Introducing Time of the Heathen on day two of the inaugural FILM FEST KNOX, artistic director Darren Hughes teased that “75 minutes from now, you will be among the hundreds—or perhaps thousands—who have seen this movie.” Access to something otherwise difficult to view is at least part of the premise for any film festival; in the case of 1961’s Heathen, Hughes noted that this might be not just the North American premiere of the restoration (following Il Cinema Ritrovato) but possibly of the film itself. Despite its very regional American origins (the performance of Milton Babbitt protege Lejaren A. Hiller […]
by Vadim Rizov on Nov 17, 2023Over the past year, various reckonings—from continued collective and individual action around #metoo to protests against institutions accepting donations from the Sackler family, Warren B. Kanders and oil giants like BP—that media and arts institutions have gone through have brought the weaponization of cultural capital via art-world philanthropy onto the front pages of newspapers. Meanwhile, in the U.S. documentary film field, the way we’re talking about who holds power and how it’s dispensed has remained narrowly focused. Film festivals have jumped into this fray with public forums, panels and talks at which emboldened filmmakers and a new crop of festival […]
by Abby Sun on Dec 10, 2019Many of our filmmaker colleagues are at this very moment hoping to learn when they will screen their new projects to audiences for the first time. Come January, the semi-official season of festivals kicks off with the Sundance Film Festival and International Film Festival Rotterdam, both in late January; followed immediately by Internationale Filmfestspiele Berlin in early February; and in March, the South by Southwest Festival. This past week, those admitted to Sundance were notified after a panicky period of several months, and we’ll learn collectively later today which movies the official lineup includes. Regardless of the real path these […]
by Sean Malin on Nov 30, 2016What to do when your film doesn’t get accepted to any film festivals? Why, start your own film festival! Of course, it’s helpful if you’re the founding editor of a successful web site such as The Rumpus. That’s the case with Stephen Elliott, who was frustrated when his latest film, After Adderall, didn’t get accepted to any film festivals. Elliott wrote an in-depth report investigating a “rigged” system of film festival programming which makes it nearly impossible for paid submissions to be programmed. Titled “The Great Film Festival Swindle”, the article, published recently on The Rumpus, analyzed the odds of getting into various film festivals […]
by Paula Bernstein on Jun 23, 2016Don’t chase the wrong festival — that was one of many simple but useful pieces of advice offered by Ido Abram at the recently concluded 33rd Istanbul Film Festival. Abram is currently the Director of Presentation and Communication at EYE, Netherland’s national film institute. In the past, he has been the director of the Binger Filmlab and the International Film Festival Rotterdam’s CineMart, the world’s first “co-production market.” He also serves on the Advisory Board of the prestigious Torino Filmlab. Throughout his career, Abram has listened to hundreds of pitches, trained filmmakers on how to make them, judged dozens of […]
by Laya Maheshwari on Jun 4, 2014New York may have a film festival for every neighborhood, but La Di Da, the brainchild of programmer and critic Miriam Bale, has carved a niche for itself that feels more temporal than geographical. Now in its second year, the festival, whose title is a tip of the cap to Annie Hall’s choice refrain, has expanded upon its foundations as a communal haven for filmmakers creating aesthetically timeless, genre-friendly, and narratively experimental work. In doubling the selection, Bale deepens her exploration of films that, despite being very much of the here and now, feel as though they’ve been unearthed from […]
by Sarah Salovaara on Sep 12, 2013“Oh no, the festival hasn’t changed at all in 20 years,” Judy Laster, founder and director of the Woods Hole Film Festival, says with a devilish twinkle in her eyes. Twenty years ago the first Woods Hole Film Festival was one-hour long with five short films. Today it’s eight-days long and over 100 films with panel discussions and workshops and some of the best social events on the festival circuit. “We could be much larger,” Judy adds, “if we wanted to be. But we don’t. You don’t have to be Sundance to have impact.” Small yet prestigious, community-anchored with national […]
by Stewart Nusbaumer on Aug 9, 2011As someone who is couch surfing with family and non-blood relatives throughout Europe and the States since I can no longer afford to pay rent, staying in high-end digs on a beautiful beach and lounging around in 80-plus weather during the day while covering the Miami International Film Festival recently was equal parts ironic and surreal. So it was something of a happy accident that while visiting my Tucson-residing best friend from high school I stumbled upon a poster advertising the Arizona International Film Festival. Since I was in town anyhow I figured I might as well check out a […]
by Lauren Wissot on Apr 28, 2011Singer Poly Styrene (Marian Joan Elliott-Said), best known for her work in the iconic punk band X-Ray Spex, died today from breast cancer at 53. From Dangerous Minds: Poly upended every stereotype of the female rock and roll front person. She looked like an innocent school girl but when she opened her mouth she had a soul searing wail that made John Lydon sound like a squealing mama’s boy with his dick stuck in a zipper. Poly had one of the greatest punk rock voices in all of rock and roll. From banshee to wounded vulnerability, Styrene emoted with a […]
by Scott Macaulay on Apr 26, 2011Ambitious and generally without a dull moment, the fourth Off Plus Camera International Festival of Independent Cinema unfurled from the 8th through the 17th of this month with little of the inconvenience and national tragedy that marked last year’s affair. Having been interrupted by the volcanic explosion that grounded planes across Europe last April and shortened by the tragic plane crash which killed an entire generation of Polish political and civic leaders, the third edition was a ragtag affair with few guests and an anarchic spirit that few festivals are able to generate. This year the festival was running at […]
by Brandon Harris on Apr 26, 2011