Authors — Soheil Rezayazdi
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“The First Filmmakers to Tell Her Full Story”: Co-Director Bob Hercules | Maya Angelou and Still I Rise
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Like many films we’ve worked on, there’s always the narrative you have in your head about the […]
by Soheil Rezayazdi on Jan 26, 2016 -
DPs Gregg de Domenico and André Döbert on the Howard Brookner Doc, Uncle Howard
Gregg de Domenico has more than 10 years of industry experience as a cinematographer, camera operator and second AC. At Sundance 2016, de Domenico served as co-cinematographer for Uncle Howard, a documentary on filmmaker Howard Brookner and the search for his archival remains of his debut documentary, Burroughs. de Domenico lensed the film with first-time DP André Döbert. In this interview, de Domenico and Döbert discuss the film’s blend of archival and new footage along with other visual challenges. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your […]
by Soheil Rezayazdi on Jan 26, 2016 -
“You Have Very Little Control Over So Much of the Process”: Director Clea DuVall | The Intervention
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I learned very quickly that it requires a great deal of acceptance to get a movie made. […]
by Soheil Rezayazdi on Jan 26, 2016 -
“Shame Is the New Black”: Director Jessie Kahnweiler | The Skinny
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? My filmmaking is often about looking back at the mess of the past so that I can […]
by Soheil Rezayazdi on Jan 26, 2016 -
“Every Film Is an Opportunity to Plunge into Another World”: Director Joshua Marston | Complete Unknown
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I joked at one point, early on in the making of this movie, that I was making […]
by Soheil Rezayazdi on Jan 25, 2016 -
“For Three More Years, I Rewrote and Rewrote”: Director Elite Zexer | Sand Storm
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? When I first started writing the story of Sand Storm, a drama about a Bedouin family from the […]
by Soheil Rezayazdi on Jan 25, 2016 -
“One Last Leap Towards Independence”: Director Richard Tanne | Southside With You
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Southside With You is ostensibly a love story. A simple boy meets girl kind of thing. But […]
by Soheil Rezayazdi on Jan 25, 2016 -
Five Questions with The Birth of a Nation Director Nate Parker
For his debut as a feature film writer and director, Nate Parker has told the story of a personal hero: Nat Turner. The Birth of a Nation is also the first major fiction film about Turner, the leader of an infamous 1831 slave rebellion. Parker himself stars as Turner, having appeared in more than 20 films to date, including Red Hook Summer, The Great Debaters and Ain’t Them Bodies Saints. Below, Parker speaks with Filmmaker about his film’s eye-catching title, Turner’s legacy and what he hopes modern audiences take away from this story. The Birth of a Nation premieres in the U.S Dramatic Competition at […]
by Soheil Rezayazdi on Jan 25, 2016 -
“I Had a Lot of Growing Up to Do”: Director Tahir Jetter | How to Tell You’re a Douchebag
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? The story behind this movie is one in which I came to realize that I had a […]
by Soheil Rezayazdi on Jan 25, 2016 -
“Behind the Story of Social Injustice and Abuse”: Director Alejandro Fernández Almendras | Much Ado About Nothing
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? The film is based on a real event, a hit-and-run incident involving the son of a very […]
by Soheil Rezayazdi on Jan 25, 2016
