Running November 9th-19th, this year’s 20th edition of RIDM (or the Montreal International Documentary Film Festival for us non-Québécois) once again proved that big things come in small(ish) packages. Though not nearly as big as that other international doc fest directly on its heels, RIDM’s charm lies precisely in the fact that it’s both wide-ranging and easily navigable. In other words, a docuphile can relax and focus on the inspiring work in front of their eyes at any given moment instead of lamenting over the dozen other screenings, panels and events they’re inevitably missing. Which is not to say there […]
by Lauren Wissot on Nov 22, 2017Opening this edition’s DOC NYC on November 9th is Greg Barker’s The Final Year, a truly up-close-and-personal, behind-the-scenes look at the Obama administration and its foreign policy team during its last 12 months. To say that Barker gained unprecedented access to the president’s men (and one woman) during that period is an understatement. The veteran documentarian (Homegrown: The Counter-Terror Dilemma, Manhunt: The Inside Story of the Hunt for Bin Laden, etc.) managed to shadow three heavyweight insiders — Secretary of State John Kerry, Ambassador to the United Nations Samantha Power, and “Assistant to the President and Deputy National Security Advisor […]
by Lauren Wissot on Nov 8, 2017This year’s 20th anniversary edition of the SCAD (Savannah College of Art and Design) Savannah Film Festival, which lays claim to being the largest university-run film fest in the world, continued its two-decades-long tradition of mixing Hollywood wattage with downhome southern hospitality. Once again the fest honored an eclectic mix of celebrity guests of all ages (elder statesmen and women included Richard Gere, Sir Patrick Stewart, Aaron Sorkin, Salma Hayek Pinault, Holly Hunter, and Kyra Sedgwick, while the “youngsters” featured the likes of John Boyega, Zoey Deutch, Robert Pattinson, Andrea Riseborough, and Willow Shields). The festival also played host to […]
by Lauren Wissot on Nov 6, 2017As a film critic who also serves as a festival programmer I sometimes find myself in awkward positions. Such was the case recently at the Hot Springs Documentary Film Festival in October, where A Gray State screened, along with the film’s director Erik Nelson and its executive producer Werner Herzog in attendance. Though I’d seen the film on screener, I didn’t have a strong opinion about it one way or another (and as I was only helping out with the international features this year my indifference didn’t much matter). Of course, asked to moderate the post-screening Q&A I jumped at the […]
by Lauren Wissot on Oct 26, 2017Porcupine Lake is the sixth feature from pUNK Films founder Ingrid Veninger. It’s also the first from the pUNK Films Femmes Labs, which started as a DIY idea of gathering six Canadian female filmmakers to work on their six screenplays for six months to reality — courtesy of Oscar-winner Melissa Leo, who happened to hear Veninger’s pitch for funding at the Whistler Film Festival and immediately sign on as sponsor. The film itself feels like a throwback to the early heady (not to mention pre-tech, as there’s not a smartphone-glued character in sight!) days of low-key/low-budget independent film. It’s a […]
by Lauren Wissot on Sep 12, 2017A journey both personal and political, Matt Embry’s Living Proof follows the Canadian filmmaker on his quixotic quest to get some answers to a medical mystery. If no one knows the causes or cures for multiple sclerosis, then why are so many MS charities touting drugs (with considerable side effects) that don’t work in the long term? And why does the FDA drag its feet on approving promising non-pharmaceutical cures? And why won’t the powers that be in the MS establishment listen to the director himself, diagnosed with the disease over two decades ago, and who through only strict diet […]
by Lauren Wissot on Sep 12, 2017Part of IFP’s 2013 Project Forum slate, Cocaine Prison is the latest completed work from indigenous Latina filmmaker Violeta Ayala, who’s long been an outspoken critic of the War on Drugs, which not only disproportionately affects low-income folks here in the States, but especially our impoverished neighbors south of the border, from Mexico on down. For this follow-up to 2015’s The Bolivian Case (another tale of South American coke smuggling and its consequences, but with a Norwegian teenagers twist), Ayala, along with filmmaker partner/husband Dan Fallshaw (a producer, cinematographer and editor on Cocaine Prison), have headed back to her birth […]
by Lauren Wissot on Sep 11, 2017Trophy, directed by longtime photo-journos Shaul Schwarz and Christina Clusiau, has been garnering buzz and sparking debate ever since its Sundance premiere. The film is a meticulously researched look at every possible angle of the “wildlife industry versus conservation” showdown, taking place in some of the most majestic parts of our world. Undeniably riveting, it’s also the only film I’ve seen all year that made my blood boil to the point of tossing all critical objectivity aside. I spoke with the duo, cofounders of Reel Peak Films, which aims to bring the cinematic nonfiction treatment to journalism, prior to the […]
by Lauren Wissot on Sep 8, 2017The 28th edition of the Human Rights Watch Film Festival, running June 9-18 at NYC’s Film Society of Lincoln Center and IFC Center, will be showcasing 21 feature docs and panel discussions (and no fiction films – a smart programming move as the fiction films in past years inevitably ended up the weakest links in the lineup). Glancing through the program there looks to be a whole lot of timely stuff to choose from, including a “From Audience to Activist” discussion in which “filmmakers, journalists and activists share best practices on how to hold powerful institutions accountable safely and effectively,” […]
by Lauren Wissot on Jun 8, 2017Steve James’ documentary, Abacus: Small Enough to Jail, is at once a heartfelt portrait of a close-knit family facing overwhelming adversity and an infuriating indictment of our U.S. justice system gone seriously awry. The film follows the Chinese immigrant Sung family, founding owners and operators of the Abacus Federal Savings Bank down in NYC’s Chinatown, who in the wake of the 2008 financial crisis found themselves locked in a half-decade battle with spotlight-loving Manhattan DA Cyrus Vance, Jr. Though the bank had one of the lowest default rates in the country (with only nine out of 3,000 loans defaulting!), the […]
by Lauren Wissot on May 15, 2017