Mary Pat Bentel makes anything possible. Sure, sometimes she’ll give you, the director, an experienced smirk that says “Are you serious?” But then, just like that, before you can even blink, your dream actor has agreed to meet with you for coffee, she’s found a financier who wants only to give money to the subject matter of the film you happen to be directing, and that helicopter shot you timidly asked for gets scheduled for next week. While I know this first-hand because Mary Pat produced a documentary feature of mine years ago, I also know it from that good […]
by Danielle Lurie on Mar 9, 2014Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of I Believe in Unicorns, Leah Meyerhoff. Leah Meyerhoff is the definition of “independent filmmaker.” For her debut feature, I Believe in Unicorns, Meyerhoff cast rising talents Natalia Dyer and Peter Vack, moved her production to her childhood home in San Francisco, and sprinkled fairy pixie dust (figuratively and literally) all over her film set. Shot on a combination of Super16mm […]
by Danielle Lurie on Mar 9, 2014In a time of endlessly self-spawning bio-docs about the rich and prominent, Brian Knappenberger’s The Internet’s Own Boy carries a legitimate current-day charge. The film is both a dogged investigation in the tradition of Errol Morris or Josh Fox, and a hugely emotional oral history of Swartz’s life — which ended when the activist committed suicide in January 2013. Swartz was facing a federal investigation after he downloaded a cache of academic journals (including, but by no means limited to, JSTOR) from the main computer network at MIT, with a possible penalty of up to 35 years in prison. Indicted […]
by Steve Macfarlane on Mar 8, 2014A comedy of errors through the borough of Brooklyn, Fort Tilden follows the aimlessly entitled Allie (Clare McNulty) and Harper (Bridey Elliott) on their quest for a day at the beach. What begins as a seemingly superfluous mission soon crumbles into a dismantling force on both the girls’ psyches and their relationship. Co-written and directed by feature first timers Sarah-Violet Bliss and Charles Rogers, Fort Tilden premieres today in the Narrative Competition at SXSW. Filmmaker: This was your first time working together as co-writer/directors. How did that come about and what was it like sharing a brain for X months/years? We’re you […]
by Sarah Salovaara on Mar 8, 2014Following her “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this interview, she talks with Amy C. Elliott, the director and also d.p. of Wicker Kittens, screening in the Documentary Spotlight section. Filmmaker: Why this movie? Why did you decide to do it? Elliott: When I first heard there was such a thing as competitive jigsaw puzzling, I just wanted to know more. And in particular, I wanted to know more about the specifics — how many […]
by Danielle Lurie on Mar 8, 2014Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of the Narrative Spotlight film, Kelly & Cal, Jen McGowan. Filmmaker: Why this movie? Why did you decide to do it? McGowan: I loved the script. I loved the script and I loved the writer. And I could see it. I could see that I could do something special with it. This project originated at a USC alumni program called USC First Team which connected […]
by Danielle Lurie on Mar 8, 2014Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the writer/director of Honeymoon, Leigh Janiak. Honeymoon screens today in the Midnighters section. Filmmaker: Why this movie? Why did you decide to do it? Janiak: My writing partner Phil and I had been writing together for years, and finishing a script is satisfying, but it’s never really a finished project… So I think it was sometime in 2010, after seeing Monsters and Tiny […]
by Danielle Lurie on Mar 7, 2014A pastiche of confessional interviews, recreations and decade-spanning raw footage, Darius Clark Monroe’s Evolution of a Criminal examines the director’s transition from a 16 year-old Texas honor student to incarcerated bank robber. Not so much a malicious jaunt as an impulsive act of financially strapped naiveté, Monroe revisits his victims, family members, teachers and friends as he tries to piece together the puzzle behind this life-altering moment. Below, Monroe speaks about why his film is not just for the convicted, his reasoning for recreations and how the camera elicits honesty. Evolution of a Criminal premieres tomorrow in the Visions section at SXSW. Filmmaker: While […]
by Sarah Salovaara on Mar 7, 2014Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the director of Augustine Frizzell, whose I Was a Teenage Girl premieres in the Texas Shorts program. Filmmaker: Why this movie? Why did you decide to do it? Frizzell: I started with the concept of three shorts about three separate pairs of girls, all around age 15, entering a period in their lives where the issues they’re faced with rapidly change from […]
by Danielle Lurie on Mar 7, 2014Airline fares entered the stratosphere weeks ago, hotels were booked months ago, and SXSW begins today. As always, I’m interested in film and tech. Regarding the latter, Jenna Wortham at the New York Times checked in with a number of the big companies that launched in Austin in the past and found that many, like Foursquare, are skipping it. In their place are tech start-ups from Africa, South Korea and Brazil. Scanning the program, I see fewer rock star speakers (is Chelsea Clinton a rock star speaker?) and many folks from on-the-horizon tech like personal health management and computing wearables. […]
by Scott Macaulay on Mar 7, 2014