Striving to become a professional actress is a lifestyle choice accompanied by feelings of extreme competitiveness and inadequacy. Each waking hour is a moment you could be attempting to improve your craft or desperately trying to secure more work. As endless auditions make way to too few callbacks, you may begin to reconsider the professional hell you’ve chosen for yourself, being judged as much for your skills as for your facial features and body type. It’s enough to make anyone grow a little bitter. Diamond Tongues, a dark Canadian comedy that premiered at last year’s Slamdance Film Festival, finds its […]
by Erik Luers on Feb 19, 2016Kim A. Snyder’s Newtown examines the current spate of gun violence by presenting the families who have been most affected by it. Three years removed from the horrific school shooting at Newtown Elementary School that took twenty-six casualties in Connecticut, Snyder’s film gives a much-needed face to the community. As discussions revolving around the accessibility of firearms seem to get obscured and buried by politicians with a not-so-secret agenda, Newtown seeks to make the political personal. Filmmaker: Your previous film, Welcome to Shelbyville, was also about the residents of a small town reacting to a major event in their community. What brings you to a location? Are you first […]
by Erik Luers on Feb 2, 2016Having made his Sundance debut with the short film Close. in 2011, filmmaker Tahir Jetter returned with his debut feature, How To Tell You’re A Douchebag — a film that, as he discusses below, he wasn’t sure would bring him back to Park City. After his web series Hard Times was picked up for distribution by Issa Rae Productions in 2014, Jetter set his sights on a feature film about dating in the modern world. To raise awareness of the project, Jetter published a blog, Occasionally Dating Black Women, written in a voice that would turn out to be his fictional main character. Inspired by films that handle […]
by Erik Luers on Feb 2, 2016Developing a documentary about the murder of an innocent photojournalist at the hands of ISIS would be an emotional experience for any first-time feature filmmaker. Now imagine that the slain journalist in question, Jim Foley, is someone you’ve been friends with since childhood. This is the situation filmmaker Brian Oakes found himself in when making Jim: The James Foley Story, a film that looks at his friend’s death as well as the chilling aftermath the Foley family had to endure stateside. An intensely personal experience, Jim will air on HBO next month following its world premiere in the U.S. Documentary Completion section of […]
by Erik Luers on Feb 2, 2016A medical doctor in name only, John R. Brinkley became famous in the ’20s and ’30s for claiming to have found an unusual cure for male impotence: all it would take was the transplantation of goat testicles into his human subjects. A hundred years removed from “discovery,” documentarian Penny Lane (whose Our Nixon was about another very larger-than-life public figure) dives into the life and times of Brinkley, a man whose entire history was based on lies and false acclaim. Filmmaker: Your first feature documentary Our Nixon is compiled from archival footage clearly relevant to American history and politics. Did you set out for your follow-up to be a […]
by Erik Luers on Feb 2, 2016Chances are you’ve experienced one or two-dozen animated films from Walt Disney Studios. Snow White and the Seven Dwarfs, The Little Mermaid, The Lion King: the studio famous for introducing the world to Mickey Mouse has produced some of the most identifiable films (and, subsequently, images) of the twentieth century. One of the studio’s most ardent fans is Owen Suskind, a young man diagnosed as autistic at the age of three and the subject of a memoir, Life, Animated: A Story of Sidekicks, Heroes, and Autism, written by his father Ron Suskind. Using Disney films as a guide to communicate and express himself to […]
by Erik Luers on Jan 29, 2016Intriguing for its logline alone, Southside with You raised considerable interest when it was announced as a Sundance selection. Telling the true story of President Barack Obama and First Lady Michelle Robinson’s first date in Chicago in 1989, the film features the leader of the free world at a moment in time where things were perhaps not as high-stakes for him as they are now. Bonding over ice-cream and shared interests, that fateful date would prove to be a more important outing than the lovers could have initially realized. As the film prepared to make its world premiere, director Richard Tanne discussed the […]
by Erik Luers on Jan 28, 2016Features premiering at the 2016 Sundance Film Festival tend to receive the most media attention and press coverage, but there are a number of short works making their debut this week that deserve equal or greater consumer attention. Documentary filmmakers trying their hand at narrative work, established producers getting behind the lens for the first time: many of the shorts in this year’s Sundance lineup feature filmmakers stepping outside of their comfort zone to expand their careers and diversify their storytelling output. The short form is an ideal place to try new things, of course, and it’s encouraging to see filmmakers of […]
by Erik Luers on Jan 21, 2016One of the busier buyers at the 2015 Sundance Film Festival, The Orchard — per its website, a “21st-century distribution company with a global presence and a local feel” — has only recently made a name for itself as an arthouse distributor. Founded in 1997, they’ve been known as a leading distribution label for independent music; to date, digital music sales, streams and transactions from titles The Orchard oversees have accounted for 20 to 30 percent of all digital music revenue. But recently, The Orchard garnered media attention for its newly created film division, a division that applies the lessons […]
by Erik Luers on Jan 20, 2016Simultaneously a rebellious yell against Christian authority and an appreciation for growing up with evangelical values, Stephen Cone’s Henry Gamble’s Birthday Party is neither religious condemnation nor agitprop. Its title character is a gay teenager celebrating his birthday with friends and family; the film, unfolding over 24 hours, keenly observes how temptation and buried secrets can rise to the surface when theological and political debates make their presence known. A rather sexy movie — in part because premarital sex is presented as something risqué or taboo — Henry Gamble’s Birthday Party is a beautifully rendered, impeccably scored experience that makes a profound, heady impact. There’s an interesting moment featuring a conversation […]
by Erik Luers on Jan 8, 2016