[PREMIERE SCREENING: Friday, Jan. 21, 12:00 pm — Temple Theatre] When I set out to make Connected, the original tagline was A Declaration of Interdependence. I set out to make an insightful/funny/provocative film that looks at what it means to be connected in the 21st century by exploring the history of interdependence and how it has changed over time. That was my pitch, that was our focus, that’s the film I thought I was going to make. At one point, we had an 80-minute rough cut and I watched it in one sitting (one rarely gets to do that on […]
[PREMIERE SCREENING: Friday, Jan. 21, 12:00 pm — Screening Room Sundance Resort, Sundance] As a filmmaker you often hear the term “Kill your darlings” in order to make the story line of your film clear. The darling scenes are often scenes that reveal a poetic feeling, more than facts. Often I saw rough material of colleagues’ potentially beautiful poetic documentaries. But in the editing many of these films were demolished because too many darlings were killed. The story lines became clear but the poetry was gone. In other words, the facts were clear but the feelings were gone. For Position […]
[PREMIERE SCREENING: Friday, Jan. 21, 8:30 am — Prospect Square Theatre] The biggest surprise was how the scope of the film continued to evolve. When I had the idea to put the time-lapse cameras up it was in part to record the history of the site moving forward, and in part to create a time-lapse installation at a future museum at Ground Zero. However, after spending more time at Ground Zero and seeing first-hand the emotional and human toll, I decided I needed to capture the human dimension of the event through the subjects. As time went on, we realized that the […]
[PREMIERE SCREENING: Friday, Jan. 21, 2:15 pm — Prospector Square Theatre] Each film experience brings is own demon. Time was something I couldn’t afford on Incendies. I had the strong impression to destroy the script each shooting day. I was so angry one morning that I began to sabotage a sequence. Suddenly, on that precise moment, I realized, astonished, that I was making a film about how to stop anger’s cycles while being angry like a grizzly. I remember then, laughing a lot about myself, alone, on the Abu Zaytoun Hills, finding myself so childish. And I reshot the sequence. About filmmaking, […]
[PREMIERE SCREENING: Thursday, Jan. 20, 6:30 pm — Egyptian Theatre] The biggest surprise for me occurred during preproduction. There was a scene in the screenplay where the three villains rendezvous at an amusement park and discuss the day’s events while waiting to ride on a rollercoaster. The scene with the screwball nature of the film was set in an actual amusement park in a seaside town in County Galway, Ireland, our location for the shoot. However little did I know that when the rollercoaster is out of use (during the non-summer months) it is packed up and shipped off to […]
[PREMIERE SCREENING: Thursday, Jan. 20, 9:30 pm — Egyptian Theatre] When you embark on any historical documentary or film about events that have already run their course, the biggest prize you’re after is visual images and archive [materials] showing elements of your story. On Project Nim, which is the life story of a chimpanzee who was brought up like a human child, we knew from various contributors that there was going to be sufficient archive of the chimp to embark on the film but we didn’t know the extent of it. Often the biggest surprise on a film project is […]
[PREMIERE SCREENING: Thursday, Jan. 20, 9:30 pm — Eccles Theatre] The biggest surprise associated with making Pariah came after watching the first rough cut when we discovered that this was not a “black lesbian” movie. We had fought this BRUTAL uphill battle in funding the film with financiers and investors balking at the story because it was “too small and specific” (which is code for “too black and too gay”). After we screened the first cut, one of our early advisors went so far as to describe it as “commercial.” We didn’t know whether to slap them or celebrate. After […]
[PREMIERE SCREENING: Tuesday, Jan. 26, 9:00 pm — Temple Theatre, Park City] The most difficult decision was the one to expose the mistakes of fellow film and TV program makers. The related question is why I decided to do it. There were two reasons for that. Firstly those mistakes were instrumental to the justification of an unjust war; secondly in many instances there were grounds to doubt that those mistakes were innocent. In other words, those mistakes were probably lies. To me personally they were shocking because I’d seen with my own eyes what havoc Russian bombs wrecked in the […]
[PREMIERE SCREENING: Tuesday, Jan. 26, 8:30 pm — Prospector Square Theatre, Park City] Deciding not to do a tour documentary on the band, which was what was first proposed. I have strong feelings about the distance between performer and audience, and I didn’t want to contribute anything more to this gap. I wanted to make something that I would be psyched to see and here it is. That and deciding which kid to kill in a scene were pretty difficult. In the end it was a combination of his hair and fake blood that did it.
[PREMIERE SCREENING: Tuesday, Jan. 26, 9:00 pm — New Frontier on Main, Park City] The most difficult decisions on our film were made in the editing process and had to do with balancing music, tangent and story. We had one scene in particular that looked great and had a really good friend of mine and her son acting in it. Everywhere we placed the scene in our movie seemed to throw it out of balance or clutter the narrative. The last thing I wanted to do was lose some of those shots, and I especially didn’t want to cut my […]