6583 Results for “production”
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Second-Time Director: Kyle Patrick Alvarez and C.O.G.
Industry veterans and fresh faces alike are descending onto Park City this week, and for filmmakers with premieres it’s a heady mixture of excitement and anxiety. Writer/director Kyle Patrick Alvarez is among this crowd, ready for not only his film’s first screening, but his personal festival debut. It’s a significant career-high for the second-time director, but Alvarez is approaching the week with the well-worn wisdom his first feature brought. Alvarez wasted little time in launching his industry career. Immediately after graduating from University of Miami’s film program, Alvarez moved straight to Los Angeles and landed a job as Warren Beatty’s […]
by Kishori Rajan on Jan 16, 2013 -
Cinereach Announces 2012 Grant Recipients
Cinereach announced today that it has awarded over $500,000 in grants to 22 feature-length film projects that applied for support in 2012. More than 2,000 applications were submitted, from filmmakers based in upwards of 100 countries. The 22 grantees in this round are comprised of twelve non-fiction films, seven fiction films, and three hybrids. The fourteen new grantees range from the early development stages to late post-production. The renewed support went primarily towards the completion of prior grantees’ films, including Cutie and the Boxer, God Loves Uganda and Narco Cultura, which will premiere at the 2013 Sundance Film Festival, and […]
by Billy Brennan on Jan 16, 2013 -
Shooting the Short BART: an Interview with the Director and DP
When L.A.-based director Rich Landes was offered the chance to shoot a short narrative piece for Canon he jumped at the chance. Landes has extensive experience as a commercial director, but this was a chance to direct a narrative based on his own idea, and with few restrictions from the “client.” But first he had to come up with an idea and treatment in two days. Then he had to fly to New York and cast, find locations, and hire a DP in four days, and then shoot the whole thing over the course of two days. None of this […]
by Michael Murie on Jan 15, 2013 -
4K comes to CES and Canon announces new Cine Primes
The Consumer Electronics Show (CES), which ran January 7-10 in Las Vegas, is not the place to see the latest pro gear, but it is a good place to see the general direction of the electronics entertainment industry. Just a couple of years ago 3D was the rage, with manufacturers showing off their 3D displays and headsets. By all reports, 3D wasn’t so hot this year. Instead, we saw the first salvos in the 4K battle to convince consumers to part with their money for another high-end display. But when it comes to televisions, 2013 may be seen as the […]
by Michael Murie on Jan 14, 2013 -
Tom O’Brien, Fairhaven
Three thirtysomething buddies reunite for a funeral in a sleepy Massachusetts fishing hamlet in Tom O’Brien’s finely tuned Fairhaven. They beat about the shores of this southeastern Massachusetts town in the dead of brutal winter, one which ace DP Peter Simonite photographs in such a way as to chill the bones of attentive audience members–even ones who don’t find themselves, or this movie, which debuts today both theatrically and on VOD, in a typically over air-conditioned modern movie house. Close knit and working class, the milieu of O’Brien’s movie is at once confining and comforting for its three leads. Jon […]
by Brandon Harris on Jan 11, 2013 -
A 180 on 181
Nothing like a good fiscal crisis to get things moving in our federal government. After months of speculation and hand-wringing, the often misunderstood and underutilized Section 181 is back for producers, and it’s retroactive to 2012! Here are the specifics: The recently-enacted American Taxpayer Relief Act of 2012, which halted various tax increases scheduled to go into effect as part of the fiscal cliff, also retroactively extended the temporary rules for deducting certain film and television production expenses. The provision, Section 181 of the Internal Revenue Code, generally allows a deduction of up to $15,000,000 of the cost of a […]
by Brian Silikovitz Esq Christina Iafe Esq and Matt Savare Esq on Jan 11, 2013 -
Romain Thomassin on Dailymotion’s Motionmaker Fund
With more than 106,000,000 unique monthly visitors and 2 billion views worldwide, Dailymotion is one of the leading video sharing sites in existence. They already offer 34 localized versions, in 16 different languages, and are steadfastly committed to providing an easy-to-use forum for high-quality and HD video to be shared online via their own users, independent content creators and premium partners. Dailymotion’s official squad of creators, known as “Motionmakers,” is free to join and grants access to benefits such as streaming in 1080p HD, 3D and live, participation in contests and festivals, priority positioning on the site and its search engine and […]
by Nick Dawson on Jan 10, 2013 -
5 Broken Cameras and Detropia Top Cinema Eye Honors
At the Museum of the Moving Image last night, Emad Burnat and Guy Davidi’s 5 Broken Cameras took the headlines at the Cinema Eye Honors by taking the top prize, Outstanding Achievement in Nonfiction Feature Filmmaking, while Heidi Ewing and Rachel Grady’s Detropia also took two prizes, for directing and score. Jason Tippet and Elizabeth Mims (2012 “25 New Faces” alums for their film Only the Young) won Best Debut Feature, while a slew of acclaimed 2012 docs such as Chasing Ice, How to Survive a Plague, Bully, The Imposter and Searching for Sugar Man picked up statuettes too. With the announcement this morning […]
by Nick Dawson on Jan 10, 2013 -
Pulse: Shooting with the Canon C100, Part II
In Part Two of this interview with Patrick Moreau of StillMotion, Moreau discusses the settings used while filming the short film Pulse with the Canon C100, as well as the lenses and audio hardware they used. He also discusses intercutting footage from the Canon C100 with other cameras. See also: Pulse: Shooting with the Canon C100 Part One Filmmaker: For this project you were recording to AVCHD? Moreau: Yes. We used AVCHD in this situation because we wanted it to be as natural as possible, which is possible with this small footprint. We did an AT&T campaign for the Olympics […]
by Michael Murie on Jan 10, 2013 -
Five Questions for Sebastien’s Deborah Twiss
New York-based Deborah Twiss burst on the scene as the co-writer and star of the 1997 thriller, A Gun for Jennifer. The film achieved cult success in the U.S. and abroad, and since then Twiss has built a diverse career by juggling multiple hats. For Eric Schaeffer’s After Fall, Winter, she co-produced and acted. For School of Rock: Zombie Etiquette, she starred and wrote. She wrote and directed her own feature, In Between, in 2005, and she also regularly appears in both mainstream movies (Kick-Ass) and television (Law and Order). Now she’s producing and wrote the screenplay for a psychological […]
by Scott Macaulay on Jan 9, 2013
