6576 Results for “production”
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DP Jeff Cutter on Shooting 10 Cloverfield Lane in Near-Sequence, Dragon vs. Alexa and Six Specific Shots
Because the wheels of the movie machine turn slowly, timeliness is not among cinema’s primary virtues. Thus when a movie reflects an aspect of the cultural zeitgeist, it’s either an act of Nostradamian foresight or sheer luck. I don’t know which is the case with 10 Cloverfield Lane, but there’s something about this tense three-hander—which finds a paranoid middle aged white man (John Goodman) fighting to preserve his notion of American ideals inside a bomb shelter alongside a young woman (Mary Elizabeth Winstead) who refuses to accept his envisioned role—that feels right at home in a world where a President […]
by Matt Mulcahey on Mar 23, 2016 -
“Try On Who We Could Be”: Filmmaker and Dancer Lily Baldwin on She Does Podcast
Lily Baldwin is a New York-based filmmaker and dancer who uses movement of the body and unconventional narrative structures to tell human stories. Her short films (Sea Meadow, A Juicebox Afternoon, Sleepover LA, and Swallowed) have played at festivals like SXSW, Berlinale EFM, and the Lincoln Center and been featured on NOWNESS, Short of the Week, Fandor, Filmmaker and Vimeo Staff Picks. Baldwin fell into filmmaking when she was performing as a professional dancer in David Byrne’s two-year world tour, Everything That Happens Will Happen Today. Baldwin often writes, choreographs, directs, edits and plays the leading role in her films, […]
by Elaine Sheldon and Sarah Ginsburg on Mar 23, 2016 -
New OSX App Hedge Manages File Transfers
Released this week, Hedge is an OS X app for streamlining the process of importing camera footage and making backups. Hedge will transfer multiple disks at the same time and verify each copy. Paul Matthijs Lombert came up with the idea for Hedge, and is CEO of the developer, The Sync Factory. He answered the following questions via email. Filmmaker: Where did the idea for Hedge come from? Matthijs Lombert: I’ve been an acoustician and mastering engineer for over ten years. I originally came up with the idea for Hedge when working on a Dutch multicam documentary. I designed the audio […]
by Michael Murie on Mar 23, 2016 -
“If You Start on 10 on Your Dissonant Scale, How Do You Go Beyond That?” Composer Mark Korven on The Witch
A New England folktale envisioned by production designer turned director Robert Eggers has become a critical and box office darling. As striking as The Witch‘s imagery of a 17th century Puritan family exiled to live beside an ominous forest is, it is made even more haunting when combined with the score conceived by Toronto-based composer Mark Korven (Cube). Filmmaker: You must be pleased with the critical and box office reaction to The Witch. Korven: Both have been amazing. I certainly didn’t expect for the movie to go this far. When I started working on it I thought that a lot of people weren’t going […]
by Trevor Hogg on Mar 21, 2016 -
Lance Armstrong as Modern Crime Story: Stephen Frears on The Program
“When I’m out there, physically I’m not more gifted than anybody else. It’s just this desire. This hunger,” intones Ben Foster as Lance Armstrong in the opening narration of The Program. “My mom didn’t raise a quitter and I would never quit. That’s heart, man, that’s not physical. It’s not legs. It’s not lungs. That’s heart. That’s soul. That’s just guts.” That’s the great fallacy of the American underdog sports drama — if you have enough heart and enough guts, you can succeed. It’s the underlying myth of Rocky and even based-on-fact tales of athletic fortitude such as Hoosiers and […]
by Matt Mulcahey on Mar 21, 2016 -
The Graphic Design of High Rise
Here’s a fascinating article by Mark Sinclair in the Creative Review about graphic design in Ben Wheatley’s High Rise. In most films, contemporary and near-period, production designers will seek clearance to use actual logos and products. When those clearances aren’t granted for whatever reason, the art department will mock something up. But unless there’s been real attention paid to these graphics, they can often look cheesy — like the film equivalent of clip art. The fantastic, dystopian qualities of High Rise — a science fiction tale set in an imaginary pre-Thatcherite early ’70s — has enabled Wheatley and his designers […]
by Scott Macaulay on Mar 21, 2016 -
Director Peter Medak Plans to Resurrect The Ghost of Peter Sellers
It was 1973 and Peter Medak was a hot director on the rise. Following the success of The Ruling Class, which had earned Peter O’Toole an Academy Award nomination the previous year, United Artists offered him Death Wish. But when the studio insisted on casting Charles Bronson instead of Medak’s pick, Henry Fonda, Medak passed on the project. Back in London, Medak ran into his friend Peter Sellers, who asked him to direct his next film, Ghost in The Noonday Sun, which was set to be filmed on the island of Cyprus. Somehow the idea of filming a 17th-century pirate comedy aboard real ships on […]
by Paula Bernstein on Mar 21, 2016 -
Cancer and Video Games: Malika Zouhali Worrall and David Osit on Thank You for Playing
A video gaming experience therapeutic for both players and its grief-stricken creator, That Dragon, Cancer can currently be purchased for use on your Mac/PC and other devices. Created by Colorado-based developer Ryan Green, the independent video game serves as a reflection of a tragedy he and his family recently experienced: the death of Green’s young son, Joel, who passed away after a sustained battle with cancer. Working on the project as Joel was receiving treatment, Ryan and his family incorporated very real moments of personal history into That Dragon, Cancer, even going as far as to sample Joel and his family’s actual voices […]
by Erik Luers on Mar 18, 2016 -
Blackmagic Ships URSA Mini 4.6K Camera Without Global Shutter
The Blackmagic URSA Mini 4.6K was supposed to ship back in October, but after encountering some engineering issues Blackmagic has finally announced that it is shipping, though minus one important feature: global shutter. In a press release announcing that the URSA Mini 4.6K and the Micro Cinema Camera are shipping, Blackmagic acknowledged that they had encountered problems with the global shutter in both cameras, though the problems were evidently different for each. Blackmagic decided to give up on the feature, in part because they think the key feature of the Mini 4.6K is really the high dynamic range, and when you […]
by Michael Murie on Mar 18, 2016 -
“Framing is its Own Dark Art”: Karyn Kusama on The Invitation
Karyn Kusama’s The Invitation achieves the kind of cinematic alchemy one finds in Blood Simple or the best of Hitchcock, where genre meets philosophy and character to yield something both razor-sharp in its clarity and infinitely complex in its provocations. The script by Phil Hay and Matt Manfredi follows a group of friends over the course of one night when they reunite after a tragedy that has affected all of their lives. The intentions of the hostess, Eden (Tammy Blanchard), are mysterious and only grow increasingly troubling as the night progresses, at least as far as her ex-husband Will (Logan […]
by Jim Hemphill on Mar 17, 2016
