Each year Filmmaker asks all the incoming feature directors at Sundance one question. (To see past years’ questions and responses, click here.) This year’s question: Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? (Check back daily during the festival — new answers are uploaded each day throughout the festival.) “It is An Object That Should Not Belong to That World”: Maite […]
by Scott Macaulay on Jan 23, 2020Anne Lai, who is currently the Director of Creative Producing and Artist Support at the Sundance Institute, has been named the new Executive Director of SFFILM. “The board, the staff, and I are very pleased to announce the appointment of Anne Lai to the role of Executive Director of SFFILM,” said Nion McEvoy, President of SFFILM’s Board of Directors, in a press release. “We are thrilled that the search has yielded such an excellent match for our organization and for the Bay Area arts community. We are excited to have Anne, with her incredible vision, exceptional leadership and management skills, […]
by Scott Macaulay on Jan 21, 2020SXSW announced today the 102 features and episodic shows that from the first wave of films comprising the 2020 SXSW Film Festival. Judd Apatow’s Pete Davidson-starring The King of Staten Island will be the Opening Night feature. Other highlights include Frank Oz’s film based on magician and artist Derek DelGaudio’s acclaimed theater work, In & Of Itself; actor and director Amy Seimetz’s follow-up to Sun Don’t Shine, She Dies Tomorrow; features from directors on this magazine’s 25 New Faces list, including Nicole Riegel (Holler), Celine Held and Logan George (Topside), Tod Chandler (Bulletproof), Marnie Ellen Hertzler (Crestone), and Kitao Sakurai […]
by Scott Macaulay on Jan 15, 20202019 will soon be the past, but once it was the future — a subject explored by Joanne McNeil in her Filmmaker print and online column, Speculations. She revisited films (The Running Man, Akira, Blade Runner) specifically set in 2019, assessing not just the accuracy of their future-dreaming but also the fantasies of progress their own eras entertained. McNeil listed various aspects of the present, including policy denial around climate change, that the films missed. But considering the last quarter century, who could have predicted that filmmaking — and film culture — would have landed where it is? While there’s […]
by Scott Macaulay on Dec 27, 2019Filmmaker‘s Winter 2020 issue — our most beautiful issue yet — is now on newsstands (and selling out, we hear), as well as arriving in mailboxes. What’s in it? Our cover is Uncut Gems, with me interviewing Josh and Benny Safdie about their adrenaline-fueled Adam Sandler-starring film — an interview that goes into the details of shooting the fountain scene with Sander that we have used as our cover image. Director Anna Rose Holmer interviews Greta Gerwig about her Little Women; Aaron Hunt talks with Pedro Costa about 2020 release Vitalena Varela; Paul Dallas interviews Mati Diop about Atlantics, currently […]
by Scott Macaulay on Dec 24, 2019Premiering today from Focus Features is the trailer for writer/director highly anticipated Eliza Hittman’s Never Rarely Sometimes Always. Produced by Adele Romanski, Sara Murphy and Rose Garnett, shot by Hittman’s Beach Rats DP Hélène Louvart, and edited by Scott Cummings, the film is described as “an intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder) embark across state lines to New York City on a fraught journey of friendship, bravery and compassion.” The trailer is set to a track by […]
by Scott Macaulay on Dec 19, 2019A new documentary world premiere — the latest from Jeff Orlowski, dealing with the social controls and neuroprogramming aspects of technology platforms and social networks — and two restored works from the Sundance Collection were announced today. Orlowski’s film, The Social Dilemma, will screen next month in Park City as will two distinguished works that are favorites here at the magazine: Lisa Cholodenko’s High Art and Zana Briski and Ross Kaufman’s Born into Brothels. From the press release: Archival screenings are made possible by the Sundance Institute Collection at UCLA, and give audiences the opportunity to discover and rediscover the […]
by Scott Macaulay on Dec 18, 2019Thirty-two independent experimental and independent media projects comprising the 2020 Sundance Film Festival New Frontier program were announced today by the Sundance Institute. Included in what is often Sundance’s most surprising section are an art/journalism project riffing on the newsreel format by artist and Lemonade collaborator Khalil Joseph; an “under construction” AI based on the thoughts of linguist and critic Noam Chomsky; and a 35mm short consisting of 16,000 cuts. Also included are new works that are the latest installments in the lifelong practices of artist and filmmakers (and Sundance veterans) Lynn Hershman Leeson and Narcissister. Of note too is […]
by Scott Macaulay on Dec 12, 2019Tom Quinn’s Spirit Award-nominated Colewell receives a limited theatrical as well as digital release beginning this Friday, December 13. The theatrical starts with a run at Facets Theater in Chicago, with other cities to be announced. On the occasion of its premiere earlier this year at the SFFILM Festival, I wrote, “Colewell is a gentle, melancholic film, one inflected by bursts of real anger and sorrow, that is both character study as well as meditation on loneliness and community in a time of both technological and political change.” The trailer just dropped, which gives a good look at lead Karen […]
by Scott Macaulay on Dec 11, 2019Thunderous farts and the roiling sea, booming foghorns and the menacing squawks of predatory seagulls—the Melvillian world of Robert Eggers’s supernatural-tinged film The Lighthouse offers a composer many sources of sonic inspiration. Mark Korven, who reunited with Eggers following their collaboration on the director’s 2015 feature, The Witch, admits that the environment of the film dominated their early conversations. “We did discuss nature a lot,” he says, “and also the world the characters inhabited. There might be a rusty old cornet lying around the lighthouse or maybe a bashed-up accordion. Rob felt strongly about a brass score because there was […]
by Scott Macaulay on Dec 10, 2019