[PREMIERE SCREENING: Monday, Jan. 24, 12:00 pm — Temple Theatre] As a first-time filmmaker, being accepted into the U.S. Documentary Competition at Sundance was obviously the biggest surprise. But what was also a huge surprise was going back to read the outline that I wrote in the summer of 2008 when Hot Coffee was just a dream. After finishing the film in the summer of 2010, I reread my original outline and to my great surprise realized that the final version of the film was almost exactly what I had laid out in the outline, despite having not gone back […]
by Filmmaker Staff on Jan 24, 2011[PREMIERE SCREENING: Monday, Jan. 24, 3:00 pm — Holiday Village Cinema IV] Admittedly the decision to make my movie was based on an absurd gamble. I dropped out of school and moved to another town in an attempt to solve a bizarre and obscure two-decade old mystery. Once relocated, this sober reality began to set in. What if we never find anything? What if we turn up an answer too quickly? Or if the story is lackluster? What on Earth was I even expecting to find? But, to my astonishment, the investigation began taking off. And suddenly the world felt […]
by Filmmaker Staff on Jan 24, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 9:00 pm — Temple Theatre] Making Crime After Crime was full of surprises — which in a way is not so surprising because at least on the surface the film is a legal thriller, a genre that is built on suspense, intrigue and discovery. These aspects of the genre were made all the more unpredictable because the film is a vérité documentary: I was tracking the battle to free Deborah Peagler from prison as her case unfolded so no one knew exactly how it would turn out. Sure enough, clues, twists and turns emerged that […]
by Filmmaker Staff on Jan 23, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 9:00 pm — Holiday Village Cinema IV] My film is about 17 biracial Ukrainian orphans, mostly teenagers, and the woman who has been their foster mother for years despite all the hardships, be they financial or caused by the racist society that surrounds them. Before going on the first shoot, I had no doubts that Olga, the foster mother, can only be a saint. Unfortunately the biggest surprise was the realization that her need for power and control is really the foundation of the family and the motivation for her to become a legal guardian […]
by Filmmaker Staff on Jan 23, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 6:00 pm — Holiday Village Cinema IV] The biggest puzzle to me was that the majority of Black Africa was celebrating 50 years of independence when we had the idea for the film An African Election and that nobody saw the potential of looking into where Africa stood after 50 years of its rebirth. The project was brushed aside as being interesting but unrealistic. Meanwhile people were talking about the silver bullet and all the failures associated with the Dark Continent. Nobody wanted to invest, and even cultural institutions whose mission statements were to preserve […]
by Filmmaker Staff on Jan 23, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 6:00 pm — Temple Theatre] In April, I went to the newsroom at the Times with my camera, ready to film. This had been my routine for the past few months–I’d show up, not sure what story the reporters on the Media Desk would be covering that day, and attempt to be a fly on the wall. When I arrived, “a former hacker with a whistleblower website” –whom we now know as Julian Assange of WikiLeaks–had posted a [chilling] video of a U.S. military helicopter shooting down two journalists and several Iraqi civilians. Reuters had […]
by Filmmaker Staff on Jan 23, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 12:00 pm — Temple Theatre] How to Die in Oregon tells the stories of terminally ill Oregonians as they decide when, and whether, to end their lives at the time and circumstance of their own choosing under Oregon’s Death with Dignity Act. What inspired me to make the film was the desire to explore the profound choices an individual would have to make in order to take the life-ending medication. I knew that telling this story was going to be difficult because it would require extraordinary access and a willingness to participate in the film, […]
by Filmmaker Staff on Jan 23, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 12:00 pm — Holiday Village Cinema IV] “Down, down, down!” yelled a U.S. Marine as bullets whizzed overhead and machine-gun fire rattled. We had been drawn into a coordinated ambush deep behind enemy lines. In these difficult situations, I use intense concentration to keep operating my camera system. As we ducked to the next mud berm for cover, I focused on keeping my movements smooth and my distance to the Marine ahead of me constant so I would have a steady tracking shot that would remain in focus. Pinned down by incoming fire, the insurgents triggered […]
by Filmmaker Staff on Jan 23, 2011[PREMIERE SCREENING: Saturday, Jan. 22, 6:00 pm — Holiday Village Cinema IV] My discovery and subsequent first listen to the secretly recorded Shut Up Little Man! tapes left me gobsmacked (“surprise” seems too nice a word, although it is the theme of this discussion). Hearing Peter and Raymond’s vitriolic arguments, their foul-mouthed insults and absolute PURE hatred for one another takes you into a world most of us will never experience. It’s captivating, like traveling past a bad road accident. It presents a similar moral conundrum: Should I be fascinated? Should I look/listen? Should I be laughing at their banter? […]
by Filmmaker Staff on Jan 22, 2011[PREMIERE SCREENING: Saturday, Jan. 22, 9:00 pm — Temple Theatre] Neither of us was prepared for how much we would genuinely like Joshua Milton Blahyi. The fact that a human being can be warm, funny and endearing, yet also responsible for the deaths of thousands, is something that’s very difficult to reconcile. For five years we documented Joshua’s life and struggles. During this time we got to know him on a very personal level, not just as filmmakers, but as human beings. Navigating this relationship between filmmaker and character, and trying to stay objective throughout, can be extremely tricky. There were days […]
by Filmmaker Staff on Jan 22, 2011