Transmedia producers in Canada already have ways to network with and benefit from each other through organizations like the Toronto-based group Transmedia 101. But those specifically interested in creating web series just received an additional resource with the formation of the Independent Webseries Creators of Canada (or IWCC; CIWC in French). Serendipitously coinciding with the announcement of the Vancouver Web Fest, the IWCC is a nonprofit professional association that sees today’s web producers like the television pioneers of the 1940s and 50s: building a new branch of the entertainment industry in uncharted waters, but this time doing so in a […]
Negotiating Cannes is a unique challenge, especially for someone attending the festival for the first time. Although the festival is commonly associated with red carpets and other assorted glamour, my clearest memories of the festival entail trekking from a borrowed condo in Antibes early in the morning — thanks to the monumental patience of my wife who drove me in — to queue up with other journalists for an 8:30 press screening (finding those lines the first couple of days is an entirely different matter). Rainy weather early in the festival also seemed to undermine Cannes’ reputation for sun and […]
Director David Lassiter, whose short film The Opportunist is playing in the Critics’ Fortnight, is blogging about his Cannes experiences. You can read his first dispatch here. Day one at Cannes and we’re already off to the races! After almost a full day of travel (L.A. -> Toronto -> Zurich -> Nice -> Cannes) we checked into an Airbnb apartment owned by a charming Frenchman named Olivier, dropped off our bags, and hit the Croisette. Our first stop was the Palais de Festival, where we were warmly greeted by Julie Marnay and her lovely team at Semaine de la Critique. […]
Made quickly and on the cheap, prolific South Korean director Kim Ki-duk’s 18th film, Pieta, is an often disturbing revenge tale, moody and morally challenging, where redemption for one of recent cinema’s most dark-hearted anti-heroes seems just out of grasp. Kang-do (Lee Jung-jin) is a pitiless and anger-fueled debt collector for a equally brutal moneylender who specializes in forcing his often destitute debtors to commit insurance fraud in order to pay back what they owe him. Living a comfortless and filthy existence in the same slum as many of his victim, Kang-do has not a friend or a care in the […]
Julianne Moore makes it terribly easy to like her. Her remarkable consistency has helped her remain a stellar screen presence for more than two decades. Her transformative abilities have morphed her into everything from a troubled hypochondriac (Safe) and a maternal porn star (Boogie Nights) to a 1950s housewife (Far From Heaven) and one half of a loving lesbian couple (The Kids Are All Right). And her singular, nature-defying beauty has continued to land her fashion cover shoots at the age of 52. All of this springs to mind when Moore greets an eager parade of press while promoting her new […]
With all the discussion about the future of Kickstarter in recent weeks, it may be appropriate that a film that began its campaign at the beginning of the crowdfunding movement is finally coming out this Saturday. The Cosmonaut — a Spanish-made English-language film directed by Nicolás Alcalá and produced by Carola Rodriguez and Bruno Teixidor — raised over €300,000 from 5,000 contributors. It was the first crowdfunded film in Spain and helped pave the way for the foundation of Lánzanos, Spain’s Kickstarter equivalent. The Cosmonaut will be available to watch for free on Saturday on the film’s website; the DVD, theatrical […]
Frances Ha world premiered at the 2012 Toronto International Film Festival. It is being distributed by IFC Films and opens theatrically on Friday, May 17, 2013. Visit the film’s official website to learn more. Just when it seems oh so skull-poundingly clear that the world really, really, really does not need yet another portrait of confused Caucasian 20-somethings who are fumbling and bumbling their way through the posh shopping mall that is 21st century New York City, along comes a cinematic delight like Frances Ha to soothe ones agitated nerves like a tingly pill of Vicodin. And though the fact […]
In the penultimate part of Filmmaker and the MIT Open Documentary Lab’s interview project with prominent transmedia figures, D. Fox Harrell, Ph.D., Associate Professor of Digital Media in the Comparative Media Studies Program and the Computer Science and Artificial Intelligence Laboratory at MIT, answers our questions. Harrell’s research explores the relationship between imaginative cognition and computation. He develops new forms of social media, gaming, computational narrative, and related computational media systems based in computer science, cognitive science, and digital media arts. The National Science Foundation has recognized Harrell with an NSF CAREER Award for his project “Computing for Advanced Identity Representation.” He has worked […]
Gabe Klinger is currently running a Kickstarter campaign for his documentary on directing legends James Benning and Richard Linklater. Below he talks about the experience of working on the project. My first encounter with Richard Linklater was through his Dazed and Confused. The film was of meteoric importance to me and my junior high peers. The soundtrack, which revived forgotten tunes by War and Foghat, got more play on our boomboxes than the Dr. Dre, Nirvana and Mariah Carey hits of the day. When a friend’s mom busted me for stealing her pack of smokes, I told her Dazed and […]
There’s a good reason James Toback named his new Cannes-set showbiz documentary Seduced and Abandoned (unspooling here May 20). No other film festival is quite as alluring – and none has an audience as uniquely emotional. As the world’s premier showcase for cinema, Cannes is arguably the most extravagant way to introduce a film on an international stage. That said, expectations are high and reactions can tack violently from swoon-worthy praise (Michael Haneke’s 2012 drama Amour received the most recent tsunami of adoration) to outright condemnation (just ask Johnny Depp or Vincent Gallo about their respective directorial fiascos, 1997’s The […]