, I was immediately drawn to know more about their worlds and their leaders, Dr. Jose Mireles (“El Doctor”) and Tim “Nailer” Foley. It took many months to gain their trust and the access I […]
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“The Director is the Film’s Immune System”: How to Change the World | Director Jerry Rothwell
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Fear is a constant companion when filmmaking, in my experience. I’ve learned to welcome it, as a sign that I‘m pushing my own boundaries a bit, not retreating into the easiest option. The absence of that nagging background anxiety is a sign I may have settled for less than I should have. With How To Change the World the biggest fear was about the narrative: whether the complex story […]
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“Much of What We Do is Spycraft”: Racing Extinction | Director Louie Psihoyos
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? “Racing Extinction is like The Avengers but real, but you might want to bring Kleenex.” There’s an annoying film industry “truism” that a director’s second film after a successful first will be a bust. A well known and respected Hollywood director told me, “Don’t even try to make another movie after The Cove, you’ll never top that one.” We didn’t break any box office records with The Cove but […]
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“Fear Will Keep Me Cool and Calm”: The Chinese Mayor | Producer Qi Zhao
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? I have learned to be fearless in my career as an independent documentary producer in China. There is almost no public funding to support independent documentaries, there are very few theatrical permits issued to independent documentaries and there is virtually no distribution platform for independent documentary either. If these are the reasons to fear, it will be endless. Personally, fear for me is a mixed feeling of anxiety to […]
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“The Party Had So Often Been Misportrayed”: The Black Panthers: Vanguard of the Revolution | Director Stanley Nelson
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Early in the development phase of this project, I was apprehensive about approaching former Black Panther Party members because the Party had so often been misportrayed by popular media. I had a great fear of being turned down and not having any former Party members be part of the film at all. At some point I decided this was a film that needed to be made and in order […]
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“The People Behind the Crimes”: Directors Frida Barkfors & Lasse Barkfors | Pervert Park
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? When we first got to Florida Justice Transitions in 2010, we expected to make a film about the parallel society that we had read the sex offenders in this trailer park lived in. Very soon we met the people in the park, and by sitting with them in therapy, talking to them, and getting them to open up about their situation, we learned about sex offences and sex offenders […]
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The Sundance Question: What Fear Did You Confront in the Making of Your Movie?
Each year Filmmaker asks all the incoming feature directors at Sundance one question. This year, our question revolves around fear. Specifically, what fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? (To see past years’ questions and responses, click here.) We’ll upload the responses individually over the course of the festival. So, as the festival progresses, click the links below. The Sundance Film Festival is being held in Park City, Utah from January 22nd to February 1st. “The People Behind the Crimes”: Directors Frida […]
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The One I Love | Director Charlie McDowell
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? I can barely […]
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Hits | Director David Cross
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? I’m sorry but […]
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Difret | Director Zeresenay Berhane Mehari
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Bringing attention to […]
