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From the Filmmaker Newsletter: Spending Time with Raúl Ruiz and Caveh Zahedi
Each week I write a free Filmmaker newsletter that’s normally not published on this site. Letters range from links and recommendations to longer-form pieces and article first passes. Here’s a newsletter that was sent out June 18 that received a lot of response. With Caveh Zahedi finishing his Kickstarter campaign with a 24-hour telethon, and Jaime Grijalba’s Ruiz Diaries continuing, I thought I’d post it here. You can subscribe to the Filmmaker newsletter at the link. — SM I’ve recently been spending time each day with Raúl Ruiz and Caveh Zahedi. Not literally, of course — Raúl died in 2011, […]
by Scott Macaulay on Sep 9, 2021 -
15 Films and Programs to Anticipate at the 2021 Toronto International Film Festival
The Toronto International Film Festival kicks off today, a hybrid event that combines last year’s digital platform with in-person screenings for vaccinated viewers. (Just two days ago Canada’s Border Agency announced that fully vaxxed international visitors do not need to quarantine upon arrival.) The festival boasts about 100 films, roughly double last year’s selection but still much less than a normal year. That said, film historians will look at this ’21 edition to see what imprint the pandemic has made upon the films themselves. As our list of picks below indicates, a large number of films traveling to the festival […]
by Scott Macaulay on Sep 9, 2021 -
Critic’s Notebook: The 2021 Fantasia International Film Festival
Long before “fantastic cinema” became a thing, Montreal’s Fantasia already was an institution. The grand-peré of North American genre film festivals marked its 25th edition this summer, its second in this nervous and conflicted new age of hybrid online/IRL presentations, and despite the obstacles and anxieties inherent in such, the event as ever stuck to its fundamental mission. Montreal was founded by Catholic missionaries 1642, but the festival’s lower-case catholic taste is its strong suit. Even while checking off all the boxes – Russian Screen Life freakouts (#Blue_Whale), Japanese stop-motion cyber-horror (Junk Head), revivals of obscure Swiss mid-60s spy thrillers […]
by Steve Dollar on Sep 8, 2021 -
U.S. and Canada in Progress Program Extends Work-in-Progress Deadline to September 17
U.S. and Canada in Progress, the event taking place during Wroclaw’s American Film Festival each November, has extended its submission deadline for American and Canadian independent filmmakers with works-in-progress seeking post-production support to September 17. The program offers selected American and Canadian projects in final production stages European sales agents, distributors, and festival programmers) and partnering Polish top post-production companies (including Fixafilm, Orka Studio, Soundflower, XANF). In-kind services valued at $40,000 will be awarded, and the Polish Film Institute additionally offers a prize of $10,000 in Polish post-production services. There’s no fee to apply, and submission details can be found […]
by Scott Macaulay on Sep 8, 2021 -
Trailer Watch: Mike Mills’s C’mon, C’mon
After winning an Oscar for portraying a sociopathic villain, Joaquin Phoenix now essays a (seemingly gentle) radio journalist in the new picture from Mike Mills, his follow-up to 2016’s 20th Century Women. Gabby Hoffman co-stars in the road trip film, which finds Phoenix’s character traveling cross country to interview children and teens about the state of the world. Wrote Rodrigo Perez in his Playlist review, “Vaguely reminiscent of Wim Wenders’ Alice In The Cities—a journalist is saddled with a young girl and lets her tag along on his road trip—the filmmaker’s dynamic work shares little else with the film and […]
by Scott Macaulay on Sep 8, 2021 -
“The Cinema Needs Video”: Yuri Ancarani on Venice 2021 Premiere Atlantide
Director and documentarian Yuri Ancarani carries significant reputation and exposure in the art world—he is arguably vaunted there more than in cinema—but his recent Venice premiere Atlantide unexpectedly evokes some unlikely multiplex-oriented fare. As more audiences and critics see this work, will comparisons reign towards Michael Mann’s irrepressible Miami Vice from 2006? What about—of all things—the Fast and the Furious franchise? There are little streets and tarmac in Atlantide’s observation of the Venetian lagoon, so the disaffected local adolescents must channel their energy (and indirectly, their sexuality) into pulsating barchino (speedboat) races—and we all know about the proportionate relationship between motorsports […]
by David Katz on Sep 8, 2021 -
Memoria, on the Collapse of Cinema (a Book Review)
Memoria Giovanni Marchini Camia and Annabel Brady-Brown, editors Fireflies Press, 2021 The book begins with the word “memoria” handwritten in gold on the blue cloth cover. The word appears again on the book’s first page, alone, black type on the white page, suggesting with its flourish of vowels a portmanteau of memory, history and cinema and calling to us from another language. “Memoria” is also the second word on the second page, just before the type slips into description: of glimmers, a window, boats, darkness, the cinema. There is a bang, a snap, and the snap of a picture, and […]
by Holly Willis on Sep 8, 2021 -
Trailer Watch: Mia Hansen-Løve’s Bergman Island
Writing out of Cannes, Blake Williams reviewed Mia Hansen-Løve’s latest, Bergman Island, a meta-fictional drama about a female filmmaker’s marriage to a fellow director and the ways in which she mines her life, creative anxieties and influences for narrative material. About the film, which jumps between the filmmaker’s (played by Phantom Thread‘s Vicki Krieps) exploration of the Baltic island where Ingmar Bergman lived and shot several of his films, her conversations with her partner (Tim Roth) about her efforts to crack her third act, and imagined scenes from the film to be, which feature Mia Wasikowska and Joachim Trier-regular Anders […]
by Scott Macaulay on Sep 7, 2021 -
Back to One, Episode 168: John Pollono
John Pollono is a playwright, screenwriter, and actor. You know him from Mob City and This is Us. He wrote the film Stronger and the play Small Engine Repair, which had successful runs in Los Angeles and New York. The filmed version, which he also stars in and directs, is about to open after Covid delayed its release. It co-stars Jon Bernthal and Shea Whigham. In this episode, he talks in-depth about working with those guys, the changes that needed to be made from stage to screen that served to enrich the experience, and the factors that played a part […]
by Peter Rinaldi on Sep 7, 2021 -
Venice Film Festival 2021 Critic’s Notebook: Parallel Mothers, Il Buco and The Cathedral
In a tender moment in Pedro Almodóvar’s Parallel Mothers, the opener of this year’s Venice Film Festival, the older of the eponymous mothers teaches the other how to peel potatoes while wearing a t-shirt that says “We Should All Be Feminists.” Since Janis (Penélope Cruz) is at the cusp of middle age, whereas Ana (Milena Smit) has only just turned 18, there’s a suggestion of baton-passing in this Jeanne Dielman reference. One wonders, then, what Chantal Akerman might have thought of the scene in which Ana relates, with a casualness pitched ambiguously between PTSD and nonchalance, that her pregnancy was […]
by Giovanni Marchini Camia on Sep 5, 2021
