Although I’ve been recently reminded of the fact repeatedly, it always shocks me anew to hear that Battle Royale, Kinji Fukasaku’s stunning, blood-soaked film adaptation of the novel by Koushun Takami, has never officially had U.S. distribution. After a spate of festival bookings, a 3D release of the film in honor of its 10-year anniversary, and a DVD and Blu-ray release from Anchor Bay, Battle Royale, original flavor, is starting to see theatrical premieres in the U.S., like the one at the Cinefamily Theater in Los Angeles in December 2011, and the New York premiere starting at the IFC Center […]
by Farihah Zaman on May 25, 2012New Directors/New Films is known for bringing some of the freshest, boldest films to light, and not necessarily just for New York audiences. Arthouse theaters around the country often make selections from this well-regarded festival’s programming. The relatively high-brow co-presentation of the The Museum of Modern Art and the The Film Society of Lincoln Center is not, however, generally considered a place to discover new genre film, despite its reputation for supporting ballsy young upstarts. Yet perhaps the increasing cultural and cinematic significance of sufficiently well-made genre films is now keeping them from being overlooked by the festival that saves […]
by Farihah Zaman on Mar 23, 2012In a fit of extreme ballsiness, BAMcinématek is currently plummeting down the rabbit hole opened by Polish filmmaker Andrzej Zulawski, showcasing a complete retrospective appropriately entitled Hysterical Excess. Zulawaski’s films employ many hallmarks of genre filmmaking: the paranormal, the psychedelic, blood and guts. As well, beasties and boobies make appearances somewhat to excess, a tendency which has kept him from recognition as an “important” auteur despite a consistent aesthetic based on exhilarating camerawork (in collaboration with beloved cinematographer Andrzej Jaroszewicz) that swoops and dives like a bat one moment only to penetrate a bedroom with the tightest, most controlled zoom […]
by Farihah Zaman on Mar 9, 2012Trailers have the ability to psyche us up, freak us out, turn us off, and lead us very, very astray, but the heightened anticipation (they don’t call them teasers for nothing) is part of the fun, regardless of how accurate a representation of the film that cleverly constructed little bugger ends up being in the end. Here’s a little commentary on a selection of recent genre trailers; let’s both judge a book by its cover and appraise the cover itself. THE SNOWTOWN MURDERS (Justin Kurzel, in theaters March 2nd) I always feel wary of trailers that start off […]
by Farihah Zaman on Feb 17, 2012Although Sundance is predominantly known for indie dramas and social issue documentaries, the New Frontiers section provides a loving home for particularly odd ducks. Unlike many projects in New Frontiers, which are presented as installations or other new media formats, Eve Sussman’s whiteonwhite:algorithmicnoir was screened in a conventional theater. However, the film’s text, 300 bits of voiceover, 150 pieces of music, and 3,000 images are live-edited by an algorithmic computer dubbed the Serendipity Machine that creates a randomized sequence, meaning each screening is entirely unique. Not only does Sussman’s piece turn the idea of the mystery genre on its ear, […]
by Farihah Zaman on Jan 27, 2012Still not sure what to get your comic-book-obsessed little brother? Forget to pick up something for mom that satisfies her cinematic blood lust? The following gifts are Lady Vengeance approved, and most arrive just in time for December 25th. For the Low-Brow Art Lover: Crazy4Cult: Cult Movie Art (Gallery 1988/Kevin Smith, $25) The currently out-of-fashion but undeniably hard-working Kevin Smith has teamed up with the LA-based Gallery 1988 to collect the best in good, pulpy, sometimes downright dirty artwork inspired by cult films. The aesthetic style and subject matter is fairly diverse, meaning there’s something for everyone. […]
by Farihah Zaman on Dec 19, 2011By now many have experienced the clever, goofy, unfiltered joy of The Muppets, a film whose success reflects the plight of its characters – out of the spotlight for far too long and working their way back into the the public consciousness. While the film’s potent mix of charm and nostalgia is undeniable (if you didn’t tear up during the performance of Rainbow Connection, you’re inhuman), it might leave some of us hungry for more, and I don’t mean the soft stuff. While the film is true to one facet of Henson’s work, he was a mad, prolific genius who got involved with […]
by Farihah Zaman on Dec 9, 2011Loaded with recognizable tropes just begging to be tampered with, genre film is fertile spoof material, as can be evidence by obvious examples like the pointless Scary Movie franchise, or even within the same film as in those slasher film that knowingly straddle the line between terror and comedy, or B-Movies so tongue-in-cheek campy they function both as a good-humored critique of the genres the are playing against as well as a standalone narratives in their own right. Francois Truffaut’s sometimes goofy, sometimes chilling 1969 film The Bride Wore Black is genre lampoonery in the hands of a French auteur, […]
by Farihah Zaman on Nov 14, 2011While theaters all across America have been raiding the vault to bring us horror favorites throughout the month of October, there’s just nothing like catching something gory, bloody, spooky or flat out disgusting on Halloween night, sweating in your topical costume and getting sugar-high on candy corn. Here are my All Hallow’s Eve picks from a few special theaters around the country, and if you don’t happen to reside in one of the cities below, there is always Netflix and Amazon streaming, several options on demand, and a typically killer lineup on Turner Classic Movies, including Lady Vengeance favorite Village […]
by Farihah Zaman on Oct 31, 2011Last night marked the opening of the 2011 Philadelphia Film Festival, and although this year kicked off with the decidedly non-genre film Like Crazy (as opposed to 2010, which began with the enjoyably batshit Black Swan), the festival has a history of featuring well-curated action, horror, science fiction, fantasy and just plain weird fare. For those lucky enough to attend the festival, or simply tracking the program for edification purposes, a good place to start is the festival’s dedicated genre lineup, once going by the name “Danger After Dark” but re-dubbed “The Graveyard Shift” after political infighting dramatically split the group […]
by Farihah Zaman on Oct 21, 2011