We covered last year’s Hawaii International Film Festival — its 35th edition — and now the fest is back for another year. Asian box-office sensations, Cannes art-house favorites, and a particularly strong lineup of indigenous Pacific filmmaking highlight this year’s edition, which runs November 2-12 in Oahu. Long a bastion of Pacific Rim and specifically Pacific Islander story-telling, the festival this year brings forth a new competition for films made in Hawaii, highlighted by the Closing Night world premiere of Alexander Bocchieri’s Go For Broke: An Origin Story, a narrative feature based on the famed 442nd Infantry Regiment, a World […]
With the Tacoma Film Festival kicking off tonight, Filmmaker former managing editor Nick Dawson writes about what’s become one of its signature events: a screening series organized around our 25 New Faces list, with the majority of each year’s filmmakers in attendance. — Editor Since I first worked at Filmmaker 10 years ago, I have been passionate about the 25 New Faces list, its importance and its ability to transform the career of filmmakers who truly deserve it. The list has also spawned an event that is an antidote to the big festivals — no distractions, no competitive vibe, no […]
Each year, the Points North Institute magnetizes the fog-kissed landscape of coastal Maine to lure the best and brightest of the non-fiction universe to the towns of Camden, Rockport and Rockland. The Camden International Film Festival offers an immersive overlay of screenings, panels, workshops, virtual reality installations, parties and intensive personal encounters that elevate the proceedings far above the standard festival formula of films and frolic. Exhibit A: What other festival turns a pitch session into a kind of centerpiece presentation? Staged under the banner of the Points North Institute, the festival’s umbrella organization, the program invites a group of […]
The Independent Filmmaker Project (IFP) announced today that Dustin Hoffman will receive the Actor Tribute and Sofia Coppola the Director Tribute at the 2017 IFP Gotham Awards. “We are thrilled to present Dustin Hoffman with the Actor Tribute. Starting with his breakthrough role in the timeless classic The Graduate to his highly praised turn in his upcoming film, The Meyerowitz Stories, Dustin’s wide range of roles – often portraying antiheroes or the marginalized – and the creative choices he has embodied in these complex characters, has firmly placed him amongst the most compelling actors to have graced the screen,” said Joana […]
Seventeen years ago, Agnès Varda filmed her own hand in horror. The blotches, the wrinkles, the bulging blue veins: These may as well be the hands of a stranger. “My hair and my hands keep telling me that the end is near,” she says in her 2000 film The Gleaners & I. Despite the forebodings of death in Gleaners and 2008’s The Beaches of Agnès, Agnès is still with us; what a gift it is to have her still around. Varda, now 89, has partnered with French artist JR to co-direct another freewheeling, full-of-life documentary. Faces Places overflows with the […]
A conversation with Steven Soderbergh and a screening of the season three premiere of Mr. Robot followed by a talk with creator Sam Esmail are just two highlights of the Future of Storytelling Festival, to be held this weekend, October 6 – 8, at the Snug Harbor Cultural Center in Staten Island, New York. In a discussion moderated by Elvis Mitchell, Soderbergh will talk about his overall career as well as Mosaic, the new interactive project he’s making with HBO. In addition to Esmail, there are comedy performances, music events, and panels on truth in the age of digital journalism […]
NYFF’s second week of press screenings were scheduled in such an apropos way: over 36 hours, you could watch two Hong Sang-soo films sandwiched around Philippe Garrel’s latest. Two of my absolute favorite working filmmakers, they share at least two important traits: creating an illusion of verisimilitude so strong it’s near-impossible to catch anyone onscreen “acting,” and an obsessive return to the same super-straight-male preoccupations, with the Venn diagram decidedly overlapping at infidelity. (Claire Denis is a big fan of both, and her Let the Sunshine In acts as an unexpected companion piece to the films discussed here; more on […]
Last year, it was possible to pick up a bar snack named after Monica Bellucci during the San Sebastian Film Festival; this year cinemagoers at the most prominent event in the Spanish-speaking film world could see the real deal, as the actress arrived in town to pick up a Donostia Award for lifetime achievement. Ahead of the ceremony, she said: “I think that to receive a prize is not just a matter of ego, but a matter of love… My work is a way to know myself better.” Bellucci was one of a clutch of stars on the red carpet […]
Filmmaker‘s usual “films we’re anticipating” preview — opinions gleaned from early buzz or just pure enthusiasm — doesn’t work for the New York Film Festival. Always a collection of the best films from the prior months’ festival circuit, with a few world premieres thrown in, this year finds the latter — outside of the opening (Rick Linklater’s Last Flag Flying, reviewed here) and closing nights — in shorter supply. (The pluses and minuses of the festival’s curatorial approach receive a solid debate over at Indiewire morning.) That means we’ve seen a large swatch of this year’s selection, and the below […]
Until relatively recently, Richard Linklater’s hopscotching across genres and budgetary tiers had him generally pegged as an unpredictable magpie whose next move would never be clear; now, certain circles of online discourse have him basically pegged as the alpha male celebrator of white patriarchy (I did my song and dance on this a while ago, no reprise necessary). Setting aside those pejoratively-described constants, I think it’s true that starting with Before Midnight (the exact pivot point is arguable) the mandatory elements of A Film By Richard Linklater have become pretty fixed (put another way, I certainly don’t expect faithful filmings of mediocre plays […]