Authors — Scott Macaulay
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Wavelength Productions Announces WAVE Grant to Support a First-Time Female Filmmaker of Color
Wavelength Productions, the 90% female-helmed production company whose credits include the 2019 Sundance titles Knock the House Down, Where’s My Roy Cohn and Selah and the Spades, announced today the WAVE grant “dedicated to supporting women of color in telling their own ‘great f**king story.’” The grant, which is accompanied by 40 hours of professional mentorship by the Wavelength team, will award $5,000 to a first-time female filmmaker of color to support her very first documentary or narrative film, which should run between six and 20 minutes. “At Wavelength Productions, we know that women have the power to not just […]
by Scott Macaulay on Sep 20, 2019 -
Diverse Creators, a Bridge to the Publishing Community, and First-Time Filmmakers in the Project Forum: IFP Talks the 2019 IFP Week
Kicking off today in and around DUMBO New York is IFP Week, the yearly annual conference and coproduction market produced by Independent Filmmaker Project. Today’s events include a day of panels and talks at BRIC, with the event then moving to IFP’s home, the Made in New York Media Center, as well as other nearby locations. In recent years IFP Week has developed an identity far from its origins as a scrappy, sometimes over-the-top market for finished independent films unspooling at the Angelika’s basement theaters. The heart of the event is now the much more sober Project Forum, which connects […]
by Scott Macaulay on Sep 15, 2019 -
“Opening Up a Space Where the Questioning of Power is Normalized Instead of Invisibilized”: Discussing the 2019 Camden International Festival
“Who is this film made for, in what way is power present, how does the film understand its relationship to its subjects, and who benefits from the film being made?” That’s Samara Chadwick, Senior Programmer at the Camden International Film Festival, on this 2019 edition’s theme of “Story and Power.” But if you’re attending the festival, don’t look for this theme to be a didactic one, she says. “It’s less a series of affirmations and arrival points and more about the process of questioning — opening up a space where the questioning of power is normalized instead of invisibilized.” The […]
by Scott Macaulay on Sep 12, 2019 -
Ava DuVernay, Sam Rockwell to Receive IFP Gotham Tribute Awards
Ava DuVernay will receive the Director Tribute and Sam Rockwell the Actor Tribute at the 2019 IFP Gotham Awards, IFP (Filmmaker‘s publisher) announced today. DuVernay, whose feature credits include Selma (2014), The 13th (2016) and A Wrinkle in Time (2018), will receive the award following the acclaim given to this year’s When They See Us. A four-part series released by Netflix in May, When They See Us dramatized the injustice faced by the so-called Central Park Five, who were wrongfully convicted of the rape of a jogger in Central Park. DuVernay also created and executive produces the series Queen Sugar, […]
by Scott Macaulay on Sep 12, 2019 -
Flies Collective Announces Third Annual Film Grant Recipients
Flies Collective, the Brooklyn-based production company and micro-budget funding body led by principals Daniel Patrick Carbone, Matthew Petock and Zach Shedd, announced today the four films that will receive a total of nearly $20,000 in fiscal support via the group’s annual film grant. The films are Sarah Friedland’s Familiar Touch, Max Walker-Silverman’s Chuj Boys of Summer, Brittany Shyne’s Seeds, and Sophia Feuer’s Space Lady. Said the Flies Collective team in a joint statement, “The whole idea behind the grant was that we wanted to offer no-strings-attached support to projects that don’t typically fall within the parameters of traditional grants. This […]
by Scott Macaulay on Sep 11, 2019 -
“It Was an Era of Reinvention After a Terrible Trauma”: Five Questions for Ebs Burnough about His TIFF-Premiering Doc, The Capote Tapes
Dramatic feature films like Bennett Miller’s Capote have dramatized the life of the late Southern author by focusing on the time surrounding the writing and release of his classic piece of non-fiction storytelling In Cold Blood — a work that’s had astounding influence on today’s true-crime landscape. Now, another chapter of Truman Capote’s life is analyzed and evoked in the documentary debut of Ebs Burnough, The Capote Tapes. Although it covers Capote’s whole life, the doc, which premiered at the Toronto International Film Festival yesterday, focuses heavily on Capote’s final years and the writing of his unfinished novel, Answered Prayers, […]
by Scott Macaulay on Sep 8, 2019 -
16 Films to Anticipate at the 2019 Toronto International Film Festival
The Toronto International Film Festival gets underway today and with it a rush of premiering Oscar-preening specialty titles as well as festival favorites traveling from Cannes, Venice and Telluride. And, yes, anyone attending TIFF this year should have films like Trey Shults’s Waves, Josh and Benny Safdie’s Uncut Gems, Marielle Heller’s A Beautiful Day in the Neighborhood, Kasi Lemmons’s Harriet and Rian Johnson’s Knives Out on their must-see list. But at Filmmaker our recommendations stray from the Galas and Special Presentations to the other sections, where films that might not be hitting the multiplex in just a few months are […]
by Scott Macaulay on Sep 5, 2019 -
Editor’s Letter
Welcome to our Fall 2019 edition, marking the start of our 28th year of publication. And, if you’re reading this letter, you’re most likely reading it in print or in our digital edition, so thank you for buying or subscribing to this publication. As this 28th year begins, Filmmaker finds itself in the happy position of having a successful, much-read website as well as a robust, healthy and burgeoning print publication. The sometimes mentioned “death of print media” hasn’t afflicted us here—this issue is larger than ever, we’re doing more bonus distribution to film festivals and industry events and, with […]
by Scott Macaulay on Sep 4, 2019 -
Points North Institute Announces 2019 Forum and Artist Programs at Camden International Film Festival
Having already revealed the Foucauldian dynamic that will run through this year’s Camden International Film Festival — a focus on “story and power” — the festival’s parent organization Points North Institute unveiled today the forum and artist programs that will take place over the event’s mid-September weekend. The annual Points North Forum will ask “critical questions about how the documentary film and media community reflects existing power structures, including questions of racial equity, access, funding, and which stories are being told, how, for whom, and by whom,” according to the press release. Other highlights and programs include masterclasses by Apollo […]
by Scott Macaulay on Aug 29, 2019 -
Brief Encounters: Director Jim Jarmusch on the Poetic Downtime of Coffee and Cigarettes
The following interview with Jim Jarmusch was originally published as our Spring, 2004 cover story, and it is appearing here online for the first time. — Editor “Why do people go to the cinema?” Andrei Tarkovsky writes in a book of essays, Sculpting in Time. “I think that what a person normally goes to the cinema for,” he goes on, “is time: time lost or spent or not yet had.” Time lost, spent or not yet had is the stuff of Jim Jarmusch’s new feature, his ninth, Coffee and Cigarettes. Consisting of 11 short vignettes, all featuring two or three people […]
by Scott Macaulay on Aug 24, 2019
