The mix of films in the 10th edition of BAMcinemaFest offers isn’t totally unexpected: a significant plurality of Sundance premieres (tightly curated, or maybe more accurately culled), titles from SXSW and True/False, two North American and three world premieres. The programming, though, is tighter and more original than a simple survey of The Year To Date In Festival Premieres. (I have already written elsewhere about the following titles: América, Bisbee ’17 [which has been cut down substantially since its premiere], Clara’s Ghost, Crime + Punishment, Eighth Grade, Madeline’s Madeline, Shirkers, Skate Kitchen, The Task. Please please please do not miss that last one. I’ll wait to write about Support the […]

What is film but a desire to make visible that which we cannot see? Love. Hate. Or in the case of the latest from Penny Lane, pain. After having bowed at the International Film Festival of Rotterdam before, Lane’s return to the Bright Future section with the world premiere of The Pain of Others isn’t a surprise, but she’s certainly earned her place there. The found-footage, experimental doc, which despite being compiled of YouTube videos and newsreels, feels dense enough to require a dissertation on delusion, suffering and this digital age. Working in a similar form to the all-archival constructed […]

In recent decades, some of the best documentary films — including Oscar-winners such as Bowling for Columbine and Searching for Sugar Man, and, more recently, festival favorites Point and Shoot and Meet the Patels — have have relied on animation to tell compelling nonfiction stories in nontraditional ways. It’s a technique audiences have grown accustomed to and nonfiction filmmakers have learned to adopt with varying degrees of success. While in the past, documentary purists might have posited that animation had no place in non-fiction storytelling, it’s now largely accepted that even observational documentaries involve some degree of manipulation. If anything, by using animation in a documentary, the manipulation is more […]

Tribeca Film Festival, I love you but you made a very serious mistake. On Monday, the widely discredited and dangerous anti-vaccination quack Andrew Wakefield tweeted: “Haven’t posted forever. Huge news tomorrow.” Perhaps he hadn’t “posted forever” because the media finally stopped giving him a megaphone. Perhaps once people in America and England began dying of measles, journalists finally realized that the “two sides to every story” approach granted Wakefield was literally killing people. Last I heard, Wakefield was headlining Conspira-Sea, a seven-day cruise where passengers learn about crop circles, chemtrails, yogic flying, ESP and astrology. Good, I thought, that’s where […]

A medical doctor in name only, John R. Brinkley became famous in the ’20s and ’30s for claiming to have found an unusual cure for male impotence: all it would take was the transplantation of goat testicles into his human subjects. A hundred years removed from “discovery,” documentarian Penny Lane (whose Our Nixon was about another very larger-than-life public figure) dives into the life and times of Brinkley, a man whose entire history was based on lies and false acclaim. Filmmaker: Your first feature documentary Our Nixon is compiled from archival footage clearly relevant to American history and politics. Did you set out for your follow-up to be a […]

Chad Hartigan’s Morris From America has an unpromising logline, but so did his previous feature, This is Martin Bonner (an unlikely friendship between two men looking for redemption etc. etc.), and that turned out pretty well, so I wasn’t worried. Morris is a coming-of-age crowdpleaser, in the vein of “it’s been 18 years since Rushmore, but this version is different because…” (Son of Rambow, Submarine, et al.). I know a lot of people (I’m one of them, no shade implied) who find a deep satisfaction in action movies novel only in their details and crispness of execution while placing no value upon originality per se. That’s a principle which, of […]

The countdown to Sundance 2016 has begun with a slew of recent announcements of film selections for the festival, which runs from January 21-31. Earlier this week, the crowdfunding platform unveiled the list of Kickstarter-funded works which made the cut for this year’s festival, including new documentary features from Dawn Porter (Trapped), Penny Lane (NUTS!) and Chris Hegedus and D.A. Pennebaker (Unlocking the Cage). Read the full blog post here and check out highlights below:  This year at Sundance, we’ll be crossing our fingers for a great roster of docs and dramatic features in competition for major awards: NUTS!, Spa Night, Trapped, and When Two Worlds […]

In addition to being adorable, overachieving independent filmmakers, we (Caitlin and Penny) are both single gals in various deserts of actual human interaction (Brooklyn and Central NY, respectively.) Thus, we rely on our phones and thumbs, through a mostly-unknown dating application called Tinder, to find “love” (or whatever). Here’s a first-date conversation we both get to have all the time:

 Tinder Guy: “You’re an INDEPENDENT FILMMAKER??! That is so cool! Is that just like, a nonstop adventure of inspiration and creativity?” Uh, yeah; that’s exactly what it’s like. This post is dedicated to you, Tinder Guy. 1) Most of the […]

In Our Nixon, director Penny Lane explores the Nixon administration by juxtaposing secret White House discussions from the infamous Nixon tapes with incredibly intimate Super 8 footage taken by avid amateur cineastes H.R. “Bob” Haldeman, John Ehrlichmann and Dwight Chapin. The fact that these men also happened to be the chief of staff, special advisor and assistant to our much maligned 37th President is one thing; that they were also three of Nixon’s closest aides and the key conspirators jailed during the aftermath of the Watergate scandal is another entirely. Despite what Ben Stein might say, Our Nixon has little to no polemical […]

Independent Film Week is less than a month away, and today IFP announced some highlights of the event Filmmaker Conference, which will take place at Lincoln Center between September 15 and 19. The keynote speakers this year include Leviathan director Lucien Castaing-Taylor and musician and filmmaker DJ Spooky while there will be case studies of Ryan Coogler’s Sundance-winning Fruitvale Station, Penny Lane’s archival doc Our Nixon, Dave Grohl’s Sound City and Elaine McMillion’s web doc Hollow. From the press release, here’s the info that was unveiled today: Each day of the conference guides filmmakers in the art, technology and business of […]