Director Interviews
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You Can Go Home Again: Alfonso Cuarón On Sound, Vision and Memory In Roma
Alfonso Cuarón reached the point in his career when he could do whatever he wanted. His last film, Gravity, was one of those that checked off all the boxes: It was a hit. It was critically adored. It won Oscars, including one for him. It was progressive, with a strong female lead (Sandra Bullock). It pushed the limits of filmmaking, commercial and otherwise. It used special effects in creative and innovative ways. It told a small, borderline minimalist story, focusing on at most two characters, but usually just one. And all this after such acclaimed pictures as Children of Men, […]
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6,500 Kilometers in 29 Shooting Days: Jérôme Reybaud on 4 Days in France
I wrote a little bit about 4 Days in France yesterday; a few hours after publishing, I went to meet writer/director Jérôme Reybaud to follow up on some particular points of interest. Some basic plot points about this recommended quasi-romance/road trip narrative: a great deal of the film follows two men driving cross-country across France (one in pursuit of his just-left partner until their routes converge) to an extensive collection of classical recordings, stopping at locations including the top of the very cold Alps, a used bookstore, a theater, and an encounter with a notably aggrieved lady who chews out one character […]
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“You Try to Find the Beauty, Shoot It and Move On”: John G. Young on His Microbudget Drama, Bwoy
As Brad, a grief-stricken closeted gay man in upstate New York who becomes increasingly obsessed with a younger Jamaica man (Jimmy Brooks) he meets in an online meat market, Anthony Rapp (Star Trek: Discovery, Rent) is fantastic in writer-director John G. Young’s Bwoy. With a title based on the pronunciation of “boy” in Jamaican patois, the film at first seems like a story of online obfuscation, but it soon grows into a tense meditation on mourning and loss as we discover Brad bears some responsibility for the death of his son and remains in a marriage with Marcia (De’Adre Aziza) […]
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Five Questions for Nobody’s Watching Director Julia Solomonoff
In Julia Solomonoff’s third narrative feature, Nobody’s Watching, Guillermo Pfening plays Nico, an established Argentine actor in New York who has overstayed his visa in hopes of a promised film role and a new chance at life. But the idea of making it as an actor in New York is even harder for the blond Nico, who is told both that he is too white to play Hispanic and that his accent is too strong to play American. He falls back on odd jobs and light shoplifting, living under the radar until his past in Argentina comes back to haunt […]
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Jon Nguyen on David Lynch: The Art Life, How Twin Peaks Delayed Production and the Downside of Kickstarter
While David Lynch fans eagerly await the premiere of the new Twin Peaks on Sunday, a documentary that peers deep into the iconic director’s life is currently making its way around theaters across the U.S. After premiering last year in Venice to rave reviews, we caught David Lynch: The Art Life at the American Film Festival in Wroclaw, Poland toward the end of its festival circuit. The film will play local dates this summer before being sent out to the film’s thousand-plus Kickstarter backers who have been waiting on the documentary since its 2012 campaign. The film’s young director, Jon Nguyen, […]
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Tribeca ’17: Five Questions with Water Warriors Director Michael Premo
I saw Water Warriors in February, just a month after Donald Trump’s inauguration, during its world premiere at Big Sky Documentary Film Festival in Missoula, Montana. The short film and multimedia photo exhibition provided an element of much-needed hope at a time when the environment is increasingly imperiled by big business interests. But rather than focusing on dire statistics and predictions about climate change, Water Warriors highlights a rare success story of ordinary citizens — including members of the Mi’kmaq Elsipogtog First Nation, French-speaking Acadians and white, English-speaking families in New Brunswick, Canada — who fight to protect their water from the oil […]
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Using Interviews and Animation to Bring the Sniper Documentary Tower to Life
The documentary Tower recounts the day in 1966 that a sniper on the University of Texas Tower killed 14 people and wounded dozens more. The film includes archival footage, interviews with those who were present and animated recreations of the event. In this interview, director/producer Keith Maitland and DP Sarah Wilson talk about the making of the film which receives its broadcast premiere on PBS on Tuesday, February 14th. Filmmaker: How did you become filmmakers? Maitland: I started off in narrative filmmaking, working on other people’s movies, and right around the time I met Sarah — we’ve been together 13 years […]
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Finding the Storyline in a Documentary Short (Or, Do Short Docs Need Narrative Arcs?)
When you announce to the world (or at least on social media) that you’re making a short documentary, you’re bound to be asked the obvious question: “What’s it about?” As any documentary filmmaker can tell you, there’s a short answer to that question and a long answer, depending upon who is asking and how much time they have to spare. In the case of my short documentary film in-progress, Sole Doctor, the short answer is, “It’s about George, an African-American shoe cobbler who has owned a business in Portland for over 50 years and is getting ready to retire and pass […]
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20th Century Women: Mike Mills on Bringing a Personal Story to Life
After exploring a teenager’s odd obsession in Thumbsucker and helming the semi-autographical Beginners about his father coming out of the closet late in laugh, in his third narrative, Mike Mills returns to deeply personal material from his own life. 20th Century Women has been hailed as his best work yet and earned him an Oscar nomination for best adapted screenplay. The film is a coming of age tale about a teenage boy raised by three women from different generations in 1979 Santa Barbara. It’s a portrait of the city in a quieter, simpler time, as well as an ode to his steadfast mother […]
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Five Questions for Orange Sunshine Director William A. Kirkley
Dubbed the “Hippie Mafia,” the Brotherhood of Eternal Love was a collective of people in Orange County in the ‘60s and ’70s that grew from a spiritual commune to the largest distributors of LSD at that time in the world. For the first time, their story is told in-depth on film in William A. Kirkley’s riveting documentary Orange Sunshine, the name of their most famous strain of the psychedelic drug. Founded by John Griggs and collaborators Mike and Carol Randall, brothers Rick and Ron Bevan and Travis Ashbrook, the Brotherhood sought to change the planet with a cultural and spiritual […]
