Toronto International Film Festival
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TIFF Critic’s Notebook 4: 3/4, Faces Places
Ilian Metev’s deliberately small-scale, extremely precise 3/4 puts a trio of non-actors through fictional paces. The family unit: teen classical pianist Mila (Mila Mihova), preparing for an audition that, if all goes well, will let her continue her studies in Germany; oft-annoying younger brother Niki (Nikolay Mashalov); physicist dad Todor (Todor Veltchev). (Mom is unseen: I’m the umpteenth to note that the title is both a time signature and way of noting that three out of four family members are present.) Mila’s stress over this impending potential pivot point in her life is transferred onto father and son, who react in different ways. Niki […]
by Vadim Rizov on Sep 11, 2017 -
TIFF Critic’s Notebook 3: Three Billboards Outside of Ebbing, Missouri and The Killing of a Sacred Deer
Martin McDonagh and his brother John Michael started making movies about the same time; for The Guard, the most uncomplicatedly funny and successful of the films they’ve both made, I’m inclined to give the latter the edge. They’re very much brothers with a shared sensibility grown more matched over years spent living together as adults, while they wrote their separate work and watched the same movies: a gift for idiomatically spry humor, often in the insult-directed vein, balancing out an attendant tendency to go heavy on Catholic guilt and a fairly simplistic form of moral “complication.” Three Billboards Outside of Ebbing, […]
by Vadim Rizov on Sep 10, 2017 -
TIFF Critic’s Notebook 2: The Death of Stalin, Molly’s Game
In its own way, it’s an enlightening experience to attend, at least once, a Big TIFF Premiere, which I didn’t do during my first time attending last year. The Death of Stalin premiered in the Winter Garden, a venue on the seventh floor of a building whose ground level houses the Elgin theater; per Wikipedia — in a phrase which Googling only traces to there, so perhaps there’s a different way to refer to this — they are the world’s only surviving “stacked Edwardian theaters.” The Elgin seats 1,561, the Winter 992, so you can gauge the perceived star value and […]
by Vadim Rizov on Sep 9, 2017 -
First Reformed: Paul Schrader vs. Slow Cinema
In an interview in March, Paul Schrader questioned the ongoing usefulness of Slow Cinema. “It had a real interesting moment in the last 10 years, but now the novelty has worn off, and people are not as mesmerized as they were when the slowness was really being used as a new concept of film time,” he said. “It’s a dead end. […] There are still bits of transcendental style. It was a precursor to slow cinema, but it’s not really that slow. A terrific film like Silent Light is closer to transcendental style than slow cinema, but they lump it in […]
by Vadim Rizov on Aug 30, 2017 -
Pavan Moondi and Brian Robertson on Diamond Tongues, Working with Tim Heidecker and Shooting Quickly in Toronto
Striving to become a professional actress is a lifestyle choice accompanied by feelings of extreme competitiveness and inadequacy. Each waking hour is a moment you could be attempting to improve your craft or desperately trying to secure more work. As endless auditions make way to too few callbacks, you may begin to reconsider the professional hell you’ve chosen for yourself, being judged as much for your skills as for your facial features and body type. It’s enough to make anyone grow a little bitter. Diamond Tongues, a dark Canadian comedy that premiered at last year’s Slamdance Film Festival, finds its […]
by Erik Luers on Feb 19, 2016 -
“I Think You’re Confusing Me with Mike Myers”: Michael Moore Addresses his Fans at TIFF
With just a few hours notice, Michael Moore threw an impromptu party for his fans at the Toronto International Film Festival this week. Announced on Facebook, an afternoon People’s Party welcomed the first 100 folks who lined up outside a Mexican restaurant down the street from the TIFF Bell Lightbox. Also getting in were the first 100 ticket holders from the premiere of his latest doc, Where To Invade Next. The film’s a road trip that spotlights economic and political policies in other countries that Moore feels America should have. For instance: Italy, where workers get 35 days annual paid […]
by Allan Tong on Sep 19, 2015 -
“I Prefer Not to Hear ‘Mary Had a Little Lamb’ with a Bad Drumbeat Behind It”: Keith Richards at TIFF
Keith Richards swept into Toronto late this week to inject fresh excitement into TIFF just as the parties were waning, filmgoers were yawning and industry heavvies were flying back to the States. Sporting a snakeskin jacket, a Jamaican-coloured headband and impenetrable mirrored glasses, the 71-year-old rhythm guitarist for The Rolling Stones was here to promote Morgan Neville’s documentary, Keith Richards: Under The Influence. It enjoyed its world premiere here last night before playing today on Netflix. The consensus in Toronto holds that Under The Influence is really a commercial for Richards’ latest album, Crosseyed Heart, also released today. No surprise that […]
by Allan Tong on Sep 19, 2015 -
TIFF 2015: Five Questions for Lace Crater Director Harrison Atkins
A world premiere in the Vanguard section at TIFF, Harrison Atkins’ Lace Crater traffics at the intersection of supernatural horror and that lo-fi millennial genre proliferated by its producer, Joe Swanberg. During a weekend trip to the Hamptons with friends, Ruth (Lindsay Burdge) has an unexpected dalliance with a burlap wrapped ghost, resulting in a strange STI that no doctor can diagnose. Ahead of Lace Crater‘s TIFF premiere tonight, Filmmaker spoke to Atkins about his interest in sci-fi tinged love stories, and his collaboration with Swanberg. Filmmaker: The geography of the house in the Hamptons is central to establishing the dynamics between your characters. Did you write […]
by Sarah Salovaara on Sep 15, 2015 -
TIFF Announces 2015 Gala and Special Presentations Lineup
Hot on the heels off NYFF announcing Steve Jobs as their centerpiece film yesterday comes the Gala and Special Presentations lineup from TIFF. There are the expected Cannes holdovers, and a handful of world premieres from Julie Delpy, Ridley Scott, Michael Moore, Terence Davies, Rebecca Miller and more. The full list is below. OPENING NIGHT FILM “Demolition” Jean-Marc Vallee, USA (World Premiere) GALAS “Beeba Boys” Deepa Mehta, Canada (World Premiere) “Eye in the Sky” Gavin Hood, United Kingdom (World Premiere) “Forsaken” Jon Cassar, Canada (World Premiere) “Freeheld” Peter Sollett, USA (World Premiere) “Hyena Road” (“Hyena Road: Le Chemin du Combat”) Paul Gross, Canada (World […]
by Sarah Salovaara on Jul 28, 2015 -
“I’m Not Trying to Wreck Anything”: Douglas Trumbull, Kubrick and Truth at 120 Frames-Per-Second
Jean-Luc Godard said that cinema is truth at 24 frames-per-second, but Douglas Trumbull feels it should be 120, or at least 60. The director and special effects wizard behind Blade Runner, Close Encounters of The Third Kind and 2001: A Space Odyssey speculated about the future of cinema at the TIFF Bell Lightbox last weekend as part of a Stanley Kubrick retrospective. A sold-out audience of mostly male cinephiles and tech-heads listened intently to their SFX guru as he denigrated the standard 24 fps format of today’s cinema, though he admitted, “It’s a beautiful medium. I’m not trying to wreck anything.” […]
by Allan Tong on Nov 10, 2014
