Sundance Film Festival 2015
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“This Fear Wasn’t Based Upon the World’s Obsession with Kanye and Kim”: The Bronze | Director Bryan Buckley
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? What fear hit me on The Bronze? Hmmm. Well, I guess going into a film which a husband (Winston Rauch) and wife (Melissa Rauch) wrote the script, and are both producers. Then toss on top of that Melissa was the star in every scene, and you have something that seemed a little like a formula for disaster worthy of avoiding at all costs. This fear wasn’t based upon the […]
by Filmmaker Staff on Jan 29, 2015 -
“It Felt Important to Not Shy Away from the Stories that Scare Us”: The Diary of a Teenage Girl | Director Mari Heller
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? I felt drawn to the graphic novel The Diary of a Teenage Girl because it at once resonated for me and terrified me. It was such a brutally honest depiction of female sexuality and such a brave characterization of a teenage mind, that it shook me to the core a little bit. I was inspired and in awe of Phoebe Gloeckner’s work, by her bravery. Which is why I […]
by Filmmaker Staff on Jan 29, 2015 -
“I Will Work Through Some Issues I’m Having While Dreaming”: Reversal | Director J.M. Cravioto
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? As a director, there are stages when it comes to what your fears are while making a film. In Reversal I experienced the same fears I had previously dealt with in prior features. I think fear can be easily defined as insecurity and every person — in this case every director — experiences it in a different manner. Yet, we all share a common denominator in that we’re all […]
by Filmmaker Staff on Jan 29, 2015 -
“My First Feature Film was Shot in Seven Days”: Glassland | Director Gerard Barrett
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Fear is an interesting word. I wouldn’t say I had to overcome any fear in the whole process of bringing Glassland to life, but I guess what I had to overcome was going into a “traditional” production – the unknown to me. Pilgrim Hill, my first feature film, was shot in seven days with a three-person crew and one actor. It was intense, intimate and all consuming. I wrote, […]
by Filmmaker Staff on Jan 29, 2015 -
“I Have a Fear of Long Hours”: Hellions | Director Bruce McDonald
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? I have a fear of Long Hours. The crew gets angry, bored, sick and tired. They don’t see any friends, lovers, families, or pets. People feel ground down and taken advantage of. The set becomes isolated from life. And the film suffers for it. To overcome this on Hellions we did all we could to prevent Long Hours from occurring. We prepped like motherfuckers. Sharpened the script. Pushed for […]
by Filmmaker Staff on Jan 29, 2015 -
“The Film Just Won’t Be Good Enough”: Brooklyn | Director John Crowley
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? At first the familiar gnawing fear that the film just won’t be good enough. But nothing ever is, so I negotiated my way past that one. But then arose a far more specific concern in this instance – that the finished film would not do justice to the experiences of the countless thousands of emigrants that crossed the Atlantic to find a new life in the US. Brooklyn is […]
by Filmmaker Staff on Jan 29, 2015 -
“I Worked Diligently and Kept At It”: Cronies | Producer/Editor/Writer/Director Michael J. Larnell
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? The biggest fear I had to conquer while making this project was the decision to take on many roles for the film. I am the producer, editor, writer and director for Cronies. The most difficult part was the pre-production jobs of producer and director. There were many items needed to be completed for both producer and director, but most of the time went to the producer role. There were […]
by Filmmaker Staff on Jan 29, 2015 -
“My Confidence was in the Dumps”: Bob and the Trees | Writer/Director Diego Ongaro
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? My biggest fear happened with the writing of the script. It came down to lacking confidence. It was very hard to come up with a good story that has enough life in it — real life in it — but also a strong narrative. With my wife and co-writer, Courtney Maum, we kept going back and forth. She’s a novelist so she was pushing for a more scripted story, […]
by Filmmaker Staff on Jan 29, 2015 -
“I Might Actually Be Documenting Larry’s Passing”: Larry Kramer in Love & Anger | Producer/Director Jean Carlomusto
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? The biggest fear I had while making the film was that I might actually be documenting Larry’s passing. Just as we started the final push on the documentary, Larry became critically ill and ended up in intensive care. The grave nature of his illness brought back terrible memories of witnessing my friends die of AIDS in the 1980’s and 90’s. Also, my father had recently died. Being part of […]
by Filmmaker Staff on Jan 29, 2015 -
Sundance 2015: Results, Entertainment and The Witch
He may not be your bag, but it’s tough to deny that Andrew Bujalski is one of the most distinctive American independent filmmakers working today. So distinctive that even when he sets his sights on the pseudo-pedestrian genre of the romantic comedy, he finds a way to completely reconfigure the shape of its central love triangle. In Results, Trevor (Guy Pearce) is an Australian in Austin who owns the Power 4 Life fitness studio, living and breathing his own advertising mantras about self-improvement. The recently divorced, suddenly rich Danny (Kevin Corrigan, brilliant) is new in town and eager to buy […]
by Sarah Salovaara on Jan 29, 2015
