6300 Results for “Open ”
-
Lady Vengeance: Andrzej Zulawski – High End Low Life
In a fit of extreme ballsiness, BAMcinématek is currently plummeting down the rabbit hole opened by Polish filmmaker Andrzej Zulawski, showcasing a complete retrospective appropriately entitled Hysterical Excess. Zulawaski’s films employ many hallmarks of genre filmmaking: the paranormal, the psychedelic, blood and guts. As well, beasties and boobies make appearances somewhat to excess, a tendency which has kept him from recognition as an “important” auteur despite a consistent aesthetic based on exhilarating camerawork (in collaboration with beloved cinematographer Andrzej Jaroszewicz) that swoops and dives like a bat one moment only to penetrate a bedroom with the tightest, most controlled zoom […]
by Farihah Zaman on Mar 9, 2012 -
5 Questions with Fat Kid Rules the World Director Matthew Lillard
For many of us children of the 90s, Matthew Lillard occupies a special place in our pop-culture hearts. He’s the emblem of a particular film movement, woven nostalgically into us like Molly Ringwald and Judd Nelson were for those who came of age a decade earlier. He’s the star of Hackers, She’s All That, SLC Punk – the killer in Scream! And his reasoned, career-rejuvenating turn last year in Alexander Payne’s The Descendents reestablished him as a unique on-screen presence. So it’s interesting to find Lillard moving behind the camera at this juncture in his career. But somehow, Lillard’s first […]
by Jane Schoenbrun on Mar 9, 2012 -
Five Questions with Electrick Children Director Rebecca Thomas
Working from an uber-quotable central question – “pregnant from rock and roll?”- Electrick Children follows Rachel (Julia Garner), a young woman growing up in a fundamentalist Mormon household that eschews all forms of modern technology. When, after her fifteenth birthday, Rachel accidentally hears a cassette tape with rock music on it, and subsequently discovers that she’s immaculately pregnant, she puts two and two together and answers the question above with a resounding yes. The debut feature from director Rebecca Thomas, Electrick Children follows Rachel to Las Vegas, where she searches for the singer on the tape (who she assumes must […]
by Jane Schoenbrun on Mar 9, 2012 -
Scott Glosserman Discusses Gathr and Theatrical On Demand
“Tipping.” “Pulling.” “Gathring.” Yes, a new tech start-up has entered the independent film space, and with it a nomenclature that speaks to its ambition to “democratize” the business of theatrical distribution. Launched by a filmmaker, Scott Glosserman (Behind the Mask), Gathr offers “TOD,” or theatrical-on-demand, an audience-driven process by which fans request (or “pull”) films to local venues by aggregating their interest and pledging their funds in advance via credit card. When enough fans support a screening on a particular day, the film “tips,” and credit cards are charged. Fans get to see films that might never come to their […]
by Scott Macaulay on Mar 9, 2012 -
Five Questions with Pilgrim Song Director Martha Stephens
A winding, ephemeral jaunt through the Appalachian backwoods, Pilgrim Song is so well-executed and carefully made that it almost appears effortless. The film follows James, a recently unemployed music teacher who decides to spend his first days of unemployment questing down Kentucky’s Sheltowee Trace Trail. Through a series of vignettes, director Martha Stephens gets at the psychological roots for James’ trek, roots which have as much to do with a desire to escape as with loftier transcendental ideals. In the film’s latter half, as James forms an unexpected bond with a single father he meets along the trail, Pilgrim Song […]
by Jane Schoenbrun on Mar 9, 2012 -
Nina Menkes on Cinema as Sorcery
I have fallen in love with Nina Menkes. Her films have taken me there, in their descent to the depths of her psyche, and by way of hers, to my own. I continue falling in love with her as she shares her experience of making her art. She speaks of her films as dreams that she interprets and uses to understand her self. Her journey is both creative and spiritual. She is committed to the inner life and intuitive filmmaking. She is committed to the alienated feminine. Nina Menkes’ films have been recognized internationally as works of art on the […]
by Djkfilms on Mar 9, 2012 -
TRUE/FALSE DISPATCH, PART 2
In its ninth year, the True/False Film Festival sold over 37,000 tickets. This is my third year attending, but no serious growing pains have been felt with the increasing numbers of first-time attendees: screenings start on time, it’s not overwhelmingly difficult to get into anything if you have an advance ticket, and the programming is unusually trustworthy. (If anything, True/False has a terrific track record of exhuming gems lost in the festival cycle; it’s a good doc fest-of-fests, but a great festival for discovery.) The festival encourages/lubricates sociability without distracting from daily film-watching. This year seemed special even by the […]
by Vadim Rizov on Mar 8, 2012 -
David Gelb, Jiro Dreams of Sushi
Jiro Ono, the world’s most acclaimed sushi chef, is not one to rest. As hard working an octogenarian as you’re ever likely to encounter on screen, Jiro is a celebrity in Japan, but little known here in the States. That is likely to change thanks to director David Gelb’s portrait of the man, his two sons and the philosophy of diligence, hard work and perfectionism they demonstrate in Jiro Dreams of Sushi. A hit at last year’s Berlinale and Tribeca Film Festival, it depicts the rigorous work ethic that Jiro, who began making sushi professionally shortly after World War II, […]
by Brandon Harris on Mar 7, 2012 -
“Synecdoche, New York”
I think you have to see Charlie Kaufman‘s “Synecdoche, New York” twice. I watched it the first time and knew it was a great film and that I had not mastered it. The second time because I needed to. The third time because I will want to. It will open to confused audiences and live indefinitely. A lot of people these days don’t even go to a movie once. There are alternatives. It doesn’t have to be the movies, but we must somehow dream. If we don’t “go to the movies” in any form, our minds wither and sicken. This is […]
by Jane Schoenbrun on Mar 7, 2012 -
“Half Nelson”
In the movies, and unfortunately in life, we tend to accept the easy falsehood that someone who behaves badly in one respect must be bad in others, even if they’re totally unrelated. So, if a person is a gambler, he must be a drunk. If he’s a pedophile, he must be a murderer. If he’s a cigarette smoker (in the movies, at least), he must be corrupt conspirator of some kind. In a black-and-white world, human flaws are not allowed. In order to do good, a person must himself be a paragon of goodness. “Half Nelson,” the miraculous movie by […]
by Jane Schoenbrun on Mar 7, 2012
