Authors — Scott Macaulay
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Recommended on a Friday: Gimme Danger, Dreamlands, The Fosters, Killer Party
This pre-Halloween weekend is unexpectedly light on new releases. For Filmmaker readers, the most significant of the newcomers is Jim Jarmusch’s Cannes-premiering documentary on The Stooges, Gimme Danger. If you’re any kind of Iggy Pop fan — and, although not an obsessive or a completist, I count myself as one — than this doc is a must-see. It’s certainly not a revolutionary rock doc, consisting straightforwardly of Iggy’s own present-day interviews; comments by fellow band members, other musicians, and various colleagues and music execs; fantastic concert footage (albeit less of it than you want); and a smattering of archival footage […]
by Scott Macaulay on Oct 28, 2016 -
“When I Looked at All the Ways You Can Fail in VR, That Was a Turn-On”: Doug Liman on His VR Sci-Fi Thriller, Invisible
Released today, Invisible is director Doug Liman’s first foray into virtual reality, a five-part science-fiction thriller that places viewers in the midst of a tale involving corporate secrets, future tech and family treachery. The series takes off from the question one sometimes mulls: what superpower would I choose for myself? Says producer Julina Tatlock of the production company 30 Ninjas, “One of the top superpowers people would choose is invisibility — and we’ve all dreamed about being rich. By creating Invisible in VR, we are able to immerse the viewer into that glam, exotic and at times terrifying world in […]
by Scott Macaulay on Oct 27, 2016 -
Recommended on a Friday: Moonlight, Fire at Sea, Criterion’s Boyhood Disk, Dessert, Chris Gethard and More
Our new “Recommended on a Friday” column is meant for us here at Filmmaker to throw some attention on films we love that perhaps we haven’t covered online and in print, but this week we’re just going to start by piling on a pick that you’ve already heard quite a bit about: Barry Jenkins’s Moonlight. Jenkins’s previous film, Medicine for Melancholy, was a Filmmaker cover back in 2009, and we’ve been eagerly awaiting his next film since. Moonlight — a bracingly tender, ambitiously realized and wisely provocative character study about the construction of African-American masculine identity — demands to be […]
by Scott Macaulay on Oct 21, 2016 -
Watch for 48 Hours: Spider Veins and Hearts of Palm from the East Oregon Film Festival
With the East Oregon Film Festival underway this weekend in La Grande, Oregon, Filmmaker is happy to once again host the festival online selections here at the site. Starting now, for 48 hours, you can watch Monica Peña’s haunting and haunted relationship mystery, Hearts of Palm, preceded by a short, Frank Mosley’s multi-layered psychological drama Spider Veins. From the filmmakers, here are their two short synopses: Spider Veins: Two women reunite in a quiet neighborhood before a party begins. But by turns mysterious and shocking, the film’s narrative begins to unravel even as the women’s relationship teeters on the edge of […]
by Scott Macaulay on Oct 21, 2016 -
Manchester by the Sea, Moonlight Top Nominations for 26th Annual Gotham Awards
The Independent Filmmaker Project (IFP, and Filmmaker‘s publisher) announced today the nominees for its 26th annual Gotham Awards. Kenneth Lonergan’s Manchester by the Sea tops the list with four nominations, including Best Feature and, for Casey Affleck, Best Actor. Barry Jenkins’s Moonlight also placed highly, scoring a Best Feature nomination as well as Best Screenplay, Breakthrough Actor for Lucas Hedges and a special Gotham Jury Award for its acting ensemble (actors Mahershala Ali, Naomie Harris, Alex Hibbert, André Holland, Jharrel Jerome, Janelle Monáe, Jaden Piner, Trevante Rhodes, and Ashton Sanders). This is the second year the Gotham Awards have included […]
by Scott Macaulay on Oct 20, 2016 -
Playing the Long Game: Producers on Sustaining a Career in Independent Film
When legendary producer and studio executive Robert Evans penned his autobiography — later adapted into a documentary — he picked a telling title: The Kid Stays in the Picture. You would think that after producing films like Chinatown and Urban Cowboy, Evans could happily rest on his laurels, but his book’s title, with its defiant use of the present tense, speaks to the ambitions and anxieties affecting every filmmaker with producer DNA. These, of course, are issues of continuing relevance and professional durability — or, to use the independent film parlance of the moment, sustainability. Contrary to the imagination of […]
by Scott Macaulay on Oct 20, 2016 -
Parting Shot: Johnny Ma
“I didn’t want to make a poverty porn,” says Shanghai-born, Vancouver-residing filmmaker Johnny Ma about his first feature, Old Stone, released this fall by Zeitgeist. “I felt if I can’t bring myself to really understand what it is like to live in this town and environment, then I don’t deserve to make this film.” That extra degree of empathy and social insight was especially needed for Old Stone, which thrusts viewers into a contemporary China where motorists are faced with a stunning dilemma. Drivers who strike pedestrians are forced to shoulder these pedestrians’ related lifetime medical expenses. If the pedestrian […]
by Scott Macaulay on Oct 20, 2016 -
A Woman Above Everything Else
The camera pushes tight in on Natalie Portman’s distressed face, a layer of 16mm grain putting a slight filter on her perfect features. From the very beginning, we’re too close; the customary distance from an iconic first lady is gone. Also missing are biographical flashbacks, or early happy moments, or pretty montages locating Jacqueline Bouvier Kennedy within the tapestry of her husband’s life and administration. No, Pablo Larraín’s Jackie, which follows the first lady in the days following John F. Kennedy’s assassination, begins in a kind of emotional media res, a heightened state accentuated by the dark chords of Mica […]
by Scott Macaulay on Oct 20, 2016 -
Editor’s Letter
Two nights ago I stopped by a party following a screening of Barry Jenkins’s superlative new Moonlight at the New York Film Festival. Jenkins was there, along with producer Adele Romanski, actress Janelle Monáe, and there was a mood of excitement as well as appreciation. Let’s face it: we in independent film need things to be excited about, and it’s great when those things are actually movies made by great people who we can unabashedly champion. Jenkins made our 2008 25 New Faces list and then, in 2009, our cover with his debut picture, Medicine for Melancholy, and it’s been […]
by Scott Macaulay on Oct 20, 2016 -
Short Film Premiere: Iva Gocheva’s Sunday
Receiving its online premiere today here at Filmmaker is Iva Gocheva‘s haunting short film, Sunday, an impressionistic portrait of a young Bulgarian woman living in New York who is grappling with all the various impacts — emotional and existential — of her expired visa. It’s the second short from Gocheva, who has been seen most recently on screen, as a lead, in Claire Carre’s sleeper hit, Embers. Here, the Bulgaria-born, New York-based Gocheva writes about her impetus to make the film: I feel this story started from the idea of home and what it means or feels to each of […]
by Scott Macaulay on Oct 19, 2016
