Back to One
A podcast about acting -- just the work. by Peter Rinaldi
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Back to One, Episode 149: Danny Deferrari
In this epic episode, we really get to know the talented actor Danny Deferrari, who plays Max in Emma Seligman’s brilliant and hilarious new film Shiva Baby, and I’m eternally grateful for it. He talks about appreciating the “emotional language” that Seligman speaks and the heavy life situation that was weighing on him during that movie. He takes us through his early training as an actor, his formative and important seasons at the Williamstown Theater Festival, and the trials and tribulations that brought him to his “Holy Trinity of Artistic Safety.” I break down how a small performance of his… Read more
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Back to One, Episode 148: Billy Magnussen
Billy Magnussen is a Tony nominated actor who you know from Game Night, Into The Woods, Ingrid Goes West and Maniac. On this episode, he talks about the foundational benefits of his early stint on a soap opera, the importance of showing up for your career, his fondness for Cristin Milioti, his co-star on the wonderful new HBO Max series Made for Love (with stories of pestering her mercilessly when they both performed on Broadway in theaters next door to each other), and he makes an impassioned plea for the celebration of NEW works in the theater. Plus much more!… Read more
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Back to One, Episode 147: Lily Rabe
Lily Rabe is probably best know for inhabiting a half-dozen characters over many seasons on Ryan Murphy’s hugely popular American Horror Story series, and recently her supporting performance in The Undoing had a lot of people talking, but in New York City, she’s theater royalty. I pinpoint my first encounter with her greatness. It was as Portia in The Merchant of Venice for Shakespeare in the Park. The court scene. She details the lengths director Daniel Sullivan went to avoid rehearsing that scene, and the miraculous occurrence when they finally did. She talks about being an “over-packer” when it comes… Read more
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Back to One, Episode 146: Leonardo Nam
Westworld star Leonardo Nam didn’t know that I saw him perform a scene in an acting class in New York City way back when. An inventiveness and creativity were on display there that I still see in his work. In this hour, he tells an amazing story of literally coming to a crossroad in his young life, and how he boldly chose what felt right, and turned toward the pursuit of acting. He talks about the importance of finding the “play” in every role, why the costuming days are his favorite in pre-production, and how meditation helps get him “back… Read more
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Back to One, Episode 145: Julia Sarah Stone
You’re about to hear the name Julia Sarah Stone quite a bit. The young Canadian acting phenom is turning Hollywood heads with a focused talent and poise well beyond her years. Her latest movie, the unique sci-fi thriller Come True, which has been wowing audiences at festivals, is opening Friday March 12th from IFC Midnight. In this episode, she talks about the “playable” characteristic that helped her performance in that film, the traps actors easily fall into when they lay in the emotion while losing sight of basic aspects such as motivation, and why she always wants to be a… Read more
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Back to One, Episode 144: Chin Han
Since playing Lau in The Dark Knight, Chin Han has been on a Hollywood run, acting in blockbuster action movies like Ghost in a Shell, Skyscraper, and Captain American: Winter Soldier, as well as work on a less grand scale for Steven Soderbergh, Gus Van Sant, and the celebrated Netflix series Marco Polo. Now he stars in the eagerly anticipated new Mortal Kombat movie as the shape-shifting villain Shang Tsung. I asked him how he dealt with the history, fan passion and anticipation for the character in his preparation and how it affected him during production. He talks about his… Read more
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Back to One, Episode 143: Alison Wright
She’s probably best known for her Emmy-Nominated performance as FBI secretary Martha Hanson on FX’s critically acclaimed series The Americans, and now Alison Wright has breathed life into another complex character in yet another hit series—Ruth Wardle on TNT’s Snowpiercer. In this hour, she gives us a peek under the hood of her craft and we get closer to understanding how she’s able to bring such naturalism and depth to all her performances. She talks about her early fascination with “The Method” that led her to the Lee Strasberg Institute, her “thought-linked” approach to the text which she developed over… Read more
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Back to One, Episode 142: Olivia Cooke
Olivia Cooke had no formal training and claims to have no real process. Is she just a natural? A freak of nature? How else to explain the incredible range and astounding talent of this rising star? I first took note of her work in the black comedy Thoroughbreds, and then Steven Spielberg’s Ready Player One and the British mini-series Vanity Fair. She is on fire now with three new films, Little Fish, Pixie, and last year’s Sound of Metal. I ask her to break down one amazing scene in the latter, and she talks about the advantages of its immersive… Read more
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Back to One, Episode 141: Delroy Lindo
There are several moments in Delroy Lindo’s performance as Paul in Da 5 Bloods where I believe the voiceless (Black solders who never came back from Vietnam?) speak through him. Sure that might be hooey, but the very idea that I believe it says something about his incredible work in Spike Lee’s celebrated Netflix film. On this episode, I ask Lindo to break down the filming of the gripping monologue that is the centerpiece of that performance, and about his initial apprehension and ultimate acceptance of the MAGA aspect of Paul’s character. He takes us back to his first formative… Read more
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Back to One, Episode 140: Christina Anthony
Christina Anthony plays Denise on the ABC series Mixed-ish. She generously gives us a fascinating inside look at working on a sitcom from the point of view of an actor who is totally new to the process. She tells the story of sitting at a table read 90 minutes after being cast on the show following years of struggling through more than 100 fruitless pilot auditions, talks about how her Chicago theater roots still pay dividends in her work, getting used to the idea of rotating directors, knowing when to speak up about issues with the script, and how she’s… Read more