Michael Madsen’s “documentary from outer space” is at the top of our viewing list at Sundance this year. As it is described by production company NGF: THE VISIT is a documentary with comedy elements, and a philosophical exploration of our fear of strangers through the ultimate threat to our self-image: The discovery of Alien Intelligent Life. In Vienna lies the UN-city, with its late 1970’s architecture and its extra-territorial status not unlike a giant spacecraft that has landed in the middle of the civilized world. Inside this impressive institution representing our belief in humanity, resides the UN Office of Outer […]
by Scott Macaulay on Jan 14, 2015Serving as the director of programming for this year’s Hot Springs Documentary Film Festival meant I watched way too many nonfiction films in 2014, some filled with stunning artistry, others with cringe-worthy talking heads. And since the Academy doc committee’s shortlist had me both cheering (Last Days in Vietnam! Tales of the Grim Sleeper!) and scratching my head (Citizen Koch? Really?) I thought I’d compile my own wish-it-were-this list for Oscar 2015. So here, in alphabetical order, are my 10 Doc Picks — only two of which overlap with the Oscar documentary shortlist — from the 134 submitted for Oscar […]
by Lauren Wissot on Dec 24, 2014CPH:DOX is like a strange dream. That dream where you wake up and everyone understands that artistically motivated documentaires have a place, have meaning, are celebrated. And frankly the weirder the better. The pitch forum at this Copenhagen-based documentary festival is no exception. Coming up on its fourth year, it is the home of the eccentric doc sibling. The one that confounds and delights, and maybe has broadcast potential, but maybe could also play in an art gallery. In its beautiful peculiarity, the CPH:DOX forum stands out strongly from most of the other pitch forums that abound on the documentary […]
by Scott Macaulay on Dec 17, 2014Academy Award-nominated filmmaker Guy Davidi is currently raising funds on Indiegogo for Mixed Feelings. From the Indiegogo page: is an inspiring story about cultural resistance of Israeli director and teacher, Amir Orian – a once successful actor that left his blooming career to create an alternative theater in his own apartment. This documentary tries to create space for artistic expression and the discussion of alternative points of view in a country troubled by destructive nationalistic forces.” Below, Davidi writes about the life of the filmmaker who chooses to make provocative work. Please visit the Indiegogo page linked above to learn more […]
by Guy Davidi on Dec 5, 2014Here’s an extraordinary clip from Jane, a documentary directed by Drew Associates about the young Jane Fonda preparing for her first Broadway role. My favorite line: “Andreas [the director] has coached Jane before. They’re friends, and he dates her often.” From the press release: JANE, directed by Drew Associates, captures a rare and oft forgotten piece of film and theater history. A young Jane Fonda prepares for her tumultuous starring role on Broadway in “The Fun Couple.” The Drew Associates filmmakers track Fonda’s every move during the production as she strives to legitimize herself as an actress and remove herself […]
by Scott Macaulay on Dec 3, 2014A year and a half ago the Tribeca Film Institute launched the TFI Sandbox, an online resource for documentary transmedia projects with connections to the New Media Fund and other real-world resources. Since then the Sandbox has helped produce some amazing work, such as Elaine McMillion Sheldon’s Hollow, and last week the site received an upgrade, which you can check out here. The new Sandbox, essentially a more robust version of the previous iteration, features everything from introductory information for those just testing the waters of interactive nonfiction to specific funding, technology, and festival/distribution resources for those at work on […]
by Randy Astle on Nov 26, 2014The biggest, the smallest, the most, the more-times-than-anyone-else — filmmaker Sam Green has revisited a common childhood fascination, The Guiness Book of World Records, for his latest “live documentary,” The Measure of All Things, receiving its New York premiere at The Kitchen this week. It’s Green’s third work combining film, music and his own on-stage narration — a hybrid film/theater form that’s proved surprisingly popular in performing arts venues around the world. Indeed, when so many filmmakers are trying to figure out a “new model” for their work, Green has turned himself into a touring artist, finding new, less jaded […]
by Scott Macaulay on Nov 20, 2014Luke Korem is in the final days of an Indiegogo campaign to fundraise for Dealt, his documentary on the amazing blind card magician Richard Turner. During the course of filmmaking, he’s become friends with Turner, and below he discusses that friendship within the framework of documentary ethics and practice. Read and consider visiting his Indiegogo page and contributing. It’s the question every documentary filmmaker will at some point ask themselves: “How close should I get to my subject?” Making a documentary is like running a marathon with no definite end in sight. It takes time and 100% commitment to your subject. For anyone […]
by Luke Korem on Nov 17, 2014World premiering tonight at DOC NYC is Monsieur Le President, the sophomore feature documentary from New York-based visual artist and filmmaker Victoria Campbell. In 2010, Campbell and a friend travelled to Haiti to volunteer after that country’s devastating earthquake. There she met Gaston Jean Edy, a voodoo priest, and returned over three years to film a doc that tracks both his efforts to start a local medical clinic as well as her own complicated friendship with her subject. Below, Campbell and I talk about the complications of that relationship, filming in disaster zones and one shared favorite movie. Filmmaker: Tell […]
by Scott Macaulay on Nov 14, 2014The title Sex and Broadcasting may be a grabber, but I doubt any listener of WFMU — and, over the years, there have undoubtedly been millions — needs the hint of salaciousness to tune in to a documentary about the country’s preeminent long-running free form radio station. Indeed, the URL of the film’s website — WFMUtheMovie — might just suffice. In a landscape of Clear Channel-produced corporate playlists, WFMU’s rambunctious, highly personal and often deeply weird deejays continue to offer not just a palette for the ears but an inspiring and enduring vision of independent media. Longtime documentary editor Tim […]
by Scott Macaulay on Nov 14, 2014