[PREMIERE SCREENING: Friday, January 20, 9:00 pm –Temple Theatre, Park City] I began making work as a painter and sculptor. It was not until I graduated from art school that I ventured into filmmaking. Though I’m glad I did, I sometimes lament that it has dominated most of my life for the past 12 years, as I have not been painting or sculpting much. On the other hand, it has taken me all over the world and been an expansive exercise which has broadened my mind and led me down paths I could have never imagined. I have found that […]
[PREMIERE SCREENING: Friday, January 20 Midnight –Egyptian Theatre] There is one thread in my movie The Pact that is inseparable from the medium of film: ghost photography. Google it, you’ll find hundreds of examples. Since the camera was invented, people have believed they could photograph spirits. I’ve always been fascinated with this, and my movie is filled with examples of it. When we made The Pact there was a particular shot we were filming involving a light flickering, an effect that had been written into the script that portrayed the story’s’ ghostly spirit invading an electrical socket. We set up […]
[PREMIERE SCREENING: Friday, January 20, Noon –Temple Theatre, Park City] When my shortlived attempts at pigfarming didn’t work out and my mum sent me to NZ, I accidentally found out that there were courses about film. This intruiged me because it made me realise just how much film is a construct in what is chosen to go in the frame and what doesn’t, the colour, sound, sequencing, etc etc. The power of this particular construct (and not that it’s the only one) is it can be like a mirror that reflects not only the reality of the storyteller but for […]
[PREMIERE SCREENING: Friday, January 20 6:00 pm –Yarrow Hotel Theatre, Park City] I was on my way to a doctorate in philosophy/comparative religion when I realized that the academic approach was too narrow a form of enquiry for me. So I turned to documentary to explore the same issues that were interesting— identity, epistemology, ethics, etc.– in a more lateral medium. Our films are about questions I don’t have an answer to, and they are all in some way about why there is no simple answer. Film has a unique capacity to convey contingency and complexity, because it is able […]
[PREMIERE SCREENING: Friday, January 20 9:00 pm –Screening Room, Sundance Resort] Well, first of all I don’t think of myself as an artist. I am a journalist, who happens to make films. I make these films because they allow me to connect with an audience which is much larger than the five million Danes who live in Denmark. If I had written my latest film The Ambassador as a book, and published it in Denmark, I would not be answering this question in English, because nobody would know about The Ambassador outside of Denmark.
[PREMIERE SCREENING: Friday, January 20, 11:15 pm –The MARC, Park City] I’m the guy that makes stunt performers take multiple kicks to the head for the pleasure of what I hope is a captivated audience. I ask a lot of people. I deal in blood and mayhem. As a kid I was obsessed, and still am to this day with the incredible work done by my childhood heroes. My friends and I would re-enact everything we’d seen, doing remakes of our favorite films in my back garden. 8 year old kids running around swinging punches and kicks, diving across the […]
[PREMIERE SCREENING: Friday, January 20, 11:45 pm –Library Center Theater] Eric Wareheim: I am Eric Wareheim the number one filmmaker/artist along with my friend Tim Heidecker who is number two and I prefer the look and compression of an internet viral video but my Mom would be more proud of me if I showed my feature length video in a movie theater so that’s what I did and I’m proud of what I’ve done and please enjoy my expression on the big screen or DVD because that’s my vision as a modern day pioneer thank you.
[PREMIERE SCREENING: Friday, January 20, 3:00 pm –Yarrow Hotel Theatre] There’s something deeply powerful about watching someone in the moment going through a life-changing experience. Film, the documentary genre specifically, was a strong way for us to tell the surprisingly dramatic story of making video games, in Indie Game: The Movie. Until recently, video games haven’t widely been considered an art form. The technical part of game-making (the coding and software part) sometimes hides the fact that game development can be very personal and creative. One of goals for the film was to show what these developers go through is […]
[PREMIERE SCREENING: Friday, January 20, Noon –Egyptian Theatre, Park City] As a boy, as a little dreamer imagining what fantastic job he might one day have as a grown man, I always saw myself filling the roles of the hero/villain archetypes we see in the movies. A cowboy, a detective, an archeologist adventurer, a robber even, sometimes Robin Hood and other times James Cagney. Older, increasingly more in touch with reality, and with my dawning awareness of film as a created world imagined and rendered by artists and crews, I arrived at a new aspiration (still just as fanciful as […]
[PREMIERE SCREENING: Friday, January 20 9:00 pm –Yarrow Hotel Theatre, Park City] How can you express thought in film? How can we specifically show thoughts in a character? As a director, in my view, the most personal is how you see things. My co-writer Eskil Vogt and I wanted to explore how to create a story that focuses on the emotional, and almost physical, experience of an existential crisis. “I’m lost. How do I move forward?” So Oslo, August 31st is about the state of being lost and that particular loneliness that accompanies it. Cinema is a wonderful art form […]