Just in time for Halloween, Fandor shares the above video essay which analyzes how film can effectively convey fear. Spanning 1920-2014, the video highlights the best reaction shots featuring “the look of fear.” In the accompanying essay, Daniel Mcilwraith explains, “This video asks you to contemplate several questions within these faces of fear. Which gender is most burdened with the look of fear? Which is more effective: paralyzing shock or a piercing scream? I asked myself why the look of fear was so persistent in horror cinema—perhaps it can tell us more about the human face as the most powerful cinematic spectacle.”
by Paula Bernstein on Oct 26, 2016Two years ago the Rasmussen brothers, Michael and Shawn, spoke to us about the production of their low-budget horror movie Dark Feed. Now the directors and screenwriters (they scripted John Carpenter’s The Ward) are back to talk about their new New England-set horror film The Inhabitants, and the lessons learned making a movie on an even tighter budget. Filmmaker: How did this project start? Michael: The whole thing came about as we were finishing Dark Feed. One of our filmmaker friends said, “You want to keep the momentum going and get started on the next project.” A producer friend who had […]
by Michael Murie on Oct 21, 2015“If I had to make [Noah Baumbach’s 1995 pic] Kicking and Screaming today, I’d make it for $50,000, not $1 million,” said producer Jason Blum (The Purge, Insidious, Whiplash) at his SXSW keynote address on Sunday. In a conversation with the Los Angeles Times’ John Horn, Blum blended his own producer origin story with practical advice for filmmakers seeking to emulate his rise to top of Hollywood’s low-budget horror hierarchy. “Don’t wait for the industry to go forward,” he told the crowd, explaining that his own career was accelerated when he learned from a past error: passing on The Blair […]
by Scott Macaulay on Mar 12, 2014Want horror-movie makeup tips from an Oscar-winning legend? Here, Rick Baker (An American Werewolf in London, Videodrome, Men in Black) offers DIY tips while demonstrating how to make “Miss Shock,” a gruesome character created by Bob Burns in 1959 for a live event with The Tingler director William Castle. In this fast-paced 15-minute clip, Baker starts off by making a mold of his daughter’s face and then moves on to the artistic detail work he’s revered for. (Hat tip: Mutiny Co.)
by Scott Macaulay on Feb 23, 2014The following essay appears in the new horror-film anthology, Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks. Click here for an interview with the book’s editor, Dr. AC as well as for links to four other essays published at Filmmaker. “It’s all so horrible, isn’t it? The nightmare of childhood. And it only gets worse.” The prairie is a paradox: a place of bounty and scarcity, virility and decay, the sublime and the surreal. You can see this in the juxtaposition of lush landscape paintings depicting thick wheat fields, warm sunsets and quaint farmhouses, with black-and-white photos […]
by Dave Alexander on Jan 16, 2014The following essay appears in the new horror-film anthology, Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks. Click here for an interview with the book’s editor, Dr. AC as well as for links to four other essays published at Filmmaker. “Laughter burns a cripple like acid.” Having kids is hell for your hobbies. After adopting my son, Nicholas, I returned home to discover my father-in-law had boxed up all my DVDs and stored them in the garage to make room for a crib, mobiles, and large, brightly-colored pieces of plastic that light up and buzz. It was […]
by David Lee White on Jan 15, 2014The following essay appears in the new horror-film anthology, Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks. Click here for an interview with the book’s editor, Dr. AC as well as for links to four other essays published at Filmmaker. “I suspect that the less you know about me, the longer you’ll stay interested.” Habit: [hab-it] noun, 1) an acquired behavior pattern regularly followed until it has become almost involuntary; 2) a dominant or regular disposition or tendency; prevailing character or quality; 3) addiction, especially to alcohol or narcotics The vampire of legend is eternal, and its […]
by Aaron Christensen on Jan 14, 2014The following essay appears in the new horror-film anthology, Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks. Click here for an interview with the book’s editor, Dr. AC as well as for links to four other essays published at Filmmaker. “Do you have the crazy?” Expectations, when great, are seldom met and tend to leave an impression of disappointment. I often find the opposite to also be true; the fewer expectations, the more gratifying when something turns out to be a jewel amidst detritus. With this in mind, it fills me with quiet dread that by cresting […]
by Aaron Gillot on Jan 12, 2014“An epic pot-luck movie party where everyone has brought a favorite dish and wants you to give it a try” is how Dr. AC (Aaron Christensen) describes his latest horror-movie anthology, Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks. And, indeed, anyone looking to scratch past the Rosemary’s Baby‘s and Paranormal Activity‘s to uncover more idiosyncratic, personal and sometimes more terrifying work will find their needs met by the book, which couples great film recommendations with astute commentary by passionate critics. Included are essays on a number of my personal favorites — The Changeling, Dark Water and […]
by Dr. A.C. on Jan 12, 2014As the producer of films like The Ring and Mulholland Drive, Neal Edelstein is no stranger to horror films and thrillers. And with his new project, Haunting Melissa, he’s moved beyond traditional pictures with his first immersive production for iPad and iPhone. Available for free in the App Store, Haunting Melissa centers around the search for a girl who vanished from the farmhouse where her mother had earlier gone insane, but this story is told in a succession of videos released to the viewer in seemingly random bursts. The temporal extension – and unexpected timing – of the narrative through these push notifications […]
by Randy Astle on Oct 30, 2013