Reteaming director Isabel Coixet with her Elegy stars Patricia Clarkson and Ben Kingsley, Learning to Drive is an adaptation of Katha Pollit’s 2002 New Yorker essay about a Manhattan writer (Clarkson), facing a sudden break-up, who gains wisdom from a driving instructor (here a Sikh played by Ben Kingsley) going through his own relationship evolution. It’s Coixet’s eight film, and below she answers questions about the process of adaptation, her interest in intimacy and the challenge of shooting in moving vehicles. A world premiere, Learning to Drive screens at the Toronto International Film Festival on Tuesday, September 9. Filmmaker: Your […]
by Scott Macaulay on Sep 9, 2014In Still Alice, based on Lisa Genova’s novel, Julianne Moore plays a Columbia University linguistics professor with early-onset Alzheimer’s disease, a diagnosis that threatens to erode her relationship with her family as well as the city she has long called her home. With a supporting cast including Alec Baldwin, Kristen Stewart and Kate Bosworth, Still Alice promises a realistic depiction of the disease by one of America’s finest actresses, and it’s a return to character-based human dramas by the directorial duo of Richard Glatzer and Wash Westmoreland, whose films include The Last of Robin Hood, the Sundance Grand Prize-winning QuinceaƱera […]
by Scott Macaulay on Sep 8, 2014Five years after transitioning from producer to director with the HBO veteran drama, Taking Chances, Ross Katz returns to the director’s chair with a comedy about going home. Nick Kroll plays a young entrepreneur whose product launch has flamed out, who has burned through his investors’ dough, and who has lost his girlfriend. He returns home to work as a nanny for his sister’s young child in what is described as a movie about beginning again. Adult Beginners world premieres at the Toronto International Film Festival on Monday, September 8. Filmmaker: After having written and produced your directorial debut, you’re […]
by Scott Macaulay on Sep 8, 2014Based on its stellar reviews out of Venice and Telluride, Ramin Bahrani’s “eviction stunner” 99 Homes infuses the sad and infuriating tale of America’s real estate bust with visceral, gut-punching drama. Andrew Garfield and Michael Shannon star as the down-and-out construction worker and shady realtor who come up with a get-rich scheme involving, of course, the exploitation of those even less fortunate. Screening Monday, September 8 at the Toronto International Film Festival, 99 Homes is already picking up Oscar buzz. Below, we ask Bahrani about researching real estate, name actors and the decline of Western civilization. Filmmaker: What attracted you […]
by Scott Macaulay on Sep 8, 2014In 2014 it would seem there are few societal taboos left for cinema to explore, but journalist-turned-director David Thorpe has found one with his debut documentary, Do I Sound Gay? Exploring, historically and personally, “the gay voice,” Thorpe listens to himself and others to find out why many gay men wish they sounded like someone else. Columnist Dan Savage, Star Trek’s George Takei and comedian Margaret Cho all make appearances in a film that seeks not so much to shatter stereotypes as explore the complex meanings behind them. Do I Sound Gay? premieres in the Toronto International Film Festival’s Mavericks […]
by Scott Macaulay on Sep 7, 2014The “Match of the Century” — the 1972 chess tournament between American master Bobby Fischer and Russian star Boris Spassky — is brought to life in Pawn Sacrifice, the latest drama from director Ed Zwick (The Last Samurai, Legends of the Fall). Detailing not just the history of the event but the emotions, psychologies and even paranoias of its principal players, the film casts two great actors — Tobey Maguire and Liev Schreiber — in a picture not just about the sport of chess but also the Cold War rivalries of the time. Indeed, Pawn Sacrifice premieres at a time […]
by Scott Macaulay on Sep 7, 2014After screening his debut feature, Carre Blanc, at the Toronto International Film Festival in 2011, French director Jean-Baptiste Leonetti returns to the festival to world premiere his latest, The Reach. Described as a cat-and-mouse thriller about a corporate shark and the young guide he hires for a hunting trip across the Mojave desert, it stars Michael Douglas, whose capacity for embodying and, through his performances, critiquing American greed is unquestioned. Below we ask Leonetti about Douglas, maintaining tension in a two-hander, and the differences between French filmmaking and American. Filmmaker: In both this film as well as Carre Blanc, class […]
by Scott Macaulay on Sep 6, 2014“Before Sunrise with a supernatural twist” is how Toronto programmer Colin Geddes preps us for Spring, the second co-directed feature by Justin Benson and Aaron Moorhead. In their earlier Resolution, the two explored themes of friendship and substance abuse within a twisty, ironic horror narrative. Here, as Geddes indicates, they decamp for abroad, settling their film in Italy where a young American traveler (Lou Pucci) falls for a beautiful German woman (Nadia Hilker). A (“terror”) romance follows. Below, we talk to the two directors about shooting abroad and trying to stay original when working within the horror genre. Spring has […]
by Scott Macaulay on Sep 5, 2014Five years after political superheroes the Yes Men (Andy Bichlbaum and Mike Bonnano) made everything all right in The Yes Men Fix the World, our planet seems pretty screwed up again. So, once more the two hit the airwaves, corporate board rooms and tabloid front pages in The Yes Men Are Revolting, directing their activist wit towards the issue of climate change. Along the way, they are joined by Laura Nix, who produced the previous film and this time directs alongside them both. Nix’s directing credits include The Politics of Fur and The Light in Her Eyes, and below she […]
by Scott Macaulay on Sep 5, 2014Piling off cliffs and from airplanes, locking arms in the air or tumbling singly, the divers in Marah Strauch’s compelling documentary, Sunshine Superman, are simply hypnotic to watch. Seen mostly in archival footage culled from 250 hours of material, their forms take on a near-abstract quality ā a quality that seduced first-time director Strauch to transition from experimental installation art work to documentary film. Her long-in-the-works Sunshine Superman, about pioneering BASE jumper Carl Boenish (he coined the acronym, which stands for building, antennae, span and earth) and his wife Jean, is a mixture of love story, human mystery and extreme […]
by Scott Macaulay on Sep 4, 2014