Nathan Silver
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Watch: How to Direct a Dinner Scene (x2), with Nathan Silver
In this video, director Nathan Silver breaks down a dinner scene from his film Uncertain Terms (currently playing in New York and Los Angeles, as well as being available for streaming on Fandor) two ways. In the first part, he shows where each person in the conversation sits around the table, freeze-framing each shot as he cuts to another person; it’s an interesting lesson in seeing how editing for film space doesn’t necessarily bear much relationship to literal space. In the second part, we see the scene uninterrupted as Silver talks through his decisions.
by Filmmaker Staff on Jun 2, 2015 -
Counter-Brogramming: The 39th Atlanta Film Festival
Atlanta Film Festival falls right on the heels of SXSW, and its penchant for women directors and strong female leads is refreshing after Austin, where lesser Indiewood bro-coms go to die and where this year even some of my favorite films veered into man-child territory. Kristy Breneman and Christina Humphrey, the two young programmers behind Atlanta’s welcome change of pace, have inherited the 39-year-old festival and are crafting an earnestly community-minded identity in the midst of a rapidly changing city. Its growth is in part due to the fact that tax incentives have enticed more productions from Hollywood to Atlanta […]
by Whitney Mallett on Apr 13, 2015 -
Rotterdam at 44, Volume #2: Yanks in Holland, Suicidal Poets & the limits of J-Horror
The program of American narratives assembled in Rotterdam by Ralph McKay and Inge De Leeuw includes a smattering of world premieres and, for the first time in a while, no films making their international debuts after bows at Sundance. (The latter likely due to the first-time collision of dates between the two festivals.) There is a consistency to the loose narratives in a lot of the work. We get by turns somber and cluttered ensemble pieces with light running times, generously adorned with micro-indie actors whose faces will be familiar to the ever-shrinking flotilla of scenesters who follow such films, […]
by Brandon Harris on Jan 27, 2015 -
2015 Rotterdam International Film Festival Line-Up
Falling smack dab in the middle of this year’s Sundance, the Rotterdam International Film Festival presents a hearty, intercontinental alternative to the Park City indie calendar starter. The program has trickled out over the last few weeks, and looks to be about buttoned up with the Spectrum and Bright Future sections announced today. Of note on the American end is the world premiere of Nathan Silver’s Stinking Heaven, which I covered on a set visit this summer, and the international premiere of Britni West’s Tired Moonlight, starring Alex Karpovsky. There’s also a generous helping of some of last year’s most notable festival circuit […]
by Sarah Salovaara on Jan 7, 2015 -
On the Southern Circuit During the Season of Republican Resurgence: Hot Springs, Savannah, Memphis & Key West
I first heard the term “southern circuit” while talking to former New York Times film critic, The Treatment radio host and venerated international playboy Elvis Mitchell. Over lunch in Krakow several years ago, he described the series of spring and fall film festivals throughout the American south. After a relatively quiet summer, come late August a festival seems to unfurl almost every week somewhere below the Mason-Dixon line, starting with the Sidewalk Moving Pictures Festival in Birmingham, Alabama. While high-profile southern fests such as SXSW, Atlanta, Oxford, Little Rock and Nashville take place during the spring, an even larger share […]
by Brandon Harris on Dec 9, 2014 -
Wroc and Roll: 5th American Film Festival, Poland
Recently announced as a European Capital of Culture for 2016, the picturesque western Polish city of Wroclaw (actually pronounced Vrotz-wav, thus rendering the title pun sadly unworkable) welcomed an extremely distinguished guest for its fifth annual American Film Festival: none other than flying POTUS Barack Obama. Well, it seemed so for a moment, but appearances can be deceptive. A closer look revealed the man to be Louis Ortiz, top Barack-alike and star of Ryan Murdock’s enjoyable Bronx Obama, which screened as part of the festival’s documentary slate. The personable Ortiz’s social ubiquity made for a pleasingly incongruous addition to a […]
by Ashley Clark on Oct 30, 2014 -
Nick McCarthy Talks The Tank: a Grassroots Screening Venue, Open to Submissions
New York City may not want for nascent filmmakers, but said filmmakers are certainly in need of more grassroots screening venues. Fortuitously, The Tank, a Midtown West arts presenter that specializes in comedy, dance, music and storytelling, is rebooting its film program, dubbed Filmmaker Breakthroughs, this October. Headed up by critic Nick McCarthy, the programming seeks to showcase exciting new talent across short and long form narrative, documentary and animated formats. A one-time haven for Andrew Bujalski’s Funny Ha Ha, as well as Hal Hartley and Jem Cohen’s early works, McCarthy hopes the latest iteration of The Tank’s film arm […]
by Sarah Salovaara on Sep 24, 2014 -
Behaving Badly in Nathan Silver’s Stinking Heaven
I love being on set. Mine, yours, whomever’s. I like eating exorbitant amounts of food. I like idle conversation. I like the feeling you get when sleep deprivation kicks in and the dullest minutiae is suddenly hilarious. But mostly I like being around a group of people who have cast aside their better judgement to create something together. So when Nathan Silver asked if I wanted to come to the Stinking Heaven set, I gladly hopped the train to Passaic. I was excited to see how Nathan, who works from outlines and improvisation, constructs a film from the ground up. The following is a loosely timestamped diary […]
by Sarah Salovaara on Jul 25, 2014 -
“Maybe I Hate Pity:” Nathan Silver on Uncertain Terms
Nathan Silver first courted audiences in 2012 with Exit Elena, his charming, claustrophobic take on arrested development through the eyes of a live-in aide. His follow-up, Soft in the Head, also captured an outsider’s rambunctious navigation of new environs, so it should be no surprise that Uncertain Terms, premiering this Saturday at the Los Angeles Film Festival, treads the familiar territory of interloper interrupted. Silver may be a premature embodiment of Fassbinder’s creed that “Every decent director has only one subject and finally only makes the same film over and over again,” but Uncertain Terms feels more patient in execution than its predecessors, mirroring the bucolic enclave which houses a bevy of […]
by Sarah Salovaara on Jun 12, 2014 -
“Let Some Air In!”: Nathan Silver on Directing Improvisation
I asked Nathan Silver to write a guest post on directing improvisation, largely because a spur of the moment slipup — in which one of his actors mistakenly entered a scene and decided to stay put — ended up reshaping the narrative of Soft in the Head, which opens today at Cinema Village. I wanted to know how he tacitly guides the actors without stifling them, how much preparation his outlines necessitate, and what sort of challenges the process presents in editing. He sent me the following, with the note that he “might be having a nervous breakdown.” Incidentally, it’s […]
by Sarah Salovaara on Apr 18, 2014
