Documentary Fortnight, MoMA’s International Festival of Nonfiction Film and Media, kicked off its 10th season last night with the world premiere of Self Made. The film, a first for British artist (and Turner Prize winner) turned filmmaker Gillian Wearing, takes the audience through the cathartic process of a Method Acting class populated by a small group of hand-picked non-professionals and led by acting teacher, Sam Rumbelow. The movie shows how strong performances can result from emotional excavation. It’s a raw and emotionally powerful film and one that makes clear that Method Acting, first invented by Stanislavski over a hundred years […]
by Webadmin on Feb 17, 2011Position Among the Stars Winning both the IDFA (International Documentary Film Festival Amsterdam) and Sundance for the same film isn’t anything new for director Leonard Retel Helmrich. Both Position Among the Stars (which received a Special Grand Jury Prize at Sundance this past Saturday) and Shape of the Moon — his previous documentary about three generations of the Shamsuddin family of inner city Jakarta — have won top awards at the festivals. These two documentaries, along with 2001’s Eye of the Day, combine as a trilogy to tell a moving story about religion, politics, and economics, all through the lens […]
by James Ponsoldt on Jan 31, 2011Remember the Earth Liberation Front? In the 1990s a collection of separate anonymous cells without any central leadership that carried out acts of sabotage and arson — burning lumber companies, torching a parking lot of SUVs, destroying a research laboratory. The clandestine group’s goal was to halt the destruction of our environment. If A Tree Falls: A Story of the Earth Liberation Front gives us the larger context of the environmental movement and the more radical Earth Liberation Front, and then focuses on one cell in Oregon and on the activist Daniel McGowan. It is an intriguing and important film […]
by Stewart Nusbaumer on Jan 29, 2011[PREMIERE SCREENING: Friday, Jan. 28, 3:00 pm — Temple Theatre] We initially thought that the film would be more conventional — the usual talking heads reflecting on the past. However, there was something so magical about the footage that cutting away from it to interviews of distant memories seemed wrong. Better, we discovered, to create a kind of archival immersion experience in which the footage would either live on its own or be commented upon by audio-tape recordings of Ken Kesey and the Merry Pranksters themselves. Many of these recordings were made closer to the time of the actual bus […]
by Filmmaker Staff on Jan 28, 2011[PREMIERE SCREENING: Tuesday, Jan. 25, 12:00 pm — Temple Theatre] Destiny never fails to astonish me. In this case, a story told long ago comes back and speaks to us in a surprising way in the present. When I went to Guatemala in 1982, the sole genocide of the 20th century in the Americas was unfolding and I was shooting my first feature-length documentary there called When the Mountains Tremble. More than 25 years later that film and all the filmic outtakes are being used as forensic evidence in a genocide case against two of the generals in my original […]
by Filmmaker Staff on Jan 25, 2011[PREMIERE SCREENING: Monday, Jan. 24, 12:00 pm — Temple Theatre] As a first-time filmmaker, being accepted into the U.S. Documentary Competition at Sundance was obviously the biggest surprise. But what was also a huge surprise was going back to read the outline that I wrote in the summer of 2008 when Hot Coffee was just a dream. After finishing the film in the summer of 2010, I reread my original outline and to my great surprise realized that the final version of the film was almost exactly what I had laid out in the outline, despite having not gone back […]
by Filmmaker Staff on Jan 24, 2011[PREMIERE SCREENING: Monday, Jan. 24, 3:00 pm — Holiday Village Cinema IV] Admittedly the decision to make my movie was based on an absurd gamble. I dropped out of school and moved to another town in an attempt to solve a bizarre and obscure two-decade old mystery. Once relocated, this sober reality began to set in. What if we never find anything? What if we turn up an answer too quickly? Or if the story is lackluster? What on Earth was I even expecting to find? But, to my astonishment, the investigation began taking off. And suddenly the world felt […]
by Filmmaker Staff on Jan 24, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 9:00 pm — Temple Theatre] Making Crime After Crime was full of surprises — which in a way is not so surprising because at least on the surface the film is a legal thriller, a genre that is built on suspense, intrigue and discovery. These aspects of the genre were made all the more unpredictable because the film is a vérité documentary: I was tracking the battle to free Deborah Peagler from prison as her case unfolded so no one knew exactly how it would turn out. Sure enough, clues, twists and turns emerged that […]
by Filmmaker Staff on Jan 23, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 9:00 pm — Holiday Village Cinema IV] My film is about 17 biracial Ukrainian orphans, mostly teenagers, and the woman who has been their foster mother for years despite all the hardships, be they financial or caused by the racist society that surrounds them. Before going on the first shoot, I had no doubts that Olga, the foster mother, can only be a saint. Unfortunately the biggest surprise was the realization that her need for power and control is really the foundation of the family and the motivation for her to become a legal guardian […]
by Filmmaker Staff on Jan 23, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 6:00 pm — Holiday Village Cinema IV] The biggest puzzle to me was that the majority of Black Africa was celebrating 50 years of independence when we had the idea for the film An African Election and that nobody saw the potential of looking into where Africa stood after 50 years of its rebirth. The project was brushed aside as being interesting but unrealistic. Meanwhile people were talking about the silver bullet and all the failures associated with the Dark Continent. Nobody wanted to invest, and even cultural institutions whose mission statements were to preserve […]
by Filmmaker Staff on Jan 23, 2011