At Filmmaker we are lousy with merch. We used to have t-shirts and tote bags, and they sold okay. But supplies dwindled, they were discontinued, and a more ambitious array of Filmmaker-branded collectibles is just another item on our escalating to-do list. (Filmmaker, by the way, is not alone in our merchandizing malaise. Elsewhere on this site, Sarah Salovaara notes the scarcity of indie film consumer swag in general.) Perhaps when we do get our merch store together we’ll look to Sundance for inspiration. The Sundance Film Festival’s Artist Editions line includes Shirin Neshat t-shirts, Susan Sarandon dessert plates, and […]
by Scott Macaulay on Jan 7, 2014It’s officially January, which means it’s officially almost time for Sundance. General Assembly, purveyor of programs and workshops for the budding technophile, is doing their part by giving away an all expenses paid package for two to this year’s festival. Beyond airfare and accommodations, the prize includes complimentary membership to the Sundance Institute and access to exclusive Park City screenings, panels, parties and so forth. To enter to win, simply fill in your email address at the link. The contest is open till January 6.
by Sarah Salovaara on Jan 2, 2014Instant remembrances flower online when strangers die. Twitter turns into an instantaneous altar, as if the site where a hero fell. And some writers are very good at devising a rapid remembrance of a long friendship or acquaintance into a succinct, maybe even final summation. After years of aggregating news headlines at Movie City News, linking to keenly observed obituaries daily, my impulse runs the other direction when I knew the deceased. I’m not ready that soon to thread the nuance of all that time into a tidy dispatch; I want to grip the fragments of soon-fading memory. I didn’t […]
by Ray Pride on Dec 31, 2013A war on drugs, or specifically on the drug cartels that profit from them, a war separate from the 40-year-old campaign waged by the United States (though, of course, intricately tied to it) was declared by the Mexican government in 2006. With over 60,000 known murders in the country directly tied to the drug trade since then, what good is this war doing, one is tempted to ask? The Federal Police and the Mexican military’s joint operation, Michoacan, has proven toothless in its attempt to stop either the flow of dope through Mexico or the violence that surrounds this insatiably […]
by Brandon Harris on Dec 16, 2013In the increasingly tony Fort Greene neighborhood just east of downtown Brooklyn, filmmakers Michele Stephenson and Joe Brewster raised a son named Idris. Very early on in his youth, just as their son was about to become one of the few young black males to enroll in The Dalton School, a vaunted Upper East Side prep school that either trains young masters of the universe in the ways of maintaining their hegemony or educates a diverse set of the city’s best students in a humane and liberal environment (all depends on your outlook), the couple decided to make a documentary. […]
by Brandon Harris on Oct 18, 2013It’s every independent filmmaker’s dream to have their film have its world premiere at the Sundance Film Festival, but realistically the chances are very slim. The festival gets over 12,000 submissions annually, and only around 200 of those are chosen. However, when the deadline to apply for the 2013 Sundance Film Festival came around this time last year, writer/director Kyle Patrick Alvarez faced a much steeper challenge than most. His sophomore feature, C.O.G., based on an autobiographical essay by David Sedaris about a formative summer spent in Oregon after graduating college, hadn’t even started production. Delayed from its original August […]
by Nick Dawson on Sep 19, 2013David Lowery made waves last year in the independent film world with the news that Ain’t Them Bodies Saints — the follow-up to his little-seen $12,000 feature film St. Nick (2009) — had attracted the stellar cast of Rooney Mara, Casey Affleck and Ben Foster. It quickly became one of the year’s most anticipated independent films, premiering at the 2013 Sundance Film Festival and Cannes Critic’s Week. The film begins with a robbery and shootout, and a young couple torn apart. Bob Muldoon (Affleck) is sent to prison, leaving his pregnant girlfriend Ruth Guthrie (Mara) to raise their daughter alone […]
by David Barker on Jul 18, 2013Today the Sundance Institute announced the full program for Next Weekend, the L.A.-based mini festival spun off from Sundance’s NEXT strand, which spotlights emerging filmmakers. Running August 8 – 11 at the Sundance Sunset Cinemas and other venues throughout the city, Next Weekend’s lineup is mostly culled from the Park City program, but there are also new additions from Tribeca (Stand Clear of the Closing Doors) and SXSW (12 O’Clock Boys). There are also a couple of world premieres: Madeline Olnek’s The Foxy Merkins and Chadd Harbold’s How to be a Man, the directors’ followups to Codependent Lesbian Space Alien […]
by Nick Dawson on Jul 16, 2013Is your short online and your heart is set on premiering it for audiences at the Cannes, Berlin, Edinburgh, Maryland or Chicago International film festivals? Well, kiss those dreams goodbye as those five festivals are among a number of fests that disallow shorts that the filmmakers have previously placed online. The good news, however, is that an increasingly number of important festivals, including Sundance and SXSW, accept online shorts. The folks at Short of the Week have compiled the Essential List of Festivals and Online Eligibility, a list that concludes that two thirds of today’s fests welcome such submissions. View […]
by Scott Macaulay on May 31, 2013(Upstream Color premiered at the 2013 Sundance Film Festival in January. It opens theatrically in New York on Friday, April 5, and will roll out to other cities in April and May before becoming available on DVD, Blu-ray, and VOD on May 7. Visit the film’s official website to learn more.) Here’s the plot of Shane Carruth’s new film Upstream Color, for all the good it will do you: A young woman named Kris (Amy Seimetz) is kidnapped by a man named in the credits only as the Thief (Thiago Martins). The Thief has been conducting secret experiments in mind […]
by Nelson Kim on Apr 4, 2013