Away from the top A-list festivals, film festivals generally fall into one of two categories: they either aim to be public festivals and get bums on seats, or in rare cases they try to encourage and develop local filmmakers. Sometimes, like those in the Middle East enclaves of Abu Dhabi and Doha, they have started off as a public festivals and — when the response from the international media or local audiences is not as hoped for — have changed tacks and moved their focus to developing local talent. The Trinidad and Tobago Film Festival is focused on developing Caribbean talent. […]
HP has joined forces with presenting partner Made in New York Media Center by IFP (Filmmaker‘s publisher) to present Power Up, a five-day festival of new work and discussions centering around technology and creativity. Of particular interest to Filmmaker readers are events feature 25 New Faces Jessica Oreck and Andrew S. Allen; Paul Trillo’s short, A Truncated Story of Infinity, recently featured at Filmmaker; and a screening of director and Film Fatales founder Leah Meyerhoff’s debut feature, I Believe in Unicorns. Other notable events include an discussion on architecture with Daniel Libeskind and a panel on the VFX of James […]
We’re happy to confirm one last short film and director for tonight’s “25 New Faces” program at the IFC Center in New York. Frances Bodomo will screen her extraordinary Afronauts and discuss it afterwards. In my piece on Bodomo for 25 New Faces, I wrote: Her following short, Afronauts — which she’s now turning into a feature — is an even bolder success, a hallucinatory fusion of history, science, political critique, and imaginative fantasy. Inspired by a true story, it’s about the short-lived Zambia space program, that African country’s real attempt to beat the U.S. into outer space. On the […]
“The most important task is to make great movies,” said Sundance Institute Executive Director Keri Putnam at the start of Thursday’s Artist Services Workshop at IFP’s Filmmaker Conference. “All this talk about audiences is meaningless unless you have something in your heart you want to get out there.” However, Putnam’s comments were not to construe that filmmakers shouldn’t think about the rapidly changing world of distribution, marketing and audience building. As Putnam went on to say, it is “easier, less expensive to make a movie, but no easier to find an audience. There is a volume of movies and a […]
Last Sunday evening at Lincoln Center, Eleanor Burke was awarded the first ever IFP Durga Entertainment Filmmaker Grant, which offers a $20,000 prize to an IFP alum who juggles filmmaking and parenting. Burke attended the 2009 IFP Filmmaker Labs with her debut Stranger Things, and the 2012 No Borders Co-Production Market with Bright as Day, which Burke says is “about an aging anti-social wanderer and a teenage truant who band together to save an abandoned horse.” The script also took part in the Sundance Producing Lab and the Hamptons Screenwriting Lab. Concurrently, Burke is prepping Through and Through, which will participate in the Venice Biennale College Cinema in […]
If The Toronto International Film Festival (TIFF) is to be judged on the world premieres it attracts, this edition of the festival was far from vintage. Artistic Director Cameron Bailey signaled a change in policy this year when he declared that no film playing at Telluride would be allowed to debut in Canada until after the all-important first weekend. He even broke with tradition by declaring the exact status of films playing at TIFF, and, since the program is announced before Telluride reveals its line-up, anyone that cared would know many of the films that would be playing at Telluride […]
The Independent Filmmaker Project (IFP), Filmmaker Magazine‘s parent organization, announced the first five projects to get weeklong theatrical runs at the state of the art Made In NY Media Center’s theater as part of the Screen Forward program. Starting October 17th, the program will give filmmakers in the process of self-distribution the unique opportunity to gain a much-coveted NYC theatrical week-run, with IFP working with each filmmaking team on comprehensive audience engagement and grassroots outreach strategies, publicity support, coverage in Filmmaker Magazine, and a revenue split to all participating filmmakers. The fall slate includes: Josephine Decker’s Butter on the Latch and Thou Wast Mild and Lovely; Paul Harrill’s Something, […]
Even the rain knocked down the Lions. When a storm hit the Lido island around the central-weekend turning point, delegates could be seen gleefully snapping pictures of the overturned statues outside the Casinò, a simplistic metaphor for the Venice Film Festival’s shaky status in recent years. You’d think the bronze lions themselves would be tired of hearing stories about Toronto and the shrinking circuit space for awards-season launchpads. However, with the Toronto/Telluride battle over world premieres turning nasty and some bolder picks than usual from the NYFF, Venice director Alberto Barbera was wise to renounce the star-chasing madness and to […]
The distribution rollout for short form work remains a tenuous enterprise, at best. Aside from throwing it up on Vimeo or YouTube, and hoping it catches the eye of a curated site like Short of the Week, many filmmakers end up sitting on their shorts for months after their festival premiere. Vimeo is shaking up that paradigm by offering 17 shorts from the Toronto International Film Festival’s Short Cuts program — which the streaming site sponsors — online through September 19. These include the Jury Prize winning A Single Body, which offers insight into an earnest male friendship; the Shane Carruth-starring everything & everything & everything; the sci-fi Entangled, from […]
Amidst the overwhelming landscape of the Toronto International Film Festival, the Wavelengths program provides a more tightly focused forum for experimental and avant-garde cinema. Until 2012, Wavelengths was primarily a sidebar of sorts for experimental short film programs. Eventually, it absorbed the former Visions program, and, now in its 14th iteration, Wavelengths presents short film programs alongside (or at least in relative conjunction with) domestic and international titles which challenge audiences in unique ways. I had read about Wavelengths for years and knew of its reputation as one of the primary places to see new experimental work. As a first […]