6302 Results for “Open ”
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Sarasota Film Festival Announces 2014 Lineup
The 2014 Sarasota Film Festival lineup looks — as ever — to be a nice mix of Sundance, SXSW and international titles, with a few discoveries to be had as well. The 16th edition is set to open with Rory Kennedy’s Last Days in Vietnam, and close with Charlie McDowell’s The One I Love. John Slattery’s God’s Pocket and John Rossi’s Ivory Tower mark the Centerpiece films. Other Sundance standouts are Kumiko, The Treasure Hunter; Frank; Rich Hill; Wetlands; Captivated: The Trials of Pamela Smart and Blue Ruin, which has seemingly made every imaginable stop on the major festival circuit. Major auteurs — Tsai Ming-Liang, Corneliu Porumboiu, Pawel Pawlikowski — dot the lineup alongside […]
by Sarah Salovaara on Mar 12, 2014 -
SXSW Dispatch: She’s Lost Control, Wetlands, Frank
“I thought I was really onto something,” smiled director Anja Marquardt during the Q&A for She’s Lost Control. “I’d never even heard of The Sessions.” Peculiar profession aside, Marquardt can rest easy: the two films have little to nothing in common. Much more than a narrative quirk, Marquardt uses the untraditional avenue of sex surrogacy to explore the contradiction at the crux of her character study. Our subject here is not John Hawkes in an iron lung, but Ronah, a woman, a graduate student and a sex surrogate on the verge, played with disquieting charisma by high-waisted pant aficionado Brooke Bloom. More alone than […]
by Sarah Salovaara on Mar 12, 2014 -
The Women of SXSW: Que Caramba Es La Vida Director Doris Dörrie
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of Que Caramba Es La Vida, Dorris Dörrie. Filmmaker: Why this movie? Why did you decide to do it? Dörrie: I have spent some time in Mexico and found that the only association that we (in Europe) have is drug war and chaos. I wanted to tell a different story of Mexico, and I became very interested in mariachi music, especially […]
by Danielle Lurie on Mar 12, 2014 -
How to Crowdsource a Film: Chris Jones on the Omnibus Movie, 50 Kisses
The Internet and digital filmmaking tools have opened up new possibilities of crowdsourcing material–Life in a Day, Declaration of Interdependence, One Day on Earth, even the interactive Star Wars Uncut–and given new life to the omnibus/anthology film format. The latest project to adopt the form is 50 Kisses, a film created by the London-based Chris Jones and hundreds of collaborators from around the world. The film, which includes 50 scenes built around a Valentine’s Day and a kiss, premiered on February 13–the day before Valentine’s–at the Genesis Cinema in London’s East End. Further distribution is now rolling out. Jones, a filmmaker […]
by Randy Astle on Mar 11, 2014 -
The Women of SXSW: The Great Invisible Director Margaret Brown
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the Documentary Competition title, The Great Invisible, Margaret Brown. Filmmaker: Why this movie? Why did you decide to do it? Brown: After the [Deepwater Horizon] spill, my dad started sending me pictures of our bay house in Alabama surrounded by boom, which BP was using to prevent the oil from getting in our marshes. Seeing my childhood invaded in this way was […]
by Danielle Lurie on Mar 10, 2014 -
The Women of SXSW: Butterfly Girl Producer and Editor Jessica Miller
Following her “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with Jessica Miller, the editor and producer of Butterfly Girl, playing in Documentary Spotlight. Filmmaker: Why this movie? Why did you decide to do it? Miller: Cary [Bell], the director, and I have been working on little projects together over the years, but it was at SXSW 2012 where we were both inspired to really try something new. We decided that we wanted to make […]
by Danielle Lurie on Mar 10, 2014 -
It Came From Inside the House: Community, Criticism and The Act of Killing
For much of the past decade, one constant gripe within the world of documentary has been a need for more writing and better criticism about the craft of the filmmaking (as opposed to summaries of the plot or lionizations of the subject). So why have two recent, very critical op-ed pieces about The Act of Killing drawn such heat? The answer lies in both the source of the criticism and the method. It’s certainly not uncommon for there to be debate about documentaries, and often that debate is most animated amongst members of the oft-mentioned documentary community: an alternately loose […]
by A.J. Schnack on Mar 10, 2014 -
The Women of SXSW: Animals Producer Mary Pat Bentel
Mary Pat Bentel makes anything possible. Sure, sometimes she’ll give you, the director, an experienced smirk that says “Are you serious?” But then, just like that, before you can even blink, your dream actor has agreed to meet with you for coffee, she’s found a financier who wants only to give money to the subject matter of the film you happen to be directing, and that helicopter shot you timidly asked for gets scheduled for next week. While I know this first-hand because Mary Pat produced a documentary feature of mine years ago, I also know it from that good […]
by Danielle Lurie on Mar 9, 2014 -
The Women of SXSW: Ukraine is Not a Brothel Director/Producer/Editor Kitty Green
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the SXGlobal documentary, Ukraine is Not a Brothel, Kitty Green. Filmmaker: Why this movie? Why did you decide to do it? Green: Ukraine Is Not A Brothel is a feature documentary about the topless Ukrainian feminist movement FEMEN. The film follows these “titillating” activists as they wage a war against patriarchy in a corrupt and poverty-stricken Ukraine. I came […]
by Danielle Lurie on Mar 9, 2014 -
Five Questions With The Internet’s Own Boy: The Story of Aaron Swartz Director Brian Knappenberger
In a time of endlessly self-spawning bio-docs about the rich and prominent, Brian Knappenberger’s The Internet’s Own Boy carries a legitimate current-day charge. The film is both a dogged investigation in the tradition of Errol Morris or Josh Fox, and a hugely emotional oral history of Swartz’s life — which ended when the activist committed suicide in January 2013. Swartz was facing a federal investigation after he downloaded a cache of academic journals (including, but by no means limited to, JSTOR) from the main computer network at MIT, with a possible penalty of up to 35 years in prison. Indicted […]
by Steve Macfarlane on Mar 8, 2014
