A dubious term to be sure, it seems that one of the pre-reqs for hipster certification is denying that you actually are one. Based on this criterion, Brook, the main character in Destin Daniel Cretton’s feature debut, definitely qualifies. But I Am Not a Hipster is not so much concerned with labels as it is with crafting an intimate, small-scale character portrait. Adrift in San Diego’s music scene, Brook’s lackadaisical lifestyle is interrupted when his family visits with the intention of spreading his late mother’s ashes. Cretton, who made a splash at Sundance in 2009 with his Grand Jury Prize […]
[PREMIERE SCREENING: Friday, January 27 6:30 pm –Eccles Theatre, Park City] There are so many reasons why we chose film as our medium to tell stories. The fact is we’re children of our culture (how could we not be?) a culture of the mash up: of so many forms of expression constantly mixing and intertwining in all of our daily lives. Well, film is the only medium where you get to combine so many of these forms of expression simultaneously: literature, music, photography, visual art and theater, all in your own unique way to create a singular vision that can […]
25 New Face composer and performer Gingger Shankar (right) with director Mridu Chandra outside the Main Street Transit Center. Shankar, Chandra and the Shanghai Restoration Project were part of Sundance’s New Frontiers with Himalaya Song, a New Frontiers multimedia performance piece that “explores this majestic mountain range and its interconnecting cultures as the region undergoes major environmental and ecological change. Featuring live narration by filmmaker Mridu Chandra and musical performances by musicians Gingger Shankar (vocals/double violin) and Dave Liang (piano/electronics), this live multimedia presentation combines modern sounds and ancient instruments with a cinematic journey through the Himalayan past and present, […]
Independent film, depending on how you define it, has had many births. But for the purposes of this blog post, let’s consider the one in the 1980s, just before the launch of this magazine. She’s Gotta Have It, Parting Glances, Poison, True Love — these were narrative features made by lone filmmakers with a mixture of private money and, sometimes, foreign TV deals, and they were released into the marketplace after being acquired by independent distributors who catered to arthouse audiences. More films followed — Clerks, El Mariachi, The Blair Witch Project — and the idea that one could possibly […]
If you’re attending Sundance, you undoubtedly have seen the orange jackets worn by the festival’s volunteers. They were designed by Kenneth Cole, the Sundance Institute board member who has been providing vests and jackets to the volunteers for eight years. In addition, Awearness, the Kenneth Cole Foundation, collaborated with Sundance on a comedic short written by Kenneth Cole Productions and produced and directed by Ricki Stern and Annie Sundberg (Joan Rivers: A Piece of Work, The Devil Came on Horseback). QR codes at the festival are prompting fest goers to stream the short on their mobile devices, and it played […]
Goats might be Chrisopher Neil’s first feature as director, but he’s worked for years as an acting coach and rehearsal adviser on projects as wide ranging as Adaptation, The Virgin Suicides, and Star Wars: Episode 3 – Revenge of the Sith. And it’s clear that Neil has accrued quite a stellar reputation among actors, as evidenced by Goats’ impressive ensemble (which includes David Duchovny, Vera Farmiga, and relative newcomer Graham Phillips.) Based on the quirky debut novel by Mark Jude Proirier (who also wrote the film’s screenplay), Goats is an odd but bittersweet coming of age story. Filmmaker: How did […]
[PREMIERE SCREENING: Tuesday, January 24, 3:00 pm –Yarrow Hotel Theatre, Park City] I’m not an independent filmmaker; so-called independent filmmakers—all the more so documentarians—are some of the most dependent people around. We depend on funders and characters, on permission-givers and gatekeepers, on our own (free) will, determination and hubris—not to mention on the weather. A film teacher I once had gave me the one really truly valuable lesson in all my MFA: “You want to make a movie?” she asked us. Yes, we nodded. “Then go out and tell everyone you know that you’re going to make a movie.” Otherwise, she […]
Over LCD Soundsystem’s ten-year career, the band grew from early blog darlings to lauded indie stalwarts. After telegraphing the group’s demise years in advance, band-leader James Murphy officially disbanded LCD last April with a star-studded, marathon-length performance at Madison Square Garden. Now, less than a year later, Dylan Southern and Will Lovelace present Shut Up and Play the Hits, a documentary that follows Murphy and his band-mates in the run-up to and aftermath of their now-legendary final performance. If the film’s trailer is any indication, Shut up and Play the Hits will serve as a great encapsulation of the excitement, […]
Musa Syeed’s Valley of Saints is a film warmly awash in setting and culture. Filmed in Kashmir, within the aquatic trading community of Dal Lake, Valley follows Gulzar, a young ferry driver who dreams of moving out of Kashmir, until the arrival of a beautiful American scientist begins to complicate things. Pairing with producer Nicholas Bruckman, Syeed’s first narrative effort patiently probes into a fascinating community (and part of the world) rarely seen on the big screen. Filmmaker: What inspired you to make a film set in Kashmir? Syeed: Both my parents were born in Kashmir. In the 1960s, my […]
[PREMIERE SCREENING: Monday, January 23, 8:30 pm –Prospector Square Theatre, Park City] I’m a third generation of filmmakers. When I was a boy I used to visit the sets of my father and grandfather. I worked as an extra, in production, in location scouting, in direction. I cannot say exactly why I do it. I only know that I enjoy it and I don’t see myself doing anything else. I believe that cinema, being a combination of most of the other arts, if it is well executed, it is without a doubt the art that goes deeper and mobilizes more […]