6583 Results for “production”
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Sibling Cinema: A Brother-Sister Perspective on Indie Film
Lumière, Cohen, Zucker, Farley, Duplass, and Polish. All siblings in cinema. Are siblings just genetically inclined to be good partners? My sister Eva and myself are not your garden-variety filmmaking partnership. We’re brother and sister, bound by shared nature and nurture. We formally joined professional forces in 2003 and founded Last Ditch Pictures, now a full-service production company spanning the gamut: commercials and industrials and shorts, editing and scoring and visual effects, and — closest to our hearts and common circuitry — features. I sat down with my sister over the weekend, having just completed post production on our fourth […]
by Isaak James on Feb 15, 2013 -
Gael García Bernal on the Oscar-Nominated No
Ever since the start of the Aughts, when he broke through in memorable dramas like Amores Perros and Y Tu Mamá También, Gael García Bernal has grown to become one of the most compelling actors of his generation, an international star who attracts a great bevy of gifted filmmakers. He’s played muse to Pedro Almodóvar, starred as Che Guevara for Walter Salles, and explored the subconscious with Michel Gondry. In addition to developing his own projects (like The Invisibles, a recent immigration-themed collection of documentary shorts; Sundance 2013 success Who Is Dayani Cristal?, a doc he appears in and co-produced; […]
by R. Kurt Osenlund on Feb 14, 2013 -
Lydia Antonini and Josh Feldman on Halo 4: Forward Unto Dawn
At the beginning of the year, Filmmaker’s Scott Macaulay pointed out again — like many others have as well — that features are no longer the default format-of-choice for indie filmmakers. And as forms like the web series mature, we’re seeing more of the kinks getting worked out and more filmmakers and others finding innovative ways to release and promote new work. Take Netflix’s high-profile series House of Cards, which was just released all at once instead of in spaced-out (i.e. weekly) increments; we’ve yet to see the show’s long tail, but its initial viewer data (that is, its engagement […]
by Randy Astle on Feb 14, 2013 -
In the Can: Days of Gray
Picking up from where we left off in our last article, we’re happy to announce that Days of Gray is in the can! So much has happened in the last six months, and here’s how we got there. We concluded an incredibly successful Kickstarter campaign in early June with a blow-out party at the Wooly (many thanks to all our backers who came out in droves and danced till the wee hours to the beats of Icelandic DJs!) We also held a very well-attended screening at the Scandinavia House showcasing previous works from Bicephaly Pictures as well as some of Hjaltalín’s music videos to give […]
by Kira Simon-Kennedy and Ani Simon-Kennedy on Feb 13, 2013 -
Sam Neave, Almost in Love
Director Sam Neave and his producer/star Marjan Neshat are both Iranian-born, but the films they tend to make together — including 2003’s Sundance entry Cry Funny Happy and their terrific new two shot high-wire act Almost in Love — focus on the romantic travails of upper-middle-class Westerners in ways that are as funny as they are earnest. Their newest film, despite its intentionally schematic, downright arty structural contrivance, is a surprisingly rich meditation on friendship, the difficulty of settling down and the importance of being earnest. Performed in humorous and melancholy shades by an odd assortment of performers, most notably Ms. Neshat, Gary Wilmes, Alan Cumming and Alex Karpovsky — who […]
by Brandon Harris on Feb 13, 2013 -
Four Tips for Festival Rejectees
Your film didn’t get into the A-level fests so far? With Sundance, Berlin and SXSW having already been announced — or come and gone — for 2013, there are some disappointed filmmakers grappling with an official rejection and its impact on the life of their films. Not getting into a major festival is certainly not the end of the world, but being unprepared for anything except acceptance really can be the end if filmmakers haven’t planned and budgeted for the lack of a conventional distribution deal. Because it isn’t smart just to play the festival circuit and hope for a […]
by Sheri Candler on Feb 12, 2013 -
Cinekink Announces its 2013 Line-Up
Cinekink NYC has announced the line-up for its 2013, tenth anniversary edition, which runs February 26 – March 3, 2013. Presented by Cinekink, “an organization dedicated to the recognition and encouragement of sex-positive and kink-friendly depictions in film and television,” the festival has historically mixed documentary, fiction and experimental work, drawing from the festival circuit, the art world, and adult production. Here’s the line-up, and further information can be found at the festival’s site. (The festival’s closing-night film is a restoration of Radley Metzger’s ’70s porno-chic hit, The Opening of Misty Beethoven. Read our interview 1997 interview with Metzger here.) […]
by Scott Macaulay on Feb 12, 2013 -
Five Questions with Bully Director Lee Hirsch
Far more insidious than strep or the flu, Lee Hirsch’s Bully investigates a different sort of contagion infiltrating classrooms across the country. Centering on the South and Midwest — Georgia, Iowa, Texas, Mississippi, and Oklahoma — Hirsch and his crew peer into the lives of families and children that are dismantled and uprooted by relentless acts of bullying. While most surrender to the cyclical ostracizing, downplaying the shame before their parents and superiors, others seek solace in suicidal measures. Following its premiere at the 2011 Tribeca Film Festival, Bully shocked and educated audiences with its frank portrayal of the ramifications […]
by Sarah Salovaara on Feb 12, 2013 -
Antiviral: The Spawn of the Spawn of David Cronenberg
Imagining a future in which celebrity worship has become the new world order hardly strains the brain, but first-time filmmaker Brandon Cronenberg’s Antiviral creates this scenario with such casual logic and vivid detail that very little imagination is required to make the leap from current reality to future absurdity. In this world, we no longer want to hear, as a society, that stars are just like us, we want them to be other, god-like. There is also a yearning to be close to them; the ritualistic collection of autographs or buying Kim Kardashian’s used hair dryer on eBay has morphed […]
by Farihah Zaman on Feb 8, 2013 -
Festival Cinematography Notes – At Sundance, Alexa Rising
The day Sundance began, Daily Variety’s lead article kicked off with: “In this brave new indie world of VOD, shifting release windows, RED cameras [italics mine] and social media marketing…” I was struck by how little any of this has to do with indie filmmaking alone. As a token of digital revolution, RED cameras are so five years ago. It’s hard to storm the ramparts when last year’s #5 and #7 box office hits were shot with RED Epics (The Hobbit: An Unexpected Journey, The Amazing Spider-Man). In fact, not only were last year’s #1 and #4 hits filmed with […]
by David Leitner on Feb 5, 2013
