Film hackathons are spreading. Tribeca Hacks is hosting its first international event in Geneva March 15-19 and now POV, which has been running a successful hackathon in New York since 2012, is expanding to Los Angeles. Under the direction of Adnaan Wasey (speaking at a Tribeca interactive event above), POV is running two consecutive events on each coast, at the Center for Social Innovation in Manhattan on May 10-11 and at Hub LA (in collaboration with CreatorUp!) in California on May 17-18. Applications for both events have the same deadline: 8 p.m. ET/5 p.m. PT on Wednesday March 26. Applications […]
by Randy Astle on Mar 5, 2014Zero Point, a meta-documentary about the virtual reality industry, is about to remove the popular practice of 3D filmmaking from theaters. Founded by Oscar-nominated director Danfung Dennis, the tech company Condition One has created the first film to be viewed with Oculus Rift, those nifty goggles made for 3D gaming. The virtual reality headset will allow the viewer to control the visuals through movement — effectively positioning the audience as a character, or even a real-time cinematographer, in the film. Condition One plans to project Zero Point on “the inside of an imaginary sphere, surrounding a viewer with an [Oculus] Rift headset,” according […]
by Sarah Salovaara on Feb 20, 2014Just in time for President’s Day, Las Marthas, an unlikely and unexpected tribute to America’s founding father, makes its broadcast debut tonight as part of PBS’ Independent Lens Series. Set in the south Texas border town of Laredo, Las Marthas tells of a century-long tradition in which debutantes from both sides of the border commemorate George Washington’s birthday. Both the film and its subject matter stand apart from so many negative expectations about the U.S.-Mexico border — there is no talk here of the drug war or weapons trafficking. Instead, the month of celebrations that culminates with the debutante ball […]
by Lisa Y. Garibay on Feb 17, 2014A few weeks back, I went to see a one woman show called HAPPY, performed by my friend Eleanore Pienta. It was confluence of many emotions and personalities, but found a recurring framework in the live realization of film. A projection of Eleanore, in character, in a setting, would appear against a backdrop for several minutes, before the lights switched on and Eleanore strode onto stage as that same character. She was effectively bringing these short films to life, something I recalled while reading Sheri Candler’s post at Hope for Film entitled “Creating ‘Live’ Films Can Be Artistically and Financially […]
by Sarah Salovaara on Feb 13, 2014I remember the first time I saw Sherman’s March and realized how revealing autobiographical documentary could be. Filmmakers who turn the camera on themselves run a high risk of self-indulgence, but when done right their films can intimately show the resilience of the human spirit, especially when their challenges appear insurmountable, whether in situations as grandiose as in Ernest Shackleton and Frank Hurley’s South or as ostensibly mundane as Steven Ascher and Jeanne Jordan’s Troublesome Creek. The process of making autobiographical films can even be beneficial for the filmmakers, psychologically or otherwise, provided they place therapy on a backseat to […]
by Randy Astle on Jan 28, 2014A couple nights before the Sundance Film Festival commenced this year, I came home one evening hoping to squeeze in at least a couple of pre-fest screeners before I went to bed, knowing I had a full day of hack journalist duties awaiting me the next morning. While taking the train back from the Filmmaker offices and walking through a dreary Bedford-Stuyvesant evening, I dreaded what I thought I would discover upon returning home: a subletter — a young aspirant sportswriter whose presence in our home had only been announced by one of my more regular roommates the day before […]
by Brandon Harris on Jan 19, 2014Using Spike Jonze’s her as a springboard, Lance Bangs shot a documentary about the modern person’s relationship to love. Culling a wide range of perspectives — from Charlyne Yi to Olivia Wilde to Bret Easton Ellis — Bangs asks us to consider how we relate to Jonze’s unusual tale of boy meets girl. Offers Yi, “Recently, I was thinking about relationships like shoes, and how it’s cheaper to buy new shoes than work on the shoes that you really love and care about.” If the trailer’s any indication, we can expect an eclectic offering. Keep an eye out for Her: Love […]
by Sarah Salovaara on Jan 17, 2014You may have heard of Laura Dekker, the Dutch wunderkind who announced at the ripe old age of 13 that she planned to sail around the world, by herself. Despite initial intervention attempts by her home government, Ms. Dekker set off from Gibraltar in August of 2010, in her 38-footer by the name of “Guppy,” and arrived in Sint Maarten 16 months later, fully intact. Much like her subject, Jillian Schlesinger did not go the safe route in her first full-length voyage as a filmmaker. A project four years in the making, with no opportunities for reshoots or reenactments, Schlesinger’s […]
by Sarah Salovaara on Jan 17, 2014In our imminent Winter 2014 issue, Joy Dietrich penned a helpful piece on grant writing for documentarians, in which she surveyed recipients of Cinereach, Creative Capital, Sundance, MacArthur, ITVS and Tribeca funding. Fortuitous timing then that MacArthur released its 2014 grants this morning to the tune of $2 million for 18 different documentary projects. The films tackle such disparate hot button issues as immigration, health care, carbon trading, elderly care and the drug trade. Keeping up with the times, there’s even an interactive web platform designed around global youth communities. Said MacArthur President Robert Gallucci, “This year’s documentaries illuminate serious issues […]
by Sarah Salovaara on Jan 15, 2014I’ve been to many documentary screenings, and even to some attended by the films’ subjects. But seeing The Crash Reel with its subject, Kevin Pearce, present was one of the most riveting movie screening experiences I’ve ever had. If you haven’t read about or seen the movie, The Crash Reel follows champion snowboarder Kevin Pearce through a debilitating accident, his recovery and then his slow coming to grips with the fact that he can’t go back to competitive snowboarding. On the face of it, this may sound unappealing, but The Crash Reel is no 60 Minutes bedside weepy. Instead, it […]
by Michael Murie on Jan 8, 2014