Documentary
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Oregon Doc Camp Now Accepting Applications
Now in its fourth year, Oregon Doc Camp invites experienced documentary filmmakers to a four-day documentary retreat May 18-21, 2017 at Silver Falls State Park in central Oregon. Developed by Women in Film Portland, Oregon Doc Camp gives working documentary filmmakers an opportunity to gather in an informal setting, learn from each other and build community in an ever-changing industry. This year, Kate Amend, editor of the Academy Award-winning documentaries Into the Arms of Strangers: Stories of the Kindertransport and The Long Way Home, as well as The Case Against 8, and many other films, will present the keynote speech. Currently on the faculty […]
by Paula Bernstein on Apr 19, 2017 -
Petra Epperlein and Michael Tucker on Their Noir-ish Stasi Doc, Karl Marx City
Now playing in New York at Film Forum, Karl Marx City, Petra Epperlein and Michael Tucker’s follow-up to 2013’s The Flag. An entirely different meditation on national identity, in Karl Marx City Epperlein — who emigrated to the States following the collapse of the Berlin Wall — travels back to her East German homeland, and the film follows her as she attempts to discover the reason for her father’s suicide in 1999. Evidence that he may have been a Stasi informant deepens the urgency of her journey, with a visit to the Stasi archives revealing thousands of hours of footage, somewhere in […]
by Scott Macaulay on Mar 31, 2017 -
Creative Fraternity: Judd Apatow and Michael Bonfiglio on their SXSW Doc, May It Last: A Portrait of the Avett Brothers
Two decades of writing, producing, and finally directing some of the most commercially and critically successful films in the world have given Judd Apatow enough cachet to make nearly anything. After his directorial debut, The 40-Year-Old Virgin (2005), took in more than $175 million in domestic gross revenue, his Apatow Productions produced an ongoing string of gargantuan hits, including Knocked Up (2007), Superbad (2007), Bridesmaids (2011) and Trainwreck (2015). But it is only within the last three years that Apatow has moved into a seemingly unlikely genre: documentary film. Last year saw his first nonfiction work as co-director with Michael […]
by Sean Malin on Mar 15, 2017 -
No Way Out: Brent and Craig Renaud on Their SXSW Doc, METH STORM: Arkansas USA
World premiering March 11th at SXSW is METH STORM: Arkansas USA, the latest HBO doc from the Peabody (and Edward R. Murrow and Columbia Dupont and Overseas Press Club) award-winning Renaud brothers. Unsurprisingly, the Arkansan siblings have taken a deeply humanistic approach to the meth epidemic with this film, following a soft-spoken DEA agent struggling to stem the flow of (cheap and extremely potent) Mexican cartel “ice” into his rural community. They parallel this narrative with that of a close-knit family of impoverished addicts, led by a no- nonsense matriarch who just can’t seem to catch a break. It’s been […]
by Lauren Wissot on Mar 11, 2017 -
Report from Big Sky: Tips on Documentary Pitching
Given the recent Presidential threats to refugees and immigrants, it seemed only fitting that The New Neighbors Project: Self-Directed Stories from the New American West, which aims to put cameras in the hands of refugees and immigrants in Montana, won the inaugural pitch competition for Tribeca Film Institute’s IF/Then Pitch competition during the recent 14th annual Big Sky Documentary Film Festival in Missoula, Montana. Directed and produced by Bryan Bello, The New Neighbors Project plans to create a series of short documentaries through workshops which teach refugees media production skills so they can direct their own stories. Developed by Tribeca Film Institute (TFI), IF/Then is designed to support short […]
by Paula Bernstein on Mar 4, 2017 -
True/False: Anna Zamecka on Her Transcendent Documentary Debut, Communion
First-time Polish director Anna Zamecka watched many films in preparation for shooting her début feature, Komunia / Communion. Inspired by many works of both fiction and nonfiction, one in particular had an emotional impact. Nagisa Oshima’s Boy (Shonen) from 1969 is based on real events reported in Japanese newspapers at the time about Toshio Omura, a boy forced by a conniving father to participate in dangerous scams in order for him to stay with the family. While Zamecka’s young protagonist, Ola — a 12-year-old living with Marek, her alcoholic father, and Nikodem, her autistic brother, in a cramped and crumbling-down […]
by Pamela Cohn on Mar 2, 2017 -
Using Interviews and Animation to Bring the Sniper Documentary Tower to Life
The documentary Tower recounts the day in 1966 that a sniper on the University of Texas Tower killed 14 people and wounded dozens more. The film includes archival footage, interviews with those who were present and animated recreations of the event. In this interview, director/producer Keith Maitland and DP Sarah Wilson talk about the making of the film which receives its broadcast premiere on PBS on Tuesday, February 14th. Filmmaker: How did you become filmmakers? Maitland: I started off in narrative filmmaking, working on other people’s movies, and right around the time I met Sarah — we’ve been together 13 years […]
by Michael Murie on Feb 13, 2017 -
Finding the Storyline in a Documentary Short (Or, Do Short Docs Need Narrative Arcs?)
When you announce to the world (or at least on social media) that you’re making a short documentary, you’re bound to be asked the obvious question: “What’s it about?” As any documentary filmmaker can tell you, there’s a short answer to that question and a long answer, depending upon who is asking and how much time they have to spare. In the case of my short documentary film in-progress, Sole Doctor, the short answer is, “It’s about George, an African-American shoe cobbler who has owned a business in Portland for over 50 years and is getting ready to retire and pass […]
by Paula Bernstein on Feb 9, 2017 -
2016: Nonfiction Storytelling in a World of Fake News
“Truth is stranger than fiction,” as the maxim goes, and that was certainly the case in 2016. Following the election of Donald Trump, the fictional dystopian worlds of The Hunger Games, Westworld, and Black Mirror suddenly seemed pointedly realistic, and our new reality felt mighty strange. Some of the year’s most powerful nonfiction films, including Ava DuVernay’s 13th, Dawn Porter’s Trapped, and Raoul Peck’s I Am Not Your Negro, took on new urgency as civil rights and reproductive rights increasingly came under fire. By intercutting scenes of Trump supporters physically assaulting African-Americans at his rallies with scenes of whites threatening black people during the civil rights movement […]
by Paula Bernstein on Dec 29, 2016 -
Notes on Truth (Or, Documentary in the Post-Truth Era)
Since Election Day, many in the documentary community have been asking the question, “What do we do now?” The most common response is, “We need to make great politically-engaged films.” I hope a lot of people do exactly that; I might even do it myself. Okay, I probably won’t. My answer is a lot more basic: we need to love, seek and defend truth. I’m not fucking around, you guys: the truth might be hard to find sometimes, but it exists, and it is crucially important to the survival of our species. As plainly stated by the great moral philosopher […]
by Penny Lane on Dec 13, 2016
