[PREMIERE SCREENING: Monday, Jan. 25, 9:00 pm — Temple Theatre, Park City] Well let’s just say this, making a film about Joan Rivers was not easy. Phew! There’s Darfur, Afghanistan and then there’s Joan Rivers! Our producer Seth Keal reminded me of truly the hardest decision we had to make during the filming process. It came during the editing process when we were faced with whether or not to leave in the vagina fart jokes. It almost came to fisticuffs in the editing room, seriously! You think Obama had it tough when he decided to send in 30,000 additional troops […]
by Jason Guerrasio on Jan 25, 2010[PREMIERE SCREENING: Monday, Jan. 25, 3:00 pm — Temple Theatre, Park City] All the decisions that I thought were hard choices seem so obvious when I look back. While making my documentary I wrestled with the idea of putting myself in the film. I felt awkward studying this idea. I didn’t want the film to be about my personal journey but about the story of my subject, Jean-Michel Basquiat. Now when I watch and show the film I see that the personal texture I added has become one of its strongest narrative elements.
by Jason Guerrasio on Jan 25, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 9:00 pm — Temple Theatre, Park City] The hardest decision was whether to bring in a narrator or try and let Benazir tell the story through her own words. The easy way out would have been a narrator, but since Benazir was such a public figure from such an early age we decided to piece her life together in her own words, keeping her alive not only by virtue of the documentary but in the documentary itself. We had a stroke of good fortune when producer Mark Siegel remembered the existence of interview tapes from […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 8:30 pm — Library Center Theatre, Park City] The single biggest decision I was faced with during the making of Climate Refugees literally happened on the first day. Was it possible to make a documentary film about climate change that would be politically bipartisan? I wanted to create a film that would play to both sides of the aisle. To me, I saw climate change as a metaphor in which a woman is swimming in the ocean. She is attacked by a shark. She is barely able to swim to shore. Two men see the […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 3:00 pm – Temple Theatre, Park City] Here’s a challenge I faced making The Tillman Story: As a documentary filmmaker making a movie about Pat Tillman, I’m expected, of course, to get to bottom of who he really was and to leave no stone unturned in presenting his biography and character to my audience. Pat Tillman is synonymous with sacrifice and unflinching patriotic duty because it’s generally accepted that he was so moved by the events of 9/11 that he dropped everything, quit his football career, and enlisted in the Army Rangers. However the more […]
by Jason Guerrasio on Jan 23, 2010[New Frontier Performances and Installations] As a fourth-generation farmer, there seems to be an endless supply of crossroads while growing produce where, unlike in an editing program, you cannot undo the last 50 decisions you have made. What day to plant, how many seeds to place in a foot, how long to water, is that a weed, should I pull it? So here is a brilliant idea — how about I film that process? Hopefully the seed I placed in focus under the lens is the one that will emerge unscathed. That is how my project “lifecycles” began. Unfortunately all […]
by Jason Guerrasio on Jan 23, 2010This piece was originally printed in our 2010 Winter issue. Hell can be many things — being buried alive in the Iraqi desert, for example, or perhaps just watching your screenplay slowly disintegrate on the shelf during never-ending studio “development.” The opposite of most screenwriters, Chris Sparling knows the former but not the latter. He went directly from struggling indie director to successful Hollywood scribe when the screenplay for his horror thriller Buried was picked up, cast with a major up-and-coming star, and thrown before the cameras in just six months. And now it’s receiving its U.S. premiere at the […]
by Jason Guerrasio on Jan 23, 2010UNTITLED (WOMEN OF ALLAH). PHOTO COURTESY OF GLADSTONE GALLERY, NEW YORK. “It’s very flattering to be interviewed by a film magazine as opposed to an art publication,” said Shirin Neshat. “I am very flattered anybody would think it’s worth talking to me.” Widely-acknowledged as one of the most influential contemporary Middle-Eastern artists (and apparently one of the most modest), Neshat and her work are staples of museums and galleries around the world, while remaining relatively little-known in film circles. That changed this year when she burst onto the independent international film stage with her first feature film, Women Without Men. […]
by Livia Bloom Ingram on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 12:00 pm — Screening Room, Sundance Resort] The most difficult decision I had in the making of Last Train Home is one that spans from shooting ground to editing room. It was at the painful moment when the crew and I witnessed the father become frustrated and hit his daughter right after they arrived at their village home before New Year’s Eve. To film or not to film? The ultimate question in documentary filmmaking was being put in front of me. In a filmmaking sense, this was a rarely intense moment, which revealed incredible personalities […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Friday, Jan. 22, 9:00 pm — Holiday Village Cinema IV, Park City] My biggest challenge was daring to make this documentary, which from the very beginning was almost an impossible idea. On one hand, we set out to retell Pablo Escobar’s story, not as yet another gangster film, which it isn’t despite popular perception, but as an intricate political thriller. On the other hand, we challenged the longstanding belief in Colombia that violence and hate pass from generation to generation. The intellectual challenges behind these two ideas were actually more difficult than getting Escobar’s son back into Colombia […]
by Jason Guerrasio on Jan 22, 2010