Sundance Film Festival
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“Profound Communication Only Happens When There Is Persistence”: Director Pamela Yates | 500 YEARS
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? I often ask myself, how does each of us weave our own responsibilities into the pattern of history? How can I tell stories about human rights and the quest for justice yet engage people who are uninterested or apathetic? And the answer has always brought me back to this idea of the persistence of vision. Just as in cinema, believing that we will create a new art, […]
by Filmmaker Staff on Jan 24, 2017 -
Sundance: David Lowery’s A Ghost Story is a Major Achievement and A Curious NEXT Entry
It’s a rare privilege to see a contemporary American film as ambitious, emotionally honest, and just-plain-breathtaking as David Lowery’s Sundance entry A Ghost Story. Even from his microbudget beginnings, Lowery’s work has displayed a consistent fascination with American folklore and mythmaking. His films, whether big-budget Disney blockbusters like last year’s Pete’s Dragon, 2013’s love story Ain’t Them Bodies Saints, or his masterful 2011 short Pioneer, concern themselves with the notion of storytelling, its allure and its limitations. With A Ghost Story, Lowery continues to explore this fascination, now through the lens of the haunting genre, a tradition that stretches from […]
by Jane Schoenbrun on Jan 24, 2017 -
“A Huge Historical Project”: Editor Kim Miille on Tell Them We Are Rising: The Story of Black Colleges and Universities
MacArthur Fellow Stanley Nelson has devoted his career to documentary explorations of the African American experience. The 65-year-old director/producer has made films on Marcus Garvey, the Freedom Riders and the Black Panthers. His most recent film is Tell Them We Are Rising: The Story of Black Colleges and Universities, which premiered this week at the 2017 Sundance Film Festival. Nelson hired editor Kim Miille to cut the film. Below, Miille shares her thoughts on historically black colleges and universities (HBCUs), making archival photos and letters cinematic and her origins as an editor. Filmmaker: How and why did you wind up being the […]
by Filmmaker Staff on Jan 24, 2017 -
“The Challenge Is Balancing Tone”: Director Mark Pellington | The Last Word
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? The communication challenge in executing The Last Word was thematic. With issues of aging or mortality, the challenge is balancing tone. That is achieved by communicating to everyone (cast, crew and, in turn, the audience) the specific tone. We tried keeping the story human and offbeat, making it emotionally inclusive, and earning the emotional payoff via narrative investment in character. Thus you are letting the audience grow […]
by Filmmaker Staff on Jan 24, 2017 -
“We Are Living through a Very Divisive Time”: Director Barbara Kopple | This Is Everything: Gigi Gorgeous
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? Obviously we are living through a very divisive time, and transgender issues are among the most controversial of what people call “the culture wars.” That was something I was aware of while making this movie, and it’s something we are aware of as we release it. That said, every film I make involves going as deeply as I can inside the lives of the people whose stories […]
by Filmmaker Staff on Jan 24, 2017 -
Directors Saschka Unseld and Lily Baldwin on Editing Sundance VR Experience Through You
Saschka Unseld and Lily Baldwin explore the phases and facets of love in Through You, a dance-infused VR piece that premiered at the 2017 Sundance Film Festival. Unseld is an animator who directed the Pixar short The Blue Umbrella and is a cofounder of Oculus Story Studio, a VR media company. Baldwin arrived at filmmaking by way of dance, having worked with everyone from the Metropolitan Opera Ballet to David Byrne. As a creative challenge, the two decided to edit Through You themselves. Below, Unseld and Baldwin discuss the roughly 150-200 hours they spent editing a 14-minute VR experience. Filmmaker: How and why did […]
by Filmmaker Staff on Jan 24, 2017 -
“I Stopped Talking and Started Making the Film”: Director Pascale Lamche | Winnie
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? The first time I mentioned I was making a film about Winnie Mandela, it happened to be to a novelist in a bar in Amsterdam. He screwed up his face and said: “What? That murderer!” His response was echoed on numerous occasions around the world. Nelson Mandela was still perceived as a saint and his wife as the fallen woman, or worse. At the time, we were […]
by Filmmaker Staff on Jan 24, 2017 -
“We Never Wanted to Treat the Film as a Comedy”: DP Christian Sprenger on Brigsby Bear
In 2007 a group of four comics and creators joined to form Good Neighbor, a sketch comedy team that would go on to breach the ranks of Saturday Night Live. The group is known mostly for Kyle Mooney, a weirdo comic voice whose left-of-center SNL skits often get cut for time. Mooney stars in Good Neighbor’s feature film debut, Brigsby Bear, directed by fellow group member Dave McCary. The film tells the story of a secluded young man with an unhealthy obsession with a TV show literally no one has ever seen. Below, DP Christian Sprenger speaks to the film’s tricky tone, which eschews […]
by Filmmaker Staff on Jan 23, 2017 -
“We Don’t Use Words to Tell a Story”: Directors Lily Baldwin and Saschka Unseld | Through You
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? We don’t use words to tell a story. We use bodies, gestures, dance, color, music and sound as tools. Inherently with this, there is room for interpretation about what the work IS ABOUT. This is the beauty and of course the challenge around non-traditional narratives. Meaning its fluid. VR is perfect for this. In Through You we worked hard to anchor the viewer in a couple key […]
by Filmmaker Staff on Jan 23, 2017 -
“Communicating with Respect and Openness”: Director José María Cabral | Woodpeckers
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? Communication was the key for writing, shooting and making the movie, particularly this one. Woodpeckers explores communication and language in a very specific level. First of all the writing process was about making contact and understanding the prisoners, getting to create relationships, not only for the script but also because I wanted them as actors too. It was also kind of a social experiment, where I was […]
by Filmmaker Staff on Jan 23, 2017
