Authors — Scott Macaulay
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Sparks Announces Music-Film Collaborations with Guy Maddin and Leos Carax
Pioneering electro-disco band Sparks just wrapped a two-night stint in Los Angeles of an orchestral concert version of their pioneering 1974 album Kimono My House. In an interview with Chris Willman at Billboard, the band (brothers Ron and Russell Mael) teases two upcoming film projects. The first is with Guy Maddin, news of whom seems to regularly filter out into the film blogosphere. The second, however, is with Leos Carax, who usually holds his upcoming project cards closer to the vest. Here’s Russell Mael on both projects: The other thing we’ve been doing is two movie musical movie projects. One […]
by Scott Macaulay on Feb 16, 2015 -
Job Listing: Filmmaker and IFP Are Seeking an Advertising Sales Associate
Filmmaker and its parent organization IFP are seeking an Advertising Sales Associate, a salaried position based out of the IFP’s DUMBO-based office. A short description of the job is listed below, and this post will be updated with links to LinkedIn and Vediabistro when they go live. In short, though, the Advertising Sales Associate is responsible for ad sales for Filmmaker across print and web as well as IFP. IFP, a world class nonprofit devoted to independent film and its creators, seeks a mid-level Advertising Sales professional to secure revenue for its publication, Filmmaker, and online channels. The successful candidate […]
by Scott Macaulay on Feb 13, 2015 -
David Carr, R.I.P.
David Carr flew under my radar for a little while. I never read his book, The Night of the Gun, and my general disinterest in the Oscar Industrial Complex meant that I wasn’t a regular reader of his late aughts Carpetbagger column at The New York Times either. I had heard rumblings that there was a guy with an arresting voice and upright posture bringing an outsider (and from his basement) attitude to awards season coverage. Maybe I read a few of them, but it wasn’t until Carr sequed into his Media Equation column that he became essential to me. […]
by Scott Macaulay on Feb 13, 2015 -
Benson Lee on Returning to His Independent Roots with the Sundance Comedy, Seoul Searching
Korean-American filmmaker Benson Lee won the Jury Prize at Sundance with his Competition Drama, Miss Monday, in 1998. A decade later he returned with Planet B-Boy, a critically-acclaimed, commercially-successful doc about breakdancing crews competing in an international competition. Lee’s success with Planet B-Boy led to both a studio deal and a career setback. Battle of the Year, a Sony production based on B-Boy, was as critically derided as the doc was praised, and it was a commercial failure to boot. This year, Lee returned to the site of his Miss Monday success — the Sundance Film Festival — with an […]
by Scott Macaulay on Feb 13, 2015 -
Quyen Tran on Shooting Frankie Shaw’s Sundance-Winning SMILF
Frankie Shaw’s short film SMILF won the Short Film Jury Award at this year’s Sundance Film Festival. It’s a funny and revealing comedy about a young mom struggling to connect to her old sexual self while being homebound caring for her young son. L.A.-based cinematographer Quyen Tran shot the film, and below she discusses shooting coverage with only one actor, working with one light and filming while nearly nine months pregnant. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]
by Scott Macaulay on Feb 13, 2015 -
Cinematographers Jimmy Chin and Renan Ozturk on Shooting the Sundance-Winning Doc, Meru
Over a period of years, three climbers — Conrad Anker, Jimmy Chin, and Renan Ozturk — make repeated efforts to scale a 21,000 foot peak in Northern India, Mount Meru. Jimmy Chin and Elizabeth Chai Vasarhelyi’s Meru is the chronicle of that quest, a story of not just mountain-climbing athleticism but also friendship and camaraderie. The winner of the U.S. Documentary Audience Award at the Sundance Film Festival, Meru, strikingly, was lensed by two of the film’s three climbers, with one of them suffering severe injuries on the climb — an accident that is part of the film’s story. Below, […]
by Scott Macaulay on Feb 13, 2015 -
Director/Cinematographer Matthew Heineman on Shooting Sundance Award-Winning Doc Cartel Land
A tense, cinematically-styled verite documentary about the Mexican drug wars, Matthew Heineman’s Cartel Land was one of the big winners at Sundance this year, nabbing both the Directing and Cinematography Awards. Strikingly, both positions were filled by the same person: Matthew Heineman, who also produced and edited. (For Cartel Land, Heineman shares the d.p. credit with Matt Porwoll.) Below, the multi-hyphenate talks about why, for him, shooting isn’t entirely about the image; why being his own d.p. calmed him down during the tenser moments of production; and the benefits of capturing a flat image through Canon Log. Filmmaker: How and […]
by Scott Macaulay on Feb 13, 2015 -
Cinematographer Ben Lichty on Shooting the Greenpeace Doc, How to Change the World
A “hippie heist movie-turned-high sea adventure” is how Sundance describes Jerry Rothwell’s Sundance award-winning documentary How to Change the World, about the early days of the Greenpeace movement. Below, cinematographer Ben Lichty describes mixing interview with archival footage, creating “visual variety” and shooting with the RED Epic. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Lichty: When I first heard about How to Change the World and the story the film would explore, I really wanted to be a […]
by Scott Macaulay on Feb 13, 2015 -
Trailer Watch: Wild Canaries Directed by Lawrence Levine
Lawrence Levine’s comedy thriller Wild Canaries is opening February 25 at the IFC Center and on online platforms. Below, from our print magazine, are my comments after the film’s premiere at SXSW. And, check out the trailer above. Most independent films don’t have enough plot. That criticism can’t be leveled at Wild Canaries, Lawrence Michael Levine’s loose-limbed caper comedy. Levine and his wife, the actress and director Sophia Takal, star as a Brooklyn couple who become convinced their upstairs neighbor was murdered to gain control of her rent controlled apartment. Influenced by the “Thin Man” movies as well as Woody Allen’s […]
by Scott Macaulay on Feb 13, 2015 -
Cinematographer Catherine Lutes on Shooting the Pop-Up Porno Series
An unlikely combination of elements — the children’s pop-up book and X-rated adult relationship stories — collide in one of the more unusual series of shorts at this year’s Sundance Film Festival: Pop-Up Porno. Toronto-based director Stephen Dunn was inspired by friends’ tales of online dating, and he worked with various graphic designers to come up with actual book illustrations. The resulting three films premiered in Park City, where the books were also exhibited. Bringing the turning pages to life is cinematographer Catherine Lutes, who below talks about the Canon C300, realizing the film on a tiny budget and accenting […]
by Scott Macaulay on Feb 13, 2015
