The day before its release, Alan Edward Bell A.C.E., the editor of The Hunger Games: Catching Fire, as well as The Amazing Spider-Man and 500 Days of Summer talked about his career and his editing philosophy at a meeting of the Boston Creative Pro User Group. Born and raised in Los Angeles, Bell’s father worked in the film industry, and Bell was sure he didn’t want to do that; he wanted to be a rock climber. He became, he said, pretty good at it. But to pay rent he took people out rock climbing, and most of them were from the […]
For many, Kathleen Hanna — frontwoman for the bands Bikini Kill and later Le Tigre — was the defining protopunk, feminist icon of the Clinton and W. eras. A centrifugal force whose career spans the entire era in which the genre folks used to call Alternative Rock grew and waned in popularity, this riot grrrl mysteriously left the public eye in the mid aughts without any explanation. In The Punk Singer directed by Sini Anderson, a friend of Ms. Hanna’s, and produced by the music video auteur and CB4 director Tamra Davis, she reemerges from the shadows of semi-retirement. The film […]
“Let’s go back to the time when there was VHS,” says Gael García Bernal at the RIDM (Rencontres internationales du documentaire de Montréal or the Montreal International Documentary Festival). “In those days to see a documentary in Mexico your friend would buy a movie in New York or Amsterdam or wherever [and] they would come up to you and say, ‘If you want to see this…’” Inevitably, a documentary fell into the young García Bernal’s hands. “I don’t remember which one it was, but I remember feeling there was something beyond an investigation, that it had a bigger scope, a […]
On the festival circuit, technicians generally get the short shrift. They work long, hard hours for weeks on end, often for less money than they ought to get rewarded with, towards a film that will ultimately have someone else’s name above the title or next to the “a film by” credit on the poster. Sure, they might get a shout out from a director while standing on stage at the closing night awards ceremony to go along with their fee, but glory is usually reserved for others. Not so at the CamerImage International Film Festival of the Art of Cinematography […]
Landon Van Soest, a founder of the Brooklyn Filmmakers Collective, is nearing the end of a Crimso campaign to fund his latest documentary Light Darkness Light, an intimate portrait of a candidate for artificial retina implants. Plotting the move from blindness to sight both narratively and visually, Light Darkness Light promises to be a revelatory examination of science and human nature. Filmmaker spoke with Van Soest about his technical plans, and how this documentary could serve legions of would-be patients in the future. Light Darkness Light‘s campaign ends in two days, on Thanksgiving, so please consider donating sooner rather than later. Filmmaker: Before we get to the film, I wanted to ask about the […]
The following piece on TV writers’ interactions with their agents is excerpted from Chad Gervich’s just-released How to Manage Your Agent: A Writer’s Guide to Hollywood Representation. It can be purchased on Amazon at the link above. How much should I talk to my agent during staffing season? I know they’re superbusy, and super-stressed, so I don’t want to bug them, but I also want to know what’s going on. Should I call once a day? Once an hour? Once a week? What?! “It’s not about how frequently you call,” says Verve agent Amy Retzinger, “although please do not call […]
Please see important update at the bottom of this post. Plenty of tech vendors use Kickstarter as a pre-sale market, so why not filmmakers? In a letter to backers of his film Ned Rifle — reprinted here with permission — director Hal Hartley announces the inclusion of territorial theatrical rights as Kickstarter rewards. Pledge $3,000 and take Hungary. $5,000 gets you Finland. And a cool $9,000 gets you Spanish-speaking Latin America. Of course, these numbers are for theatrical only. Hartley is retaining home video and electronic distribution. But, as he notes in his letter, the asking prices are low, enabling […]
“We were getting great feedback, and we thought, ‘Okay, it’s just a couple weeks now until we sell the film! It’s going to sell any second!’” Rola Nashef’s reflection on the waiting period that followed the world premiere of Detroit Unleaded at the 2012 Toronto International Film Festival is likely an all too familiar affair. For her feature debut, Nashef and her team thought they had hit the jackpot: acceptance to a prestigious festival, attended by buyers aplenty, and rapturous responses from sold-out audiences. However, the realities of selling the film, a romantic comedy with an Arab-American ensemble cast, set […]
Two highly unique minds converge in Is the Man Who Is Tall Happy?, the latest from whimsical visionary Michel Gondry, who aptly subtitles his film, “An Animated Conversation with Noam Chomsky.” In the works for four years, this self-explanatory project from the artist behind Eternal Sunshine of the Spotless Mind, Dave Chapelle’s Block Party, and a veritable library of music videos is a charming and markedly low-tech doc that literally illustrates the insights of Chomsky, one of the greatest thinkers of our time. Ever-fascinated by the depths of the human brain, and ever-faithful in dressing his films with cartoon-like touches, […]
If you own a smartphone, chances are you’re familiar with push notifications. Popularized by Apple’s iOS 3.0 edition in 2009, push technology utilizes open IP connections to forward notifications from third-party apps to your mobile interface. Formerly reserved for large-scale corporations — The New York Times, etc. — San Francisco-based App.net has created a free marketing channel called Broadcast that democratizes the process of push notification. App.net CEO Dalton Caldwell likens this application to “your own promotional arsenal” for users who already enjoy an active social media presence. News that may otherwise be buried in the barrage of tweets and […]