What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Cartel Land follows two modern-day vigilante groups fighting a shared enemy – the ruthless Mexican drug cartels. When I first heard about the Autodefensas movement in Michoacán, Mexico, and the American paramilitary group Arizona Border Recon, I was immediately drawn to know more about their worlds and their leaders, Dr. Jose Mireles (“El Doctor”) and Tim “Nailer” Foley. It took many months to gain their trust and the access I […]
by Filmmaker Staff on Jan 22, 2015
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Fear is a constant companion when filmmaking, in my experience. I’ve learned to welcome it, as a sign that I‘m pushing my own boundaries a bit, not retreating into the easiest option. The absence of that nagging background anxiety is a sign I may have settled for less than I should have. With How To Change the World the biggest fear was about the narrative: whether the complex story […]
by Filmmaker Staff on Jan 22, 2015
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? “Racing Extinction is like The Avengers but real, but you might want to bring Kleenex.” There’s an annoying film industry “truism” that a director’s second film after a successful first will be a bust. A well known and respected Hollywood director told me, “Don’t even try to make another movie after The Cove, you’ll never top that one.” We didn’t break any box office records with The Cove but […]
by Filmmaker Staff on Jan 22, 2015
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? I have learned to be fearless in my career as an independent documentary producer in China. There is almost no public funding to support independent documentaries, there are very few theatrical permits issued to independent documentaries and there is virtually no distribution platform for independent documentary either. If these are the reasons to fear, it will be endless. Personally, fear for me is a mixed feeling of anxiety to […]
by Filmmaker Staff on Jan 22, 2015
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Early in the development phase of this project, I was apprehensive about approaching former Black Panther Party members because the Party had so often been misportrayed by popular media. I had a great fear of being turned down and not having any former Party members be part of the film at all. At some point I decided this was a film that needed to be made and in order […]
by Filmmaker Staff on Jan 22, 2015
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? When we first got to Florida Justice Transitions in 2010, we expected to make a film about the parallel society that we had read the sex offenders in this trailer park lived in. Very soon we met the people in the park, and by sitting with them in therapy, talking to them, and getting them to open up about their situation, we learned about sex offences and sex offenders […]
by Filmmaker Staff on Jan 22, 2015
This week on the show, we interviewed photojournalist and documentary filmmaker, Lyric Cabral. She, along with her co-director David Felix Sutcliffe, is premiering her feature-length film (T)ERROR at Sundance this year in the U.S. Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a […]
by Elaine Sheldon and Sarah Ginsburg on Jan 21, 2015
This year’s Art House Convergence (AHC), the organization’s 10th annual event, drew 500 delegates from art house cinemas, film festivals, and film distributors to Midway, UT to discuss the state of independent film exhibition in the United States. Over the course of the organization’s first decade, the AHC has grown from a small gathering of two dozen non-profit cinemas seeking new ways to support independent film while building sustainable business models for their theaters into something of a full-blown trade organization. Now it represents the interests of hundreds of theaters (and helps incubate the development of a similar organization for […]
by Tom Hall on Jan 21, 2015
Each year Filmmaker asks all the incoming feature directors at Sundance one question. This year, our question revolves around fear. Specifically, what fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? (To see past years’ questions and responses, click here.) We’ll upload the responses individually over the course of the festival. So, as the festival progresses, click the links below. The Sundance Film Festival is being held in Park City, Utah from January 22nd to February 1st. “The People Behind the Crimes”: Directors Frida […]
by Filmmaker Staff on Jan 21, 2015
Over the years, Filmmaker has run several “Sundance Survival Guide” pieces. (One from 2012 we continue to recommend is Alicia Van Couvering’s “Mistakes Were Made.” ) Here, fresh for 2015, is new one from Mynette Louie, President of Gamechanger Films and producer of Land Ho! (Sundance 2014), California Solo (Sundance 2012), and Children of Invention (Sundance 2009). Check back tomorrow for a grab-bag of advice — including several tips we’ve never run before in any form — from several recent Sundance veterans. 1. Empower your crew to promote the film, and show them your thanks. Sundance is not just about […]
by Mynette Louie on Jan 20, 2015